Brett Aresco looks at personal comedy theatre and recent shows by Neal Brennan and Mike Birbiglia.

Allison Raynor interviews Anthony Atamanuik, a Donald Trump impersonator who critiques both the president and audiences in his latest solo piece.

Anđela Vidović critiques the relevance of a Croatian adaptation of Richard Bean's One Man, Two Guvnors.

Patricia Davis on Keegan Theatre’s production of What We’re Up Against by Theresa Rebeck, directed by Susan Marie Rhea.

Ricky Young-Howze writes about Neil Simon’s influence on pop culture comedic tropes.

David Levy discusses Noah Diamond’s adaptation and revival of I’ll Say She Is, the musical debut of the Marx Brothers. 

David Dudley interviews members of the creative team behind the Goodman Theatre’s recent production of Thornton Wilder’s The Matchmaker.

Ellen Mareneck on David Lindsay-Abaire’s Ripcord, directed by David Hyde Pierce at Manhattan Theatre Club in New York. 

Andrew Bailes describes the unlikely link between the Gainesville, Florida and Chicago, Illinois improv communities.

Alice Stanley Jr. describes her experince at The Toch Theatre's "Improvised Book Club" and writes about how an audiences' preparation affects their involvement.