Actor/playwright Joe Wilson, Jr. discusses his experience and the cultural climate in St. Louis during the Every 28 Hours Project workshops.

Shellen Lubin summarizes the discussions and themes of the Equity in Theatre Symposium and International Summit on Gender Parity in Theatre, which took place in Toronto in April, 2015.

Minna Vallaste argues for the importance of theatre pieces that speak directly to international social issues and inspire change and action.

Christopher Goodson on Rose Cano’s adaptation, Don Quixote: Homeless in Seattle, produced by eSe Teatro in Seattle, Washington.

José Torres-Tama writes about his experience in New Orleans during and after Hurricane Katrina, ten years ago.

Paul Adolphsen explores major themes of the National Arts Festival in Grahamstown, South Africa.

Antonio Lyons describes his evolving relationship to South Africa and discusses the country’s rich theatrical history.

LaTeshia Ellerson talks with Amanda Farnsworth about her work as an artist and activist in Selma, Alabama.

Patricia Davis on Mehshaun Labrone’s Power! Stokely Carmichael at Washington DC’s Capital Fringe Festival.

Jonathan Mandell on the serious fare on display at the forthcoming New York International Fringe Festival.

David Bruin on Mondo Bizarro and ArtSpot Productions’ Cry You One at the Arts & Ideas Festival in New Haven, Connecticut.

Jonathan Mandell talks with Producer Tom Kirdahy about celebrating a marriage three times and how theatre can make a difference.

Jennifer Wintzer shares SHAKE 38’s Measure4Measure Project connecting youth in St. Louis with youth in New York City around the conflict in Ferguson.

Jamie Gahlon interviews Richard Montoya, Ric Salinas, and Herbert Siguenza, now marking their thirtieth year as ensemble Culture Clash.

Jonathan Mandell asks artists at the Drama Desk Awards if theatre can change the world, and compiles their answers into a video.

Jennifer Lane talks with MOXIE Theatre’s Delicia Turner Sonnenberg about shattering the stereotypes of women’s work and finding balance in her life.

Jonathan Mandell on Belarus Free Theatre's Trash Cuisine, playing through May 17 at La Mama ETC in New York City.

Illana Stein reports on the perceived and projected possible ramifications of burning the Quran on stage during a production of Christopher Marlowe’s Tamburlaine the Great.

Members of the Brown Bag Theatre Company share their experience making Contra La Corriente/Against the Current, a project created with service workers on the UC Irvine Campus.

The author reflects on the role of the performing arts in his own remarkable journey from Ugandan child soldier to performer and playwright.

Elizabeth Doud addresses the emergency of climate change and the need for a poetics to shift consciousness.

Charlotte Meehan and Adara Meyers follow up “Snapshots from the Field” with a look at women theatre artists.

George Brant’s Grounded, at Olney Theatre, is a fast-paced, suspenseful, and moving one-woman show about a drone operator’s struggle to play two roles: annihilator and mother.