Amelia Parenteau discusses the Actions Caribéennes Théâtrales festival, which brought together francophones, francophiles, and theatre folks from around the world to witness staged readings of six French Caribbean plays in English translation.

Kristin Leahey, PhD explores the impact of the Colorado New Play Festival and its accompanying conference.

Loren Noveck discusses the Oregon Shakespeare Festival’s Play On! project, which commissioned thirty-six playwrights to translate the entire corpus of Shakespeare into contemporary modern English.

Matthew McMahan talks to playwright Herbert Siguenza about branching out as a solo writer after years as a member of Culture Clash, writing bilingual comedy, and more.

We’re hiring a full-time Communications Manager! Consider join the HowlRound team—details about applying within.

Jamie Gahlon, director of HowlRound, reflects on the past year of conversations, convenings, livestreams, and more—all in the name of creating a more equitable, just, and progressive theatre field—and looks forward to 2020.

Amanda Shank, associate artistic director of California’s CalArts Center for New Performance, talks about bringing an international, cross-cultural collaboration to life with Warsaw’s STUDIO teatrgaleria.

Kate Busselle talks about the invisible emotional labor inherent to teaching theatre and how, while leading a six-week summer intensive, she was able to establish professional boundaries and delegate some of the labor.

Armando Huipe, new Latinx Theatre Commons producer, announces the next four years of programming which include the Creative Renewal Retreat, a Comedy Carnaval, and furthering the internal work of anti-oppression, coalition building, and combating colorism.