Anastasia Patlay talks about creating documentary theatre with the Moscow-based company Teatr.doc.

Israel Aloni argues that the lack of governmental support for artists has pushed them to pursue activism but contends that art ought to remain independent of the civil-political sphere.

Jan Cohen-Cruz invites theatremakers working in community-based and socially engaged art in the United States to take part in research about commonalities across the field, the practices and principles adhered to, where people work and with whom, and more.

Ragnhild Freng Dale questions what it means to talk about theatre, politics, and activism at a time when we all isolate our bodies from those of others.

Lee Sunday Evans, the artistic director of New York City’s Waterwell, discusses the power of transcripts in performance, the topics of immigration and deportation, and the urgent attention that needs to be paid to the United States border right now.

Irina Kruzhilina discusses the importance of visuals as a means of expression in politically and socially engaged theatre.

Through the lens of developing his show Gasping Whiteness, Will MacAdams talks about the value of creating theatre in partnership with community organizers.

Devika Ranjan talks about the ways in which migration can influence performance structures, what she has identified as “migratory dramaturgy.”

HowlRound’s director, Jamie Gahlon, talks with theatremaker Mihaela Drăgan about contemporary Roma theatre and the artistic movement Roma Futurism.

Summer Robinson interviews playwright Lynden Harris about her work creating theatre with men on death row across the United States.

Amelia Parenteau discusses the Actions Caribéennes Théâtrales festival, which brought together francophones, francophiles, and theatre folks from around the world to witness staged readings of six French Caribbean plays in English translation.

Kirsten Bowen reflects on Slovakia’s 2019 International Theatre Festival Divadelná Nitra, which was programmed based on the theme “faces of freedom.”

Lama El Homaïssi reflects on her experience working with American Repertory Theater on their musical We Live in Cairo, diving into representation in storytelling, the oral Hakawati tradition, and more.

ArtsEmerson Artistic Director David Dower speaks with Chilean playwright Guillermo Calderón about the ongoing protests in Chile.