Merve Parla shares her experience with Netherlands-based dance company Club Guy & Roni’s recent production of Swan Lake, an interactive experience with both offline and online components.

In envisioning of the future, Jared Mezzocchi begins by questioning: “What if theatre’s identity is not lost in the digital, but instead is enhanced in it?”

Heidi Coleman and Patrick Jagoda discuss alternate reality games (ARG) as a means of motivating audiences to take action, what goes into creating ARGs, game-based improvisation, and more.

In the last conversation of the Performing the Internet series, curator Kate Bergstrom sits down with three members of the Detroit-based artist-activist collective Complex Movements—Sage Crump, ill weaver, Wes Taylor—to talk about intentional engagement in a virtual world.

In this article for the Performing the Internet series, Miller Puckette and Onyx Ashanti get together for a conversation about the changing landscape of multimedia technology in the arts, how technologically mediated performance practices have taken on new relevance in the post-COVID era, and more.

As part of the Performing the Internet series, Martim Galvão and Todd Anderson have a conversation about the unconscious “performance” and emotional journey of web browsing, internet mixtapes, building websites for performance, and more.

Anchuli Felicia King and Adam Cooper-Terán talk about how the object of the internet functions in their creative work, the ethics of the internet, digital apocalypse art, and more.

Kate Bergstrom introduces the Performing the Internet series, which asks big questions, such as: Can unpacking the internet be a bellwether for how we all can unpack and restructure our society and our organizations? Can we reconceptualize our relationship to the internet by dismantling, questioning, and addressing it in our creative work?

Vijay Mathew asks, and then offers ideas to approach, the question: "How will the performing arts field contribute to climate justice during the sixth mass extinction?"

Amelia Parenteau explores the most recent Seuls en Scène Festival, which took place in September 2020 on Zoom and had a programmatic mix of video recordings of live performance, “staged” readings, one making-of documentary, and a series of docutheatre work. / Amelia Parenteau explore la dernière édition du festival Seuls en Scène, qui a eu lieu en septembre 2020 sur Zoom et qui a présenté une programmation variée, avec des captations vidéo de performances, des lectures de pièces, un documentaire sur un processus de création et une série de docu-théâtres.

Barbara Fuchs chats with director and designer Jared Mezzocchi about his digital theatre production Russian Troll Farm, how to reverse-engineer Zoom, Isadora as the way forward, and more.

Priscilla Solis Ybarra reflects on her experience watching Virginia Grise’s a farm for meme at home, during the pandemic, with her eighty-two-year-old mother whose life shares parallels with the story in the play.

Viviana Vargas shares what it’s been like transitioning their Bogotá-based arts, culture, and healing storefront, Balistikal, into an online space during the pandemic./Viviana Vargas comparte cómo ha sido la transición de su espacio físico en Bogotá, de arte, cultura y sanación, llamado Balistikal, a un espacio en línea durante la pandemia.