Recent Essays

Michelle Ramos sits down with Ashley Davis, founder and director of the social enterprise Unlock Creative, to discuss Ashley’s experience being a mom in the field and how she works to make her own organization more accommodating of parents and caregivers.

verity healey speaks with Polish theatremaker Nastazja Domaradzka about No Borders, an arts program she created in collaboration with the Royal Court Theatre in London that prioritizes migrant artists’ experiences and voices.

Talia Rodriguez details the generative process for We Are Kin to the Cove, a site-specific, community-engaged performance exploring the historical and contemporary relationships water and humanity at a cove on New York’s East River.

Theatre artist Kofoworola Owokotomo describes her experience teaching theatre to students at the Concord School in Ibadan and advocates for more funding of arts education in Nigerian schools.

Multidisciplinary artist Ash Marinaccio sits down with the co-founder and artistic director of ASHTAR Theatre Iman Aoun to discuss this year’s ASHTAR International Youth Festival in Palestine.

Writer and translator Livian Yeh examines the complexities of Asian identity within American theatre and gives her take on what it means to be a “third-culture” theatremaker.

Melissa Lin Sturges shares her experience attending Olney Theatre Center’s bilingual production of The Music Man, which was presented in both English and American Sign Language.

Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.

Ann James talks to Adi Cabral about Cabral’s path though the intimacy industry. As a practitioner and professor, Cabral approaches intimacy choreography by centering harm prevention while working to create opportunities for students to identify and grow within their boundaries.