Joanna Lugo and Leah Harris use Chimamanda Ngozi Adichie’s Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions as a framework to speak out about gender inequalities they've notice in the theatre community, and call on the larger theatre community to fight for gender parity.
Four Hundred Years of #MeToo in the Anthropologists’ Artemisia’s Intent
12 November 2018
Emily White takes a deeper look at the parallels between artist Artemisia Gentileschi’s sexual assault trial from the 1600s and the trial testimonies of today, all of which is explored in the show Artemisia’s Intent.
David Dower sits down with Roadside Theater’s Dudley Cocke and Amy Brooks to talk about Appalachian theatre, the power of culture to foster positive social change, how we understand our shared history, and more.
Rachel Grossman and Kirk Lynn announce the JUBILEE, a year-long nationwide festival in 2020/20201 that asks companies to commit to producing a season of work by artists who have been traditionally excluded from the American theatre.
Ashley Marinaccio examines the importance of youth theatre in Palestine through the work of a number of organizations, including ASHTAR Theatre, the Freedom Theatre, and Al Rowwad Cultural and Theater Training Center.
The Possibility of Generative Futures Through Embodied Practice
20 September 2018
Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.
Borderlands Theater in Tucson, Arizona presented a series of panel discussions around their production of Sanctuary by Milta Ortiz, based on real people and events Sanctuary chronicles the Tucson birth of the 1980’s Sanctuary Movement, livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv from Sunday 9 September to Thursday 20 September.
Dr. Julie Burrell on the Importance of A Medal for Willie
5 June 2018
How did Black theatre connect with the Civil Rights Movement? Dr. Julie Burrell of Cleveland State University joins the Theatre History Podcast to talk about William B. Branch's one-act play A Medal for Willie and the underappreciated radicalism of theatre in the 1950s.
This call was a space to gather together and ask questions about the impact of colonization on our current theatre systems and how we can empower interconnected ecologies to break down divisive hierarchies in the work that we do. Livestreamed on howlround.tv and on Facebook on Friday 1 June 2018 at 3 p.m. EDT - 4:30 p.m. EDT (Toronto/New York) / 12 p.m. PDT - 1:30 p.m. PDT (Vancouver/Los Angeles) / 8 p.m. BST - 9:30 p.m. BST (London, UTC +1).
Theatre activist Hjalmar Jorge Joffre-Eichhorn reflects on the founding of the Afghanistan Human Rights and Democracy Organization, a political theatre group that has been working together for over ten years to create social change.
Jessica Litwak, artistic director of the H.E.A.T Collective, explores the growing field of artist rights and safety, and talks about her dedication to “art of service,” the work that serves communities by facilitating creative personal and social change.