Amelia Parenteau details the devising process of Intramural Theater, sharing how the company creates a safe and supportive container for artists to tap into their wildest expressions and devise theatre that is wacky, surreal, and layered.

Amelia Parenteau sits down with Sarah Cameron Sunde, who has translated and directed six of Jon Fosse’s plays, to mark the occasion of Fosse being awarded the 2023 Nobel Prize in Literature. Their conversation pays tribute to Sarah and Jon’s longstanding creative relationship, examines the plays’ Norwegian context as it is translated internationally, and uplifts the need for American audiences to see more dramatic work in translation.

Amelia Parenteau chronicles the process of translating Eva Doumbia’s Autophagies from French to English and producing its tour in the United States, a project that unfolded across four years.

Amelia Parenteau introduces the We Will Dream: New Works Festival, a festival showcasing new plays by Black playwrights originating from or working in the American South.

Lauren E. Turner, producing artistic director of No Dream Deferred, sits down with Amelia Parenteau to discuss their recent experiences in anti-racist facilitation work through No Dream Deferred’s service, Equity and Justice for Institutional Change.

Although healthcare clowns have existed for more than forty years, their work isn’t widely understood. Amelia Parenteau discusses the substantial patient benefits that healthcare clowns provide while diving into their history and current practices.

Amelia Parenteau explores the most recent Seuls en Scène Festival, which took place in September 2020 on Zoom and had a programmatic mix of video recordings of live performance, “staged” readings, one making-of documentary, and a series of docutheatre work. / Amelia Parenteau explore la dernière édition du festival Seuls en Scène, qui a eu lieu en septembre 2020 sur Zoom et qui a présenté une programmation variée, avec des captations vidéo de performances, des lectures de pièces, un documentaire sur un processus de création et une série de docu-théâtres.

Amelia Parenteau examines the essential nature of both artists and medical workers—who heal body and soul, mind and spirit—and shares how some have navigated their career transitions between the two fields.

Amelia Parenteau discusses the Actions Caribéennes Théâtrales festival, which brought together francophones, francophiles, and theatre folks from around the world to witness staged readings of six French Caribbean plays in English translation. / Amelia Parenteau parle du festival Actions Caribéennes Théâtrales (ACT), qui a rassemblé des francophones, francophiles et gens de théâtre de partout dans le monde pour assister aux lectures publiques de six pièces franco-caribéennes traduites en anglais.

Amelia Parenteau speaks with Lauren E. Turner about racialized trauma in American theatre, Lauren’s experience with it, and healing.

Amelia Parenteau, along with theatremakers Eva Doumbia and Marie Houdin, explores the similarities and differences of parades and protests.

Amelia Parenteau explores the importance of the Seuls en Scène French Theater Festival in Princeton, New Jersey, and discuses the themes and productions at this year’s festival. / Amelia Parenteau explore l’importance du festival de théâtre français Seuls en Scène de Princeton, dans le New Jersey, et discute des thèmes et des productions du festival de cette année.