Dominick DeGaetano takes us to Tbilisi, Georgia’s beloved marionette theatre, the Gabriadze, which was built and runs on the vision of single man, eighty-two-year-old Rezo Gabriadze.

Kendra Fanconi explains why it might take us eighty-eight minutes to digest one simple sentence about climate change.

Theatre student Abigail Warhus talks about feeling stuck at university and taking her education into her own hands.

Dominick DeGaetano reflects on Hyung Seok Jeon’s A Held Posture, which last performed at Theaterlab in New York City in January 2018.

Jonathan Mandell reflects on the twentieth anniversary production of Basil Twist's Symphonie Fastastique at HERE Arts Center in New York City.

Zach Fraser reveals the puppet theatre community of Montreal.

Puppeteer Cecilia Cackley interviews Gabriela Céspedes, a leading caja lambe-lambe puppet artist based in Argentina.

Puppeteer Fedelis Kyalo shares his puppet background, and discusses how puppetry intersects with popular entertainment and street protests in Kenya.

Jonathan Mandell digs into three recent productions in New York City—Made in China, Confucius, and Caught—that explore US-China relations.

David Dudley interviews playwright Howard Barker about writing for live actors versus marionettes.

Ethan Lipton discusses making music, making theatre, and combining the two in his full-length play-with-music Tumacho at Clubbed Thumb.

David Bruin on the world premiere of Demolishing Everything with Amazing Speed, futurist puppet plays by Fortunato Depero, translated, designed, and directed by Dan Hurlin at Bard SummerScape.

In this installment of La Esquinita, puppeteer Stephanie Diaz shares her journey to puppetry and discusses her creative process.

Ramesh Meyyappan and Gavin Glover discuss their wordless adaptation of Madame Butterfly, replete with kites and puppets, and their hopes for hyphenate theatremakers.