This section collects all HowlRound content that takes the form of an interview between two or more theatremakers. Interested in contributing your own interview? Here are our interview guidelines and best practices!
Elevating Indigenous Perspectives with Rhiana Yazzie
18 April 2024
In this episode, Rhiana Yazzie shares her journey of founding New Native Theatre and the importance of Indigenous storytelling. She reflects on the challenges and rewards of carving her own path in the theatre world, emphasizing the significance of staying true to one's cultural identity and values. Rhiana discusses the transformative power of art, community, and connection to the earth and invites listeners to support and engage with New Native Theatre's work.
More and more theatre departments are incorporating devising into their training. This highly collaborative process allows students to generate their own work, giving them ownership of the final product. Theatre professors Andy Paris (North Carolina School of the Arts) and Emily K. Harrison (Hamilton College) discuss their process, how they engage students, and the benefits of allowing students agency in the creation of their own work.
In this episode, we delve into CJ's origin story, tracing her journey from pre-med student to theatre major and founder of Breaking Wave Theatre Company in Guam. Yura and CJ explore the transformative power of theatre as a healing space, the importance of community and accessibility, and the revolutionary potential of reimagining organizational structures. With passion and insight, we envision a future where storytelling and connection thrive.
As universities put more emphasis on collaboration, inclusion, and student buy-in, theatre departments address these issues in their season planning and casting. In this episode, Dr. Colleen Rua, interim associate director and assistant professor of theatre, dives deep into the practices that the School of Theatre and Dance the University of Florida has put in place in order to create a more equitable planning and casting process.
Cultivating Abundance Through Community Care with Nicole C. Limón
4 April 2024
In this episode, Nicole C. Limón shares her origin story, tracing back to pivotal moments of realizing her worth and breaking through societal invisibility in the theatre world. From co-founding Movimiento Molcajete to birthing Matriarchy Theatre, Nicole unveils her journey, embodying resilience and community care. Tune in to explore the transformative power of authenticity, the art of manifesting abundance, and the future of leadership in the evolving theatre industry.
What tools are playwrights using to survive in the theatre industry today? What tools are missing? Louis DeVaughn “DeVo” Nelson poses these questions and more to three playwrights in conversations about the future of theatre, the shedding supremacist systems, and the necessity to build new communities.
Whether in rehearsal or in the classroom, theatre educators are often confronted with uncomfortable conversations. In this episode of Teaching Theatre, Megan Gogerty (University of Iowa) and Darren Canady (University of Kansas) discuss how they tackle challenging material in their classrooms, reframing the idea of what is “difficult,” getting to the root of discomfort, creating classroom agreements.
Crafting a Global Table for Caribbean Voices with Magaly Colimon-Christopher
28 March 2024
In this episode, Yura Sapi is joined by Conch Shell Productions founder, Magaly Colimon-Christopher as she shares her journey in establishing a global platform for Caribbean voices. Learn how Magaly navigates challenges and fosters collaboration to amplify underrepresented voices, and explore the transformative power of storytelling in shaping perceptions and fostering empathy on a global scale.
Guests Jennifer Blackmer (Ball State University) and Marcus Lane (University of Montevallo) join host Elyzabeth Gregory Wilder for a deep dive into how theatre professors can help our students find a healthy, productive work-life balance.
Host Elyzabeth Gregory Wilder talks with Valerie Curtis-Newton (University of Washington) and Cynthia Henderson (Ithaca College) about the changes and challenges university theatre training programs are facing in this moment, as well as some strategies to address these issues. This premiere episode touches on many of the topics we will discuss throughout the season: work ethic, teaching difficult material, and reinventing the canon, and more.
In this episode, Emma Bexell from Bombina Bombast, a performing arts company in Malmö, Sweden, takes us to the space of gamified society and theatre. Bombina Bombast combines documentary audio, gaming interface, and immersive installation in a Virtual Reality show where audience members can rest with insomniac Swedish gang members—all while criticizing the attention economy.
Multidisciplinary theatre artist Regina Victor (Pharoah) and playwright and director Sean Daniels discuss navigating being in recovery from addiction within the theatre industry, what recovering artists need, and the power of witnessing.
Disabled choreographer, dancer, designer, engineer, and founding member of Kinetic Light Laurel Lawson talks about performing aerially in a wheelchair, accessibility as its own artform rather than an add-on, and their app Audimance which includes haptic interpretation and sensory modulation.
The Virtuosity of Black Storytelling with Tarell Alvin McCraney
6 March 2024
Hosts Leticia Ridley and Jordan Ealey interview Oscar winner and MacArthur genius Tarell Alvin McCraney about his work as a playwright, how Black people tell stories, and what it means to be an artistic leader.
How LUNG Is Breathing Radical Joy into Theatre in the United Kingdom
5 March 2024
verity healey speaks to Matt Woodhead and Helen Monks, co-directors of LUNG, about LUNG’s work making campaign theatre that uses verbatim theatre strategies and associated political work to explore issues impacting the United Kingdom.
In this episode we talk with the founding artistic director of Theater Mitu, Rubén Polendo, about the hope for the future that inspired Utopian Hotline—now traveling through space as part of the Golden Record. We also discuss the gore, myth, and puppet-robots with their own point of view in Jodorowsky-inspired Santa Sangre.
Masi Asare is an assistant professor of theater and performance studies at Northwestern University. She is a songwriter and dramatist and also works as a performance scholar specializing in the study of race and vocal sound and musicals. On this episode, hosts Jordan Ealey and Leticia Ridley interview Masi on her experiences as a Black woman working in musical theatre and why Black women’s vocal training is so important.
Scott Walters, author of Building a Sustainable Theater: How to Remove Gatekeepers and Take Control of Your Artistic Career, sits down with Munroe Shearer to discuss the ways artist-owned theatres can succeed and best serve their communities.
Annemarie Hagenaars is an astronomer, physicist, and actress. In this playful conversation with Tjaša, Annemarie speculates about Einstein's famous equations, love, and shares her own experiment that she conducted with her one woman show The Story of the Einstein Girl, where she performs the play four different ways and lets the audience choose.
This week, Tjaša speaks with Josh Corn, a true renaissance man. He uses technology to tell absurd and subversive stories about humanity. Josh built René—the most technologically advanced robotic arm from 2002, who had her own circus act. He also made Field Day Games where you can compete with groups over video call to spill, drop, break, crack, ignite, and burn machines in their studio. Everyone wins except Josh. He has to clean up.
Completing the Unfinished Sentences of Our Ancestors with Jonathan McCrory
7 February 2024
Jonathan McCrory is a Tony Award and Emmy Award nominated producer and a two-time Obie Award-winning artist who has served as executive artistic director at the National Black Theatre since 2012. In this episode, hosts Jordan Ealey and Leticia Ridley talk with McCrory about his work with the National Black Theatre and his ongoing commitment to nourishing and cultivating Black creativity and Black life.
Automation, Slavery, Monsters, and Misery in Search of the Whole
1 February 2024
Maud discusses monsters, and the “humanization process”: the idea that humanity asks of us to leave some part of the world at the door and opt in for a very specific, very small part of all that life has to offer. They also dissect the West’s capitalist need to reject the consciousness of inanimate objects in order to participate in the consumer culture.
How can theatre make an impact in moments of crisis? During a time of ongoing genocide and brutal occupation in Palestine, this special episode focuses on Palestinian theatre and political action across borders. We discuss The Gaza Monologues and To The Good People of Gaza. Then Palestinian actor, writer, and scenographer Jeries AbuJaber joins us in conversation about what is currently happening in the West Bank and Gaza and his experience as a theatre artist in Palestine.
A Twelve-Foot Robotic Arm, Like Chekhov Would Have Wanted
25 January 2024
In this episode, Tjaša chats with director Igor Golyak of Arlekin Players about the power of virtual theatre and the experience of using technology that had never before been used for live performance. And if you were wondering why there was a twelve-foot robotic arm on stage, serving coffee and sweeping the floor in The Orchard at Baryshnikov Center, Igor thinks that’s what Chekhov would have wanted.