Ashley Marinaccio examines the importance of youth theatre in Palestine through the work of a number of organizations, including ASHTAR Theatre, the Freedom Theatre, and Al Rowwad Cultural and Theater Training Center.

Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.

Ashley Teague discusses how Notch Theatre Company is using community-led theatre and storytelling to help fight to protect public land. 

Playwright MJ Halberstadt reports on Theatre of the Age of Climate Change convening, which took place 8-10 June 2018 in Boston, MA. 

Playwright Caridad Svich reflects on the economic reality of working in theatre.

Yasmin Zacaria Mikhaiel talks about the importance of “good” criticism through the lens of Kristiana Rae Colón’s play Tilikum.

Using three different plays—M. Butterfly, Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart, and QPH—playwright Massi Monfiletto examines theatre’s revolutionary potential.

Katherine Swimm discusses New Rep Theatre’s Boston production of Ripe Frenzy, and the innovative collaboration between playwright Jennifer Barclay and projection designer Jared Mezzocchi.

Actor and literature/theatre professor Courtney Bailey Parker talks about national anthem protests, performance as activism, and theatre artists as mediators.

Cassidy Dawn Graves writes about the anti-capitalist narrative present in Sweeney Todd: The Demon Barber of Fleet Street and the significance of producing the musical in 2018.

Mihaela Drăgan interviews Sandra and Simonida Selimovic of Mindj Panther about their show Roma Armee, and the activist work they are doing in Austria to fight against Roma oppression.