Zombies Limping in Circles, or An Argument for a Taxonomy of NPD Technique
1 May 2011
Aaron Carter and Erik Ramsey suggest a taxonomy for new play development techniques to serve as a reference for playwrights and developers to avoid the "zombification" of new plays.
In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, Anthony Werner interviews Derek Goldman of Arena Stage on how the abundance in theatre is found in partnerships and collaborations.
In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, Meiyin Wang hypothesizes on the future of theatre and the impact it can have on the world.
In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, Anthony Werner interviews Neil Barclay of the National Black Arts Festival on the role of presenters in choosing work that will best connect with their community.
If history is made by those who write it, then the Latinx Theatre Leaders at the Forefront series serves as a historical intervention by adding to the limited existing documentation of Latinx theatre leaders.This series convenes Latinx theatre leaders to amplify their experiences in a field that has ignored their existence and failed to provide enough resources to build the infrastructure necessary for success. In an effort to continue legacy and leadership cultivation, these interviews pair established theatremakers with new and future leaders, creating intergenerational conversations that model horizontal mentorship and learning. Join us to share in these leaders’ hope for future generations and to learn how they have mobilized that hope by creating community and producing work that centers Latinx stories.
This series was originally called Producing Ethically in 2020. But then New Years happened, and we realized we had so much more to talk about! So this is a continuation of the series: welcome to Producing Ethically in 2021.
As a field, we talk frequently about the results of season planning, but we rarely are given the opportunity to examine the myriad decisions season programmers need to make.
This series focuses on theatre and film in a fly-over state like Kentucky that is struggling to not only join, but also lead in the twenty-first century.