Kitty Drexel discusses how the New England theatre community is working to improve their harassment policies, and what the critic's role can be in making inclusive spaces that are safe for all.

LA arts administrator David Mack explores the topic of labor law, proposing that complying with it will help create and sustain a more equitable theatre community—both in his city and across the country.

Julie Trébault and Laura Kauer García discuss the work that Artists at Risk Connection (ARC) has been doing to connect, defend, and protect artists worldwide.

Matthew Covey, founding director of Tamizdat, discusses why American theatre artists should be more knowledgable about US visas and policies, and describes how Tamizdat is working to support international artists performing in the US. 

Theatre activist Hjalmar Jorge Joffre-Eichhorn reflects on the founding of the Afghanistan Human Rights and Democracy Organization, a political theatre group that has been working together for over ten years to create social change.

Mary Ann DeVlieg discusses different types of artistic censorship and organizations that are fighting globally for freedom of expression. 

Jessica Litwak, artistic director of the H.E.A.T Collective, explores the growing field of artist rights and safety, and talks about her dedication to “art of service,” the work that serves communities by facilitating creative personal and social change.

Rachael Carnes discusses organizing Playwrights Say Never Again to School Shootings, a new anthology of work on gun violence by nineteen playwrights with readings all over the United States.

US director and health and wellness educator Molly Schenck describes five useful rehearsal techniques for ensembles to adapt when creating work around difficult topics. 

Playwright Tiffany Antone discusses Protest Play Projects, a new initiative that is organizing theatrical action around gun control in the United States. 

Elizabeth Horn reflects on how in the aftermath of #MeToo, it is more important than ever to teach the next generation of theatremakers ideas of consent, respect, and how to advocate for themselves as artists.

Director and theatre professor Holly Derr gives advice on how to identify whether your theatre department might be ripe for sexual harrassment, and offers tangible steps for professors to change the culture of their departments.

Adriana Gaviria speaks on how entertainment industry unions and institutions in the US can step up to better advocate for parent artists. 

Devon Berkshire lays out some tangible steps for decision-makers on creating a more family-friendly work environment. 

Raphael Khouri writes about creating a work of queer Arab theatre in secret.

Wael Qadour describes creating a piece of theatre with young people living in northern Jordan.  

A prominent theatre figure in Lebanon and the Arab region, Hanane Hajj Ali reflects in this piece on the personal and professional encounters that have made her the free woman she is today.

Lebanese writer and advocate Mona Merhi writes about the history of censorship in Lebanon and its current state of play.