Chloe Hyman reflects on M Sloth Levine’s play Nosferatu, The Vampyr, which she believes serves to dismantle anti-Semitic tropes, due to the fact that Jewishness and queerness are inextricably bound in vampire lore.
Barbara Fuchs writes about Game Over, a devised piece by the Spanish company Grumelot, which was a profound exploration of storytelling across multiple platforms, including Zoom, WhatsApp, Instagram, and Spotify.
Teresa Coleman Wash reflects on how the current state of affairs has fueled an urgency to interrogate all systems of oppression and argues that it’s past time to stop holding Eurocentric theatres up as the pinnacle of success.
Participatory Research Results and Further Questions
Expanding Where, Why, How, and With Whom Artists Make Work
20 July 2020
Jan Cohen-Cruz shares the results of her recent survey about community-based and socially engaged theatremakers in the United States, which looked at commonalities across the field, the practices and principles adhered to, where people work and with whom, and more.
Ashley Teague, in partnership with Carlos Sirah, Arielle Julia Brown, Mauricio Tafur Salgado, and Yazmany Arboleda, talk about their eight-year durational, grassroots engagement with the Black community of the Arkansas Delta, Remember2019.