Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history.

Ben Barson and Gizelxanath Rodriguez, part of the Afro Yaqui Music Collective, talk about artivism—what it means, what it can look like—in relation to building a jazz opera with various communities around the world.

Shari Caplan discusses the Huntington Theatre’s production of Yerma.

Karen Malpede argues that significant theatrical engagement with the climate crisis cannot occur in the United States without governmental intervention, and looks at the Federal Theatre Project as a model.

Rebecca Benzie Fraser uses Her Naked Skin as an example in the exploration of the different decisions made when it comes to staging violence by women and staging violence against women.

Several months after Pittsburgh’s Quantam Theatre programmed The Gun Show, there was a mass shooting at a synagogue in the city. TJ Parker discusses how the company responded to the crisis, both through the play and through community engagement.

Playwright Pearl Cleage discusses playwriting, activism, and how theatremakers can help save the world in this excerpt from her keynote speech at the 2019 TYA/USA National Festival & Conference.

Amanda L. Andrei reflects on Warsaw’s Generation After 3 festival, which had the theme of “risky projects,” and discusses four pieces she saw on risk as it relates to the body and the world.

Roxanna Myhrum looks at the history of the iconic puppet show Punch and Judy and Sarah Nolen’s feminist adaptation of it, Judy Save the Day.

Members of the Detroit-based artist collective Complex Movements discuss the connection between technology, performance, and social justice community organizing.

verity healey looks at Teatr.doc’s latest show, Torture, and the vital need for “truth-telling” theatre.

Amelia Parenteau, along with theatremakers Eva Doumbia and Marie Houdin, explores the similarities and differences of parades and protests.

Farai Mabeza offers an overview of theatre in Zimbabwe, from the major theatre in the capital city, to smaller community theatres, to the country’s festivals.

Bri Ng Schwartz looks at the importance of companies doing the hard work when it comes to equity, diversity, and inclusion conversations and initiatives.

Tita Anntares examines different ways of building empathy in audiences through two recent plays, The Courtroom and To My Unborn Child, and a panel discussion hosted by the Center for Constitutional Rights.

Karen Malpede sits down to talk with Kosovar playwright and provocateur Jeton Neziraj about freedom and theatre.

Mischeck Mzumara looks at the fearful realities of political involvement in Malawian theatre throughout history.

Miguel Ángel Vargas unfolds the history of Gitano (Romani) theatre in Spain, from the eighteenth century to today.

Arman Heljic uses the play Roma Armee to discuss how European Roma are rejecting their colonial legacy and reclaiming their narrative.

Katarzyna Pabijanek reflects on Roma presence in Hungarian theatre, both throughout history and today.