Kitty Drexel discusses how the New England theatre community is working to improve their harassment policies, and what the critic's role can be in making inclusive spaces that are safe for all.

Julie Trébault and Laura Kauer García discuss the work that Artists at Risk Connection (ARC) has been doing to connect, defend, and protect artists worldwide.

Matthew Covey, founding director of Tamizdat, discusses why American theatre artists should be more knowledgable about US visas and policies, and describes how Tamizdat is working to support international artists performing in the US. 

Theatre activist Hjalmar Jorge Joffre-Eichhorn reflects on the founding of the Afghanistan Human Rights and Democracy Organization, a political theatre group that has been working together for over ten years to create social change.

Mary Ann DeVlieg discusses different types of artistic censorship and organizations that are fighting globally for freedom of expression. 

Jessica Litwak, artistic director of the H.E.A.T Collective, explores the growing field of artist rights and safety, and talks about her dedication to “art of service,” the work that serves communities by facilitating creative personal and social change.

Rachael Carnes discusses organizing Playwrights Say Never Again to School Shootings, a new anthology of work on gun violence by nineteen playwrights with readings all over the United States.

US director and health and wellness educator Molly Schenck describes five useful rehearsal techniques for ensembles to adapt when creating work around difficult topics. 

Playwright Tiffany Antone discusses Protest Play Projects, a new initiative that is organizing theatrical action around gun control in the United States. 

Elizabeth Horn reflects on how in the aftermath of #MeToo, it is more important than ever to teach the next generation of theatremakers ideas of consent, respect, and how to advocate for themselves as artists.