she/they - writer, sound artist, enemy of the low/highbrow dichotomy.
natalie layne's (she/they) plays include Sleeping on the Moon, The Exhibitions, I can tell you're in love., Support, I Do Not Lift This Stone Alone, A Solstice Howl, and Clouds of Salt and Cannon Smoke. She has contributed essays to Howl Round, Submittable, Entropy, and Bright Wall/Dark Room, and her fiction has appeared in Bone & Ink. After receiving her BFA in Production Design & Technology from Ohio University in 2014, Natalie spent the next decade working as a sound designer, composer, transcriber, pizza maker at a large grocery store chain, podcast editor, cocktail hour guitarist, script writer for educational videos, production assistant, data entry clerk, customer support agent, deliberately occasional busker, media producer, bassist for a powerpop band, project manager, and commercial baker. Born in New Jersey, educated in Ohio, and a lifelong spiritual resident of New York City, she currently resides in Philadelphia, at work on her second novel.