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P. Carl

P. Carl is the Director and co-founder of HowlRound—a think tank and knowledge commons actively making community among theatremakers worldwide through online resource sharing and in-person gatherings. Carl is also the co-artistic director of ArtsEmerson at Emerson College where he develops, dramaturgs, and presents an eclectic array of theatre from diverse artists from around the globe. Operating from the core belief that theatre is for everyone, Carl seeks to use the power of live performance in concert with opportunities for international dialogue and activism to foster personal and political transformation through the shared experience of art. Carl is a Distinguished Artist in Residence on the Emerson faculty, and a frequent writer and speaker on the evolution of theater practice and theory. He is the former Producing Artistic Director of the Playwrights’ Center in Minneapolis, the former Director of Artistic Development at Steppenwolf Theatre in Chicago, and holds a PhD in Comparative Studies in Discourse and Society from the University of Minnesota. 

What’s Done Cannot be Undone
Essay

What’s Done Cannot be Undone

Lies in the Theater and Some Thoughts on Mike Daisey

20 March 2012
A dictionary entry for the words collaborate, collaboration, and collaborator.
Some Thoughts on Collaboration
Essay

Some Thoughts on Collaboration

13 March 2012

Love, comprimise, and honesty are essential to good partnerships. But are we as a theatre industry remembering to include these ideas in the way we make work?

Join us for the 21st Century Literary Office Convening
Essay

Join us for the 21st Century Literary Office Convening

22 February 2012

Join us for the 21st Century Literary Office Convening, and hear from P. Carl about just what we're setting out to do.

Burning Down A House
Essay

Burning Down A House

2 February 2012

P. Carl breaks down how the aesthetics, complexities, and high stakes in a play like Lisa D’Amour’s Detroit, create disruptive theatre.

A Virtual Theater Movement
Essay

A Virtual Theater Movement

6 January 2012

P. Carl asks if the virtual connectedness of the twenty first century theater community can provide the place for artists to move beyond the brick and mortar settings of the current regional theater movement, and into greater creative freedom.

Many doodles of the word no arranged to form the word yes.
From Me to We
Essay

From Me to We

Welcome to the New HowlRound.com

2 January 2012

A welcome to the new HowlRound.com, another step forward in turning the conversation around theater from "me" to "we."

A Creative Room of One's Own
Essay

A Creative Room of One's Own

5 December 2011

P. Carl ruminates on the comparison between an ER and a rehearsal room, and the lessons we can lean as theater makers from both.

 

A HowlRound Thanksgiving Retrospective Roundup
Essay

A HowlRound Thanksgiving Retrospective Roundup

23 November 2011

P.Carl, a founder of HowlRound highlights some quotes from articles published in the first year of HowlRound. 

Artists, Institutions, and the Decline of Public Discourse
Essay

Artists, Institutions, and the Decline of Public Discourse

31 October 2011

P. Carl on the decline of public discourse and the relationship between artists, institutions, and the percieved Haves and Have-Nots. 

A Theater of YES!
Essay

A Theater of YES!

3 October 2011

P.Carl meditates on the power of saying Yes instead of No to new ideas. 

Opt In
Essay

Opt In

31 August 2011

From social media posts from interns, to the "important stuff" institutional leaders handle, what in orgnizational culture needs to change, so aspiring and creative minds are not stifled by rigid hierarchies.

Social Skills and the Theater
Essay

Social Skills and the Theater

25 July 2011

P. Carl describes the social traps that befall those who work in non-profit theater, and advocates for the introduction of more breathing and thinking time into insitutions.

A logo that reads "TCG at 50: What if..."
Getting Over Ourselves
Essay

Getting Over Ourselves

27 June 2011

Reflecting on the 2011 TCG Conference, P. Carl asks “What if we could get over ourselves?” at both the individual and institutional level.

Was I Born This Way?
Essay

Was I Born This Way?

22 May 2011

P. Carl, the Co- Artisic Director of ArtsEmerson, narrates his evoultion of finding his place in the creatative field of theater, and the way the nature and expression of creativity in theatre is tied into the nature and nutrue philosphical arguement. 

A book entitled "The Gift: How the creative spirit transforms the world."
Notes on Generosity in the Theater
Essay

Notes on Generosity in the Theater

10 April 2011

Thoughts on maintaining a sense of abundance and gratitude as a theatre artist.

A classical art piece showing three women dancing.
Dialing the Suicide Hotline
Essay

Dialing the Suicide Hotline

24 February 2011

P. Carl asks: What are we to do to survive our own ego-mania?

Interview with David Dower
Essay

Interview with David Dower

13 February 2011

In this final installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl interviews David Dower on the results of the convening, and his assertion that new plays are in a state of abundance, not scarcity. 

Interview with Alison Carey
Essay

Interview with Alison Carey

8 February 2011

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl interviews Alison Carey of Cornerstone Theater Company about how to open up the conversation about diversity and inclusion in the theatre.

Interview with Claudia Rankine
Essay

Interview with Claudia Rankine

7 February 2011

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl interviews poet Claudia Rankine on the negotiation of the contradiction that often arises between beauty and the truth.

From Scarcity to Abundance
Essay

From Scarcity to Abundance

A Truly Abundant Moment for the New Play Sector

5 February 2011

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, P. Carl connects the abundance of new plays with the need to embrace diversity in the theatre.

Confessions, Contradictions, Beauty
Essay

Confessions, Contradictions, Beauty

25 January 2011

P. Carl reveals his personal journey with theatre through the lens of confessions, contradictions, and beauty. 

Transgender Series
Series

Transgender Series

A series from trans theatre artists that highlight diverse stories of a trans community of practicing artists working to create visibility in the theatre and the world.