In this rethinking of authorship in contemporary theatre, Ezra Brain uses a collaborative definition of creativity to open up opportunities for theatre workers to advocate for pay equity.

Ezra Brain reflects on the unique process of creating and performing the new work Our Childhood Sucked and shares what the theatre community can learn from creating digital “non-theatre.”

Ezra Brain argues that political theatre has largely been reduced to simply calling out the problems in society, effectively preaching to the choir, and believes that in order to save political theatre, it must be re-Marxed.

Ezra Brain discusses the experience of creating a piece of theatre in the dark, the theory of “rasa,” the act of performance, and more.

Ezra Brain looks at how queer theatremakers can reclaim familiar genres and forms—like musicals and kitchen sink dramas—to create a mainstream queer theatrical culture.