Rachel Grossman and Kirk Lynn announce the JUBILEE, a year-long nationwide festival in 2020/20201 that asks companies to commit to producing a season of work by artists who have been traditionally excluded from the American theatre.
Ashley Marinaccio examines the importance of youth theatre in Palestine through the work of a number of organizations, including ASHTAR Theatre, the Freedom Theatre, and Al Rowwad Cultural and Theater Training Center.
The Possibility of Generative Futures Through Embodied Practice
20 September 2018
Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.
Borderlands Theater in Tucson, Arizona presented a series of panel discussions around their production of Sanctuary by Milta Ortiz, based on real people and events Sanctuary chronicles the Tucson birth of the 1980’s Sanctuary Movement, livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv from Sunday 9 September to Thursday 20 September.
Dr. Julie Burrell on the Importance of A Medal for Willie
5 June 2018
How did Black theatre connect with the Civil Rights Movement? Dr. Julie Burrell of Cleveland State University joins the Theatre History Podcast to talk about William B. Branch's one-act play A Medal for Willie and the underappreciated radicalism of theatre in the 1950s.
This call was a space to gather together and ask questions about the impact of colonization on our current theatre systems and how we can empower interconnected ecologies to break down divisive hierarchies in the work that we do. Livestreamed on howlround.tv and on Facebook on Friday 1 June 2018 at 3 p.m. EDT - 4:30 p.m. EDT (Toronto/New York) / 12 p.m. PDT - 1:30 p.m. PDT (Vancouver/Los Angeles) / 8 p.m. BST - 9:30 p.m. BST (London, UTC +1).
Theatre activist Hjalmar Jorge Joffre-Eichhorn reflects on the founding of the Afghanistan Human Rights and Democracy Organization, a political theatre group that has been working together for over ten years to create social change.
Jessica Litwak, artistic director of the H.E.A.T Collective, explores the growing field of artist rights and safety, and talks about her dedication to “art of service,” the work that serves communities by facilitating creative personal and social change.
One-act plays by Amiri Baraka, Harold Pinter, and Salah Abdul-Saboor
Monday 30 April 2018
New York City, NY, United States
The Martin E. Segal Theatre Center presented Re-Reading Oppression: One-act plays by Amiri Baraka, Harold Pinter, and Salah Abdul-Saboor livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 30 April at 7:30 p.m. EDT (New York) / 6:30 p.m. CDT (Chicago) / 4:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Victory Gardens Theater presents a Town Hall: #NeverAgainChicago archived on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 15 April at 7:30 p.m. EDT (New York) / 6:30 p.m. CDT (Chicago) / 4:30 p.m. PDT (San Francisco).
Working with Students to Reclaim the Revolutionary Roots of Czech Theatre
4 April 2018
Arts educator Hannah Sachs talks about how introducing Theatre of the Oppressed to her students in the Czech Republic helped address xenophobia in the classroom, and slowly began to change the culture of the school for the better.
The Intersections Summit at Milwaukee Repertory Theater
Friday 23 March and Saturday 24 March 2018
Milwaukee, WN, United States
Milwaukee Repertory Theater presented the Intersections Summit livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 23 March and Saturday 24 March 2018.