Content in this section focuses on the intersection between the not-for-profit and commercial theatre fields and writing about specific shows that have been developed and produced by companies in each sector. Start with Diane Ragsdale’s foundational 2012 essay “In the Intersection: Partnerships in the New Play Sector” or purchase the whole book.
The Latest
Essay
Accounting for Change
by Elizabeth McQueen, Sara Porkalob
24 November 2025
Essay
Where is US Theatre Thriving? Small, Grassroots Organizations
by Roman Sanchez
22 May 2025
Essay
Strategizing Against Fracture and Dissolution at the 2025 Under the Radar Symposium
In the last couple of seasons I’ve become aware of a ticket scheme already practiced by some of our larger regional theaters, and currently under consideration at some where my plays are produced. And this practice goes by a very catchy and newfangled name. It’s being called “dynamic pricing.” But it’s not a new practice. It’s actually quite old, and has a more familiar name. It’s called "scalping".
Allison Vanouse writes about Disney Theatrical Enterprise's approach to theatermaking, and how high art and children's theater meet in their regional theater collaboration: The Jungle Book.
Jonathan Mandell writes about the inclusion of off-Broadway theaters in the Regional Theater Tony Award, and why we should end the rhetoric of us vs. New York.
Daniel Burmester reflects on "In the Intersection" and the call for more artists who are looking at the big picture of the American theatre – not just from production to production.
Best & Worst Practices in Commercial/Not-for Profit Theater Partnerships
13 May 2013
The topic for this week's Howl will be Best & Worst Practices in Commercial/Not-for Profit Theater Partnerships: What's working well? What needs to change? We'll be using Tory Bailey's article Response to In the Intersection as a starting point.
Diane Ragsdale summerizes her report on the meeting between US Non-Profit and Commerical Theater Producers in Washington, DC in 2011, and what she learned there.