In this excerpt from Counting New Beans: Instrinsic Impact and the Value of Art, Dudley Cocke talks to Clayton Lord about Roadside Theater and its mission of encouraging conversation through theater in Appalacian communities.
Michael Rohd talks about the role of translation in data science and its connection to theatre in this new column, dedicated to discussing the role of translation in theatre.
Lessons Learned from Woolly’s Infamous Tweet Up Experiment
1 March 2012
Woolly Mammoth debriefs on what did and didn't work in their forray into Twitter, and how other theatres can replicate and learn from their experiment.
Otis Ramsey-Zoe continues our series of responses to the American Voices New Play Institute's 21st Century Literary Office Convening with this manifesto of what we as a theater community need to do to create the literary office of the future.
Amrita Ramanan describes her literary office of the future—a place with no walls, no seperations, and no more viewing dramaturgy as an isolated practice.
Aaron Carter talks about the literary manager of the future: the Generative Artist Talent Scouts. This manifesto was presented as part of the American Voices New Play Institute's 21st Century Literary Office Convening.
a series of conversations (not actually an office)
29 February 2012
Adrien-Alice Hansel offers her version of the modern literary office: one that isn't really an office at all. This manifesto was presented as part of the American Voices New Play Institute's 21st Century Literary Office Convening.
Julie Elise Dubliner presents her manifesto for the 21st Century Literary Office. This manifesto was presented as part of the American Voices New Play Institute's 21st Century Literary Office Convening.
