Mora V. Harris offers suggestions for what organizations can do if they can’t afford the travel costs associated with bringing an artist from out of town.
Scott Artley talks about the decision to wind down activities of Patrick’s Cabaret in Minneapolis after over thirty years on the scene and details the steps taken to “sunset” the organization in a respectful, beautiful way.
A User’s Guide to Leadership Transition in the North American Theatre
14 October 2018
David Dower, artistic director of ArtsEmerson, introduces the leadership series with thoughts and advice from his past experiences with major leadership transitions over his thirty-year career.
The Possibility of Generative Futures Through Embodied Practice
20 September 2018
Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.
Playwright Rachel Bonds reflects on being a working artist since the birth of her son, and maps out tips for theatres working with other parent-artists.
Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre
23 July 2018
Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company’s process, devising work, and creating rituals in theatre.
Director Lavina Jadhwani summarizes conversations about casting she's been involved with in the past, and offers advice to artists and producers who find themselves facing criticism for their choices.
Seven Lessons Learned from Creating an Immersive Theatrical Whodunit
25 June 2018
Georgia-based theatremaker Corey Bradberry reflects on lessons learned after creating an immersive murder mystery play in a four-story historical theatre, and muses on how large institutions sharing resources with smaller companies can lead to new and innovative creative partnerships.
Playwright Renée Darline Roden talks about her travels to Israel and Palestine to gain inspiration for a new play and encountering what Chimamanda Ngozi Adichie calls “the danger of a single story.”
Five Grounding Techniques to Cultivate Resilient Ensembles
28 March 2018
US director and health and wellness educator Molly Schenck describes five useful rehearsal techniques for ensembles to adapt when creating work around difficult topics.
For the fourth installment of the Chronic Theatremaker series, Sara Brookner interviews playwright Lisa Kenner Grissom about living with lupus and learning to balance her health practice with her writing practice.
Artistic Director Kristin Marting discusses how developmental programs can better meet the needs of artists and shares best practices from HERE’s multi-year artist residency program in New York City.
Creating Self-Advocating Artists Starts in the Classroom
26 February 2018
Elizabeth Horn reflects on how in the aftermath of #MeToo, it is more important than ever to teach the next generation of theatremakers ideas of consent, respect, and how to advocate for themselves as artists.
Does Your Theatre Department Have a Patriarchy Problem?
17 December 2017
Director and theatre professor Holly Derr gives advice on how to identify whether your theatre department might be ripe for sexual harrassment, and offers tangible steps for professors to change the culture of their departments.
