Jerrod Bogard talks about sexism, theatre, and unpacking his invisible knapsack.

Dani Wieder looks at the objectification inherent in theatre and the importance of artists crafting engaged performer-spectator relationships.

verity healey examines the concept of theatrical space as it applies to two shows that were presented at Germany’s Our Stage festival in May: Invited and A Doll’s House.

Professor Christin Essin talks about problematic staging of gendered violence at a production she recently brought her students to and the importance of content warnings and taking care of survivors in theatrical works.

Robert Hubbard discussions Madeline Sayet’s production of A Midsummer Night’s Dream at the South Dakota Theatre Festival.

Todd London celebrates one of the most prolific and prominent Latino playwrights in America, Octavio Solis.

Zach Donovan discusses how the Shed—the state-of-the-art arts complex in New York City’s recent real estate development, Hudson Yards—has become a point of contention in the downtown theatre community.

Danielle Rosvally looks at the importance of theatre criticism, explores the idea that everyone’s a critic, and talks about the parking lot rule.

Sharanya shares her thoughts on restaging gendered violence, including how the representation of sexual violence has the power to be scripted and also to script, the importance of de-spectacling violence, and more.