Recent Essays

Gregory Moomjy and Marianna Mott Newirth share their approach to creating disability-affirmative opera productions in which disability artistry flourishes.

Theatre researcher and journalist Eduardo Campos Lima discusses Grupo Tapa’s production of Papa Highirte and explores the history of the powerful play.

Daphnie Sicre discusses the way that Latinidad, Blackness, and queerness intersect in “Marimacha,” comedic coming out story about an AfroPanamanian family on their way to a wedding.

Theatremaker and advocate Ronee Penoi shares her inspired keynote speech from the Public Theater’s 2023 Under the Radar Professional Symposium.

The International Presenting Now convening brought a collective of US-based presenters of international work together in physical space in January 2023, following almost three years of virtual conversations and events. Janice Paran details the conversations that arose around the convening’s key question: how might international presenters want to work differently?

Trevor Boffone reviews Tus Tías’ The Invocation of Selena, a sketch comedy and cabaret-style show that begins by summoning Latine icon Selena and ends by eulogizing her.

Director Vitaly Kogut is one of many displaced Russian men spending this winter in Batumi, Georgia. Daniel Mesta interviews him about his work, in which uses theatre to communicate the complexities of the Russian soul while enduring censorship and cancellation.

Yvette Heyliger reflects on her experience as a Black woman artivist and discusses the racial and gender inequities in the theatre field.

For three years, Kristin Patton and Nick Rabkin worked with five case study theatre companies to study the often fraught, high risk, and complex decision-making process of theatrical repertoire selection. The result of their research project, the Moonshot Report, offers insights into their process and practical recommendations for strategic approaches to season planning.