P. Carl asks if the virtual connectedness of the twenty first century theater community can provide the place for artists to move beyond the brick and mortar settings of the current regional theater movement, and into greater creative freedom.
Meiyin Wang contrasts Electricity, Originality, and Authenticity in the context of the 2012 Under the Radar Festival, and how selected productions challenge these concepts.
Deborah Cullinan asks how the theater community can create work that crosses the fractured lines of our contemporary communities and truly converges with the outside world.
