Latinx Theatre

Theatremaker Maria Patrice Amon shares her experience watching La Carpa De La Frontera at Latinx Theatre Commons’ 2022 Comedy Carnaval and explains the significance of carpa theatre.

Monica Payne recaps the 26th international Gdansk Shakespeare Festival, where artists from around the globe adapted, deconstructed, and celebrated Shakespeare’s plays through boldly contemporary productions.

Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.

Trevor Boffone reflects on the 2022 Latinx Theatre Commons (LTC) Comedy Carnaval that convened at Su Teatro in Denver, Colorado, which was comprised of productions, readings, panels, and special sessions that showcased the depth and range of Latinx comedy in theatre.

Amelia Acosta Powell describes the creation and intention behind Comedy Carnaval, an LTC event that invites Latine theatremakers to laugh in the face of oppression.

Educator and writer Marci McMahon reflects on her experience seeing Virginia Grise’s movement manifesto Your Healing is Killing Me at Cara Mía Theatre Co.

Gabriel Augusto Liparini Queiroz sits down with Adilson Siqueira, Aneliza Rodrigues Prado, and Patrick Veniali da Silva to discuss their work at the Laboratory of Ecopoetics (ECOLAB) at the Federal University of São João del-Rei. They share their research on the concept of the corpo quebrada—literally the “bent body”—which responds to ecological crisis by embodying resilience and flexibility.

Onisajé shares the creative process of Teatro Preto do Candomblé, which trains actors using the rituals and liturgy of Candomblé as a method of actor training. Through immersion in this African diasporic religion, Teatro Preto do Candomblé’s methods center reciprocal relationships with the environment and activate individuals’ connection to their Blackness.

In Martin Domecq’s contribution to the Climate Emergency series, he puts four Brazillian performance art pieces in conversation to draw upon the poetic, political, and civic lessons they offer. These performances—which range from installations to solo and group performances—model possible paradigms that work against ecological crisis.

Elizabeth Doud introduces the Climate Emergency series, which looks to Brazilian artivism for reparative paths forward in the face of climate change.

The Latinx Theatre Commons (LTC) announces the 2022 LTC Comedy Carnaval, June 9-11, 2022 in Denver, Colorado. The convening is hosted by Su Teatro Cultural & Performing Arts Center. …because the past two years have been so rough that we gotta ducking laugh 🦆

María Regina Firmino-Castillo discusses the inspiration behind and implications of Lukas Avendaño’s Xibalbay, a multidisciplinary performance project that relates enduring stories of the Mayan underworld to contemporary forced disappearances of people in Mexico.

Join us in welcoming Jacqueline, our new Latinx Theatre Commons Producer!

Manuel Muñoz reflects on Virginia Grise’s adaptation of Their Dogs Came with Them, which took place in fall 2019 under the colossal concrete freeway ramps of the I-10 freeway that dissect South Tucson from the edge of the Sonoran Desert.

Priscilla Solis Ybarra reflects on her experience watching Virginia Grise’s a farm for meme at home, during the pandemic, with her eighty-two-year-old mother whose life shares parallels with the story in the play.

Viviana Vargas shares what it’s been like transitioning their Bogotá-based arts, culture, and healing storefront, Balistikal, into an online space during the pandemic./Viviana Vargas comparte cómo ha sido la transición de su espacio físico en Bogotá, de arte, cultura y sanación, llamado Balistikal, a un espacio en línea durante la pandemia.

Kar Eleggua Luna Olokun Laverde talks about the relationship between state, culture, and art in Colombia; the effects of COVID-19 on resistance communities; cultural organizations that empower marginalized communities through art; and more. / Kar Eleggua Luna Olokun Laverde Sanjuan habla sobre la relación entre estado, cultura y arte en Colombia; los efectos del COVID-19 sobre las comunidades en resistencia; organizaciones culturales que empoderan comunidades marginadas a través del arte; y más.

Cris Tengono talks about how, thanks to the pandemic, a virtual artistic world has begun to develop in Colombia—one of infinite possibilities and without borders, where nationalities do not matter—and shares some of the work that has come out of it.