Playwright Sarah Ruhl discusses the impulse and plan for theatres across the country to host readings of her play The Oldest Boy as a benefit to raise relief funds to aid earthquake victims in Nepal.

The HowlRound community is designing and building the World Theatre Map. Track its progress and participate in its design and development.

The HowlRound community is designing and building the World Theatre Map. Track its progress and participate in its design and development.

Edward Einhorn discusses the benefits and pitfalls of posting scripts online.

On the five-year anniversary of HowlRound, P. Carl looks back with a grateful eye to the future.

In an attempt to make it even easier for everyone to have their voice heard in the HowlRound journal, we’ve recently made some changes to the way we collect pitches. 

The Latina/o Theatre Commons invites theatremakers to participate in a regional convening in Dallas, Texas October 30-November 1, 2015. 

Tiffany Ana López on the LTC’s Carnaval of New Latina/o Work hosted by the Theatre School at DePaul University July 23-25, 2015 in Chicago, Illinois.

Lisa Portes on the power of shared leadership and collective action as embodied by the Latina/o Theatre Commons.

Luis Alfaro reports on the third day of Carnaval, and shares the note the community ended on—commitment and movement. 

Olga Sanchez reports on Carnaval 2015, Day 2, sharing summaries of conversations and the three readings of the day.

Georgina Escobar reflects on Day 1 of Carnaval 2015.

The Latina/o Theatre Commons Steering Committee invites you to attend Carnaval 2015, July 23-25 at the Theatre School at DePaul University in Chicago.

The twelve plays to be showcased at Carnaval 2015 are just the tip of the iceberg. The totality of the plays submitted for consideration represents the depth and breadth of artistic ambition within the Latina/o theatremaking community.

The Latina/o Theatre Commons announces the lineup for the 2015 LTC Carnaval of New Latina/o Work, hosted by The Theatre School at DePaul University July 23-25th in Chicago.  

Are you looking for some hands-on experience to continue your education? Are you interested in a bird's eye view of not-for-profit theatre? Consider becoming the next HowlRound Fellow!

Michael Milligan explores the bare minimum needed to make solo theatre, as well as the grassroots nature of it, and what can happen when you collaborate with people who are deeply passionate, though perhaps not artists.

One guy’s version of how the geography and history of Boston shaped its theatre scene, with a view on how to utilize and reform the space we occupy.

A sampling of the HowlRound community’s voices in the 2014 Blog.

January 2015 marks the four-year anniversary of the launch of the commons project called the HowlRound Journal. Thank you authors, readers, and commenters—and thank all of you for participating in this ongoing conversation about theatre.

We hope 2015 activates us all and that we can continue to function as a digital-stage in which to strengthen our conversations, and augment our visibility. For now, we leave 2014 by offering you some of our favorite excerpts from Café Onda this year.