Recent Essays

Writer and educator Jonathan P. Eburne details how he first came to know of Double Edge Theatre and the Ohketeau Cultural Center and discusses their unique approach to worldmaking, land sharing, and theatremaking.

Writing from her little family farm in Oregon, E.M. Lewis applies the lessons learned in the garden to her experience as a librettist and playwright.

Theatremaker Viktor Vilisov examines the important role theatre can play in supporting migrants and refugees.

Iris McQuillan-Grace sits down with Kit Ingui, managing director of Long Wharf Theatre, to discuss Kit’s efforts to create a supportive and inclusive work environment by consciously building Long Wharf’s Human Resources (HR) practices.

Morgan Skolnik argues for theatre that goes beyond physical accessibility and disability representation to actively center disabled artists and the creative potential the disability community holds.

Fight director and theatre artist Danielle Rosvally and founder of Heartland Intimacy Design and Training and associate professor Kate Busselle come together to interrogate the concept of “certification” in fight direction and intimacy coordination by illuminating current training practices, opportunities, and programs in the field.

Jasmine Haley Anderson takes aim at fatphobic standards in the theatre industry, which begin fostering disordered eating in women from their earliest performance experiences.

Projection designer David Forsee, who brings artificial intelligence into his own design workflow, creates a toolkit for other designers interested in effectively and ethically integrating text-to-image models into their design processes.