Race & Representation

The Latest

Standing in Our Grandfathers' Shoes
Essay

Standing in Our Grandfathers' Shoes

Sarah Bellamy and Jamil Jude in Conversation

by Sarah Bellamy, Jamil Jude
9 December 2018
Livestreaming the National Performance Network 2018 Annual Conference
Video

Livestreaming the National Performance Network 2018 Annual Conference

Pittsburgh, Pennsylvania

Friday 14 December to Sunday 16 December 2018
Pittsburgh, Pennsylvania
When a Show Gets Cancelled, Make Art Anyway
Essay

When a Show Gets Cancelled, Make Art Anyway

by Ricky Quintana
14 November 2018
NPN logo
Livestreaming the National Performance Network 2018 Annual Conference
Video

Livestreaming the National Performance Network 2018 Annual Conference

Pittsburgh, Pennsylvania

Friday 14 December to Sunday 16 December 2018
Pittsburgh, Pennsylvania

The National Performance Network presents their Annual Conference 2018 livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv from Friday-Sunday 14-16 December.

Two men talking
Standing in Our Grandfathers' Shoes
Essay

Standing in Our Grandfathers' Shoes

Sarah Bellamy and Jamil Jude in Conversation

9 December 2018

Sarah Bellamy, artistic director of Saint Paul’s Penumbra Theatre, talks to Jamil Jude, incoming artistic director of Kenny Leon’s True Colors Theatre Company in Atlanta, about learning from the founders, the funding disparity between predominantly white institutions and theatres of color, and more.

two performers with hands up
When a Show Gets Cancelled, Make Art Anyway
Essay

When a Show Gets Cancelled, Make Art Anyway

14 November 2018

Arizona State University student Ricky Quintana talks about taking his education into his own hands—by devising his own show—after a school production was cancelled earlier this year due to unforeseen circumstances.

The Three Sisters
Essay

The Three Sisters

Lessons on Inspiration, Appropriation, and Design

1 November 2018

Costume designer Valerie St. Pierre Smith explores the major issue of cultural appropriation in costume and fashion design, touching on every aspect of the production process, from research to execution.

Tracing the Origins of the Freak Show with Dr. Matt DiCintio
Podcast

Tracing the Origins of the Freak Show with Dr. Matt DiCintio

Theatre History Podcast #69

22 October 2018

In this week's Theatre History Podcast, Matt DiCintio on the origins of the freak show and its lasting influence on our perceptions of disability, race, and physical difference. 

Diversity for Dummies Part Two
Essay

Diversity for Dummies Part Two

Why The Best Intentions Sometimes Fail

9 October 2018

Director Ralph Peña writes about the importance of beginning every project from a place of inclusion, rather than relying on retroactive "diversity initiatives."

Tilikum and Wading into Better Criticism
Essay

Tilikum and Wading into Better Criticism

28 August 2018

Yasmin Zacaria Mikhaiel talks about the importance of “good” criticism through the lens of Kristiana Rae Colón’s play Tilikum.

Red Hills and the Question of Who Gets to Tell What Stories
Essay

Red Hills and the Question of Who Gets to Tell What Stories

15 July 2018

Bertie Ferdman looks at En Garde Arts’ production of Red Hills, which explores the question: “Who has the right to tell what stories?”

Dramaturgical Work with College-Aged Artists around Race and Whiteness
Essay

Dramaturgical Work with College-Aged Artists around Race and Whiteness

2 July 2018

Dramaturg Gaven D. Trinidad reflects on workshopping Snowflakes, or Rare White People by Dustin Chinn as a part of UMass Amherst's New Play Lab in December 2017.

The Ground on Which We Stand
Essay

The Ground on Which We Stand

10 June 2018

Playwright Michelle Tyrene Johnson and director Claire Syler discuss their collaboration on The Green Duck Lounge, a play that delves into Kansas City, Missouri’s civil rights history.

Decolonizing Theatre/La Descolonización del Teatro
Essay

Decolonizing Theatre/La Descolonización del Teatro

an Introduction/Introducción

27 May 2018

Annalisa Dias and Madeline Sayet introduce the Decolonizing Theatre series by exploring the ways the American theatre has been and still is complicit in the legacy of colonialism.

Roma Artists Telling Stories of Resistance, Not Victimhood
Essay

Roma Artists Telling Stories of Resistance, Not Victimhood

24 May 2018

Mihaela Drăgan interviews Sandra and Simonida Selimovic of Mindj Panther about their show Roma Armee, and the activist work they are doing in Austria to fight against Roma oppression.

The Ugly Truth about Arts Institutions Led by Women of Color
Essay

The Ugly Truth about Arts Institutions Led by Women of Color

9 May 2018

Founder and executive artistic director of Dallas’s Bishop Arts Theatre Center Teresa Coleman Wash looks at the realities of running a theatre company as a woman of color.

Coloring Music City's Theatrical Landscape
Essay

Coloring Music City's Theatrical Landscape

26 April 2018

Artistic Director Shawn Whitsell talks about the importance of Nashville, Tennessee's black theatre community.

Making Theatre Out of Slam Poetry
Essay

Making Theatre Out of Slam Poetry

25 March 2018

Yan Chen talks with poet, performer, and playwright Kit Yan about the intersections of genre and intersections of identity in his work.

Theatre History Podcast #58
Podcast

Theatre History Podcast #58

What We Think About When We Think About Casting: Dr. Amy Cook’s Building Character: The Art and Science of Casting

6 March 2018

Dr. Amy Cook of Stony Brook University joins us to discuss her new book, Building Character: The Art and Science of Casting.

Shaping the Future of the Directing Field
Essay

Shaping the Future of the Directing Field

27 February 2018

Jennifer Onopa interviews Sanaz Ghajar, Rebecca Martínez, and Nicole A. Watson about their experience in the field as directors and women of color.

Conscious Casting and Letting Playwrights Lead
Essay

Conscious Casting and Letting Playwrights Lead

14 February 2018

Playwright David Valdes Greenwood discusses the importance of writing more diverse and intersectional characters, and reflects on the conundrum of “color conscious” casting. 

Why “Diversity is Encouraged” Is Not Enough
Essay

Why “Diversity is Encouraged” Is Not Enough

11 February 2018

Matt DiCintio describes a tactic for playwrights who wish to oppose white dominance and to challenge the prevailing assumption within US theatre culture that a playscript's characters are white by default.

Resurgence in America’s Roots Region
Essay

Resurgence in America’s Roots Region

8 February 2018

Alex Ates looks at how the Free Southern Theater established a model of artmaking and activism in the South in the '60s and considers how the New South is primed for another generation of civic action artmaking. 

How to be an Active Artist
Essay

How to be an Active Artist

Reflections on Emerson College's Teach-In On Race

31 January 2018

Emerson College student Mary Frances Noser reflects on a campus-wide teach-in about race. 

Theatre and Resistance
Essay

Theatre and Resistance

Ten Things You Can Do

25 January 2018

Jonathan Mandell reports on the Martin Segal Theatre Center's 2018 Theatre and Resistance Symposium, and lists ten things theatre community can do right now to make a change.

Theatre History Podcast #55
Podcast

Theatre History Podcast #55

Examining the Controversial History of the “Mummers Wench” with Dr. Christian DuComb

24 January 2018

Dr. Christian DuComb of Colgate University joins us to talk about Philadelphia's Mummers Parade and how the figure of the "Mummers wench" has its roots in the history of blackface minstrel shows.

How to Launch a Latinx New Play Festival
Essay

How to Launch a Latinx New Play Festival

20 December 2017

Maria Patrice Amon describes how she developed and produced San Diego Repertory Theatre’s first Latinx New Play Festival. 

Fighting for Gender, Race, and Motherhood in Theatre
Essay

Fighting for Gender, Race, and Motherhood in Theatre

12 December 2017

Stage manager Carmelita Becnel reflects on the need to support mothers, women of color, and stage managers as creative collaborators in the rehearsal room.