[{"command":"add_css","data":[{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_q9UPA70QlNIx0yvWU2obaecIXbGUPn2wwCcY6j_Bjl4.css?delta=0\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"},{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_8UNeBkbXQjda-VWEYmJUKzxZGS8ZmxUNWpD8wm14nXQ.css?delta=1\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"}]},{"command":"insert","method":"html","selector":".howlround-tabs-result .hr-ajax-tabs__content","data":"\u003Cdiv class=\u0022views-element-container\u0022\u003E\u003Cdiv class=\u0022grid-2-cols view view-user-essays view-id-user_essays view-display-id-block_podcasts js-view-dom-id-6562a7ef0a35f778d65d1697fa69a763297190b6c8ca48dcaadb8a625cce520b\u0022\u003E\n \n \n \n \u003Cdiv class=\u0022view-content\u0022\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227766\u0022 about=\u0022\/gettin-comfortable-discomfort\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep09_16x9-3.webp?itok=JgIgdl9A 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep09_16x9-3.png?itok=JgIgdl9A 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep09_16x9-3.png?itok=JgIgdl9A 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-06\/s05ep09_16x9-3.png?itok=-7n4JnQa\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/gettin-comfortable-discomfort\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EGettin\u2019 Comfortable With Discomfort\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E24 June 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, hosts Jordan Ealey and Leticia Ridley interview director and playwright Robert O\u2019Hara about his approach to his craft, his experience as a Black artist in the theatre industry, and how he leans into discomfort.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227748\u0022 about=\u0022\/all-kinds-blackness-lydia-diamond\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep09_16x9.webp?itok=p8_zQa4T 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep09_16x9.png?itok=p8_zQa4T 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep09_16x9.png?itok=p8_zQa4T 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-06\/s05ep09_16x9.png?itok=eXQI5jv9\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/all-kinds-blackness-lydia-diamond\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EAll Kinds of Blackness with Lydia Diamond\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E17 June 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, Jordan and Leticia interview Lydia Diamond and learn about her career as a playwright and her hopes for expanding Black theatre.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227729\u0022 about=\u0022\/zora-neale-hurston-harlem-renaissance-woman\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep08_16x.webp?itok=6GhgioT8 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep08_16x.png?itok=6GhgioT8 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/s05ep08_16x.png?itok=6GhgioT8 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-06\/s05ep08_16x.png?itok=iz9HOjfs\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/zora-neale-hurston-harlem-renaissance-woman\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EZora Neale Hurston, (Harlem) Renaissance Woman\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E10 June 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ELeticia and Jordan delve into Zora Neale Hurston as a theatre artist and consider her plays, performances, and theories of dramaturgy and theatremaking.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227709\u0022 about=\u0022\/gettin-baptized-dirt-candrice-joness-flex\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/e07_16x9.webp?itok=uXxnfVtO 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/e07_16x9.png?itok=uXxnfVtO 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-06\/e07_16x9.png?itok=uXxnfVtO 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-06\/e07_16x9.png?itok=naTQbMFT\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/gettin-baptized-dirt-candrice-joness-flex\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EGettin\u2019 Baptized in the Dirt with Candrice Jones\u2019s \u003Cem\u003EFLEX\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E3 June 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, hosts Jordan Ealey and Leticia Ridley reflect on their very positive feelings for Obsidian Theatre and Crow\u2019s Theatre\u2019s production of \u003Cem\u003EFLEX\u003C\/em\u003E, as well as Candrice Jones\u2019s gorgeous and nuanced depictions of Black girlhood and friendship.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227679\u0022 about=\u0022\/black-queer-mess-and-strange-loop\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/e06_16x9.webp?itok=Zw4C6YE8 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/e06_16x9.png?itok=Zw4C6YE8 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/e06_16x9.png?itok=Zw4C6YE8 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-05\/e06_16x9.png?itok=TxEDucJX\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/black-queer-mess-and-strange-loop\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EBlack Queer \u201cMess\u201d and \u003Cem\u003EA Strange Loop\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E27 May 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn today\u2019s episode, Leticia and Jordan discuss the Canadian premiere of \u003Cem\u003EA Strange Loop\u003C\/em\u003E\u2014a co-production between The Musical Stage Company, Soulpepper Theatre, Crow\u2019s Theatre, and TO Live. They re-appraise the musical\u2019s impact in today\u2019s sociopolitical climate.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227656\u0022 about=\u0022\/weight-story-danielle-deadwyler\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep06_16x9.webp?itok=rgFJNSBw 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep06_16x9.png?itok=rgFJNSBw 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep06_16x9.png?itok=rgFJNSBw 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-05\/s05ep06_16x9.png?itok=fKFIe138\u0022 alt=\u0022A promotional graphic for Daughter\u0026#039;s of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/weight-story-danielle-deadwyler\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Weight of a Story with Danielle Deadwyler\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E20 May 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJordan and Leticia interview actress, performance artist, and cultural worker Danielle Deadwyler and discuss the importance of care in the representation of Black life.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227643\u0022 about=\u0022\/shaping-black-canadian-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep05_16x9-2.webp?itok=FMsumfq3 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep05_16x9-2.png?itok=FMsumfq3 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep05_16x9-2.png?itok=FMsumfq3 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-05\/s05ep05_16x9-2.png?itok=EtkKXr-6\u0022 alt=\u0022A promotional graphic for Daughter\u0026#039;s of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/shaping-black-canadian-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EShaping Black Canadian Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E13 May 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJordan and Leticia interview Canadian playwright, director, and educator Djanet Sears, hearing about her unique approach to dramaturgy and an in-depth look at Black theatre in Canada.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227616\u0022 about=\u0022\/peoples-stage\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep03_16x.webp?itok=yf695m1U 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep03_16x.png?itok=yf695m1U 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-05\/s05ep03_16x.png?itok=yf695m1U 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-05\/s05ep03_16x.png?itok=vPnVYVgq\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/peoples-stage\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe People\u2019s Stage\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E6 May 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJordan and Leticia examine the short life of the Federal Theatre Project and its impact on the growth and expansion of Black theatre.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227599\u0022 about=\u0022\/mirroring-our-world-kelundra-smith\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/s05ep02_16x9.webp?itok=f8tusiAP 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/s05ep02_16x9.png?itok=f8tusiAP 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/s05ep02_16x9.png?itok=f8tusiAP 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-04\/s05ep02_16x9.png?itok=BbxrsN4o\u0022 alt=\u0022A promotional graphic for Daughter\u0026#039;s of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/mirroring-our-world-kelundra-smith\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EMirroring Our World with Kelundra Smith\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E29 April 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJordan and Leticia interview arts journalist and playwright Kelundra Smith about the cultural landscape of theatre criticism and what it means to tell authentic Black stories.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227563\u0022 about=\u0022\/taking-broadway-and-beyond-stride-whitney-white\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/s05ep01_16x9.webp?itok=F8sPFqPG 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/s05ep01_16x9.png?itok=F8sPFqPG 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/s05ep01_16x9.png?itok=F8sPFqPG 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-04\/s05ep01_16x9.png?itok=0idmFCuB\u0022 alt=\u0022A promotional graphic for Daughter\u0026#039;s of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/taking-broadway-and-beyond-stride-whitney-white\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ETaking Broadway and Beyond in Stride with Whitney White\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E22 April 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, Leticia and Jordan interview Whitney White about her journey in theatre, her artistic craft, and the potentials and possibilities of Black theatre.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002225658\u0022 about=\u0022\/virtuosity-black-storytelling-tarell-alvin-mccraney\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-03\/s04e012_teaser-2_0.webp?itok=6TuBYqPD 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-03\/s04e012_teaser-2_0.png?itok=6TuBYqPD 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-03\/s04e012_teaser-2_0.png?itok=6TuBYqPD 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2024-03\/s04e012_teaser-2_0.png?itok=3HNAkLWz\u0022 alt=\u0022A promotional graphic for the Daughters of Lorraine Podcast.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/virtuosity-black-storytelling-tarell-alvin-mccraney\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Virtuosity of Black Storytelling with Tarell Alvin McCraney\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E6 March 2024\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHosts Leticia Ridley and Jordan Ealey interview Oscar winner and MacArthur genius Tarell Alvin McCraney about his work as a playwright, how Black people tell stories, and what it means to be an artistic leader.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002225570\u0022 about=\u0022\/opening-channel-masi-asare\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/S04E011_Teaser-2.webp?itok=7EgUMYLP 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/S04E011_Teaser-2.png?itok=7EgUMYLP 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/S04E011_Teaser-2.png?itok=7EgUMYLP 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2024-02\/S04E011_Teaser-2.png?itok=2GRssOQ-\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/opening-channel-masi-asare\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EOpening the Channel with Masi Asare\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E28 February 2024\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EMasi Asare is an assistant professor of theater and performance studies at Northwestern University. She is a songwriter and dramatist and also works as a performance scholar specializing in the study of race and vocal sound and musicals. On this episode, hosts Jordan Ealey and Leticia Ridley interview Masi on her experiences as a Black woman working in musical theatre and why Black women\u2019s vocal training is so important.\u0026nbsp;\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002225425\u0022 about=\u0022\/justice-movie-musicals\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/s04e10_teaser.webp?itok=TlKzs1V9 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/s04e10_teaser.png?itok=TlKzs1V9 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/s04e10_teaser.png?itok=TlKzs1V9 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2024-02\/s04e10_teaser.png?itok=v_rtEics\u0022 alt=\u0022A promotional graphic for the Daughters of Lorraine Podcast.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/justice-movie-musicals\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EJustice for Movie Musicals, or Why the Musical Adaptation of \u003Cem\u003EThe Color Purple\u003C\/em\u003E Matters\u0026nbsp;\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E14 February 2024\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ESome stories transcend time and continue to resonate across generations. Undoubtedly, one might consider \u003Cem\u003EThe Color Purple\u003C\/em\u003E as one of those stories. Hosts Jordan Ealey and Leticia Ridley discuss this new movie musical adaptation of \u003Cem\u003EThe Color Purple\u003C\/em\u003E and delve into questions around the genre of the movie musical and the challenge and necessity of representing Black women stories on screen.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002225402\u0022 about=\u0022\/completing-unfinished-sentences-our-ancestors-jonathan-mccrory\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/s04e09_teaser.webp?itok=aImBw7yt 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/s04e09_teaser.png?itok=aImBw7yt 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-02\/s04e09_teaser.png?itok=aImBw7yt 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2024-02\/s04e09_teaser.png?itok=oseLovVC\u0022 alt=\u0022A promotional graphic for the Daughters of Lorraine Podcast.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/completing-unfinished-sentences-our-ancestors-jonathan-mccrory\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ECompleting the Unfinished Sentences of Our Ancestors with Jonathan McCrory\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 February 2024\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan McCrory is a Tony Award and Emmy Award nominated producer and a two-time Obie Award-winning artist who has served as executive artistic director at the National Black Theatre since 2012. In this episode, hosts Jordan Ealey and Leticia Ridley talk with McCrory about his work with the National Black Theatre and his ongoing commitment to nourishing and cultivating Black creativity and Black life.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002225338\u0022 about=\u0022\/were-our-black-opera-era\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-01\/s04e08_teaser.webp?itok=JUrPcyd- 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-01\/s04e08_teaser.png?itok=JUrPcyd- 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-01\/s04e08_teaser.png?itok=JUrPcyd- 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2024-01\/s04e08_teaser.png?itok=7ibIBPK_\u0022 alt=\u0022A promotional graphic for the Daughters of Lorraine Podcast.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/were-our-black-opera-era\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWe\u2019re in Our (Black) Opera Era\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E31 January 2024\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, hosts Jordan Ealey and Leticia Ridley talk about a filmed production of the opera \u003Cem\u003EX: The Life and Times of Malcolm X\u003C\/em\u003E.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224937\u0022 about=\u0022\/thriving-legacy-black-theatre-making-movement\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-12\/S04E07_teaser-2.webp?itok=22cLH6p_ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-12\/S04E07_teaser-2.png?itok=22cLH6p_ 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-12\/S04E07_teaser-2.png?itok=22cLH6p_ 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-12\/S04E07_teaser-2.png?itok=dhC2xL5n\u0022 alt=\u0022A promotional graphic for Daughters of Lorraine.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/thriving-legacy-black-theatre-making-movement\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Thriving Legacy of \u003Cem\u003EBlack Theatre: The Making of a Movement\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E20 December 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHosts Leticia Ridley and Jordan Ealey discuss Woodie King, Jr.\u2019s 1978 documentary, \u003Cem\u003EBlack Theatre: The Making of a Movement\u003C\/em\u003E. They explore the documentary\u2019s different themes, its impact on Black theatre history, and what it means for our present and future.\u0026nbsp;\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224831\u0022 about=\u0022\/weve-got-trouble-mind\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-11\/s04e06_teaser.webp?itok=D9jQlnu5 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-11\/s04e06_teaser.png?itok=D9jQlnu5 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-11\/s04e06_teaser.png?itok=D9jQlnu5 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-11\/s04e06_teaser.png?itok=mIN8r7Bn\u0022 alt=\u0022A promotional graphic for the Daughters of Lorraine Podcast.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/weve-got-trouble-mind\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWe\u2019ve Got Trouble in Mind\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E29 November 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHosts Jordan Ealey and Leticia Ridley discuss the contributions made by Alice Childress and the historical and contemporary significance of her play, \u003Cem\u003ETrouble in Mind\u003C\/em\u003E, including the filmed 2021 production at the National Theatre in London.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224792\u0022 about=\u0022\/digging-bones-topdogunderdog\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-11\/s04e05_-_teaser_0.webp?itok=uqoa7KiY 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-11\/s04e05_-_teaser_0.png?itok=uqoa7KiY 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-11\/s04e05_-_teaser_0.png?itok=uqoa7KiY 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-11\/s04e05_-_teaser_0.png?itok=Q72g4oS6\u0022 alt=\u0022A promotional graphic for the Daughters of Lorraine Podcast\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/digging-bones-topdogunderdog\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDigging for Bones with \u003Cem\u003ETopdog\/Underdog\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E15 November 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHosts Leticia Ridley and Jordan Ealey dig into the dramaturgies and theories of Suzan-Lori Parks and discuss Canadian Stage\u2019s production of Parks\u2019s \u003Cem\u003ETopdog\/Underdog\u003C\/em\u003E.\u003Cbr\u003E\u0026nbsp;\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224735\u0022 about=\u0022\/black-patience-and-theatre-civil-rights\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e04_teaser.webp?itok=9FsRH4Ql 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e04_teaser.png?itok=9FsRH4Ql 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e04_teaser.png?itok=9FsRH4Ql 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-10\/s04e04_teaser.png?itok=Mnbq9OsU\u0022 alt=\u0022Daughters of Lorraine Podcast teaser.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/black-patience-and-theatre-civil-rights\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EBlack Patience\u003C\/em\u003E and the Theatre of Civil Rights\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E1 November 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHosts Leticia Ridley and Jordan Ealey interview scholar Professor Julius Fleming, Jr. about his book \u003Cem\u003EBlack Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation\u003C\/em\u003E (NYU Press, 2022). They discuss the importance of theatre to the Civil Rights Movement and the relationship between Black theatre and performance and Black studies.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224685\u0022 about=\u0022\/influence-and-impact-negro-ensemble-company\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e03_-_teaser.webp?itok=bIr_M3RZ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e03_-_teaser.png?itok=bIr_M3RZ 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e03_-_teaser.png?itok=bIr_M3RZ 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-10\/s04e03_-_teaser.png?itok=VPl5TUmr\u0022 alt=\u0022Daughters of Lorraine Podcast teaser.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/influence-and-impact-negro-ensemble-company\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Influence and Impact of the Negro Ensemble Company\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E18 October 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EThis episode focuses on the iconic Negro Ensemble Company (NEC). Hosts Leticia Ridley and Jordan Ealey delve into the NEC\u2019s founding and history, its track record of producing successful Black plays, and its legacy within Black theatre and performance.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224635\u0022 about=\u0022\/staging-black-intimacies\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e02_teaser_1.webp?itok=57BnftQ5 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e02_teaser_1.png?itok=57BnftQ5 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/s04e02_teaser_1.png?itok=57BnftQ5 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-10\/s04e02_teaser_1.png?itok=Hxhw5cep\u0022 alt=\u0022Daughters of Lorraine Podcast teaser.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/staging-black-intimacies\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EStaging Black Intimacies\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 October 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHosts Jordan Ealey and Leticia Ridley interview Kaja Dunn, who is an intimacy professional, director, actor, and scholar. They discuss her journey as a theatre artist, the importance of intimacy coordinator for theatre and television, and Kaja\u2019s own artistry and creativity.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224569\u0022 about=\u0022\/what-black-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-09\/teaser_image.webp?itok=38PQqO0v 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-09\/teaser_image.png?itok=38PQqO0v 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-09\/teaser_image.png?itok=38PQqO0v 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-09\/teaser_image.png?itok=XqcivvbA\u0022 alt=\u0022Daughters of Lorraine Podcast teaser.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/what-black-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWhat Is Black Theatre?\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E20 September 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EThis episode will discuss the age old questions of what is Black theatre? What is a Black play? How do you know one when you see it? Leticia Ridley and Jordan Ealey provide an overview of the some of the most popular commentary on this question from Black theatre theorists of the past such as W.E.B Dubois, Alain Locke, and Alice Childress.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224496\u0022 about=\u0022\/queer-archival-praxis-roundtable\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-09\/S02E09_teaser.webp?itok=rG11XA3c 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-09\/S02E09_teaser.jpg?itok=rG11XA3c 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-09\/S02E09_teaser.jpg?itok=rG11XA3c 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-09\/S02E09_teaser.jpg?itok=t6sLNGC8\u0022 alt=\u0022Gender Euphoria teaser image featuring guest profile images.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/queer-archival-praxis-roundtable\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EQueer Archival Praxis Roundtable\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EWith Guests David Silvernail, Janet Werther, Victoria Lafave, Jordan Ealey, and Kelli Crump\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E6 September 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EWhat role does white supremacy play in the creation of the queer theatre canon? What power and what responsibility do we\u2014as queer theatremakers, historians, and educators\u2014have to challenge canons and archives that define \u201cqueer\u201d almost exclusively as white and cisgender? Artist-scholars Janet Werther, Victoria LaFave, Jordan Ealey, David Silvernail, and Kelli Crump join host Nicolas Shannon Savard to tackle these questions and to queer the archive.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002222441\u0022 about=\u0022\/i-write-what-comes-my-body-robbie-mccauleys-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/daughters_of_lorraine_podcast.webp?itok=8eJ-nY7X 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/daughters_of_lorraine_podcast.png?itok=8eJ-nY7X 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/daughters_of_lorraine_podcast.png?itok=8eJ-nY7X 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2022-08\/daughters_of_lorraine_podcast.png?itok=yoC5-uK6\u0022 alt=\u0022Daughters of Lorraine Podcast teaser.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/i-write-what-comes-my-body-robbie-mccauleys-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EI Write What Comes Up in My Body: Robbie McCauley\u0027s Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E24 August 2022\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, Jordan Ealey and Leticia Ridley look at the life and legacy of playwright Robbie McCauley, who recently passed away. They discuss her work as a pioneer of solo performance as a Black woman and how she impacted the world of Black feminist theatre.\u003Cspan style=\u0022font-size:11.0pt\u0022\u003E\u003Cspan style=\u0022font-family:\u0026quot;Calibri\u0026quot;,sans-serif\u0022\u003E\u003Cspan style=\u0022color:black\u0022\u003E\u003Cb\u003E \u003C\/b\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002222413\u0022 about=\u0022\/put-some-respect-black-theatre-lisa-b-thompson\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay is-podcast node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/daughters_of_lorraine_podcast_6.webp?itok=fZM26v8q 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/daughters_of_lorraine_podcast_6.png?itok=fZM26v8q 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/daughters_of_lorraine_podcast_6.png?itok=fZM26v8q 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2022-08\/daughters_of_lorraine_podcast_6.png?itok=0uhwVN5-\u0022 alt=\u0022Daughters of Lorraine Podcast teaser.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/put-some-respect-black-theatre-lisa-b-thompson\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--podcast\u0022\u003EPodcast\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPut Some Respect on Black Theatre with Lisa B. Thompson\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E16 August 2022\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this episode, Jordan Ealey and Leticia Ridley interview artist\/scholar Lisa B. Thompson. They discuss navigating life as a Black feminist artist\/scholar, putting some respect on Black theatre, and why Black theatre is an integral part of Black Studies.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n\n \u003C\/div\u003E\n \n \u003Cnav class=\u0022pager\u0022 role=\u0022navigation\u0022 aria-labelledby=\u0022pagination-heading\u0022\u003E\n \u003Ch4 id=\u0022pagination-heading\u0022 class=\u0022visually-hidden\u0022\u003EPagination\u003C\/h4\u003E\n \u003Cul class=\u0022pager__items js-pager__items\u0022\u003E\n \u003Cli class=\u0022pager__item is-active\u0022\u003E\n \u003Ca href=\u0022?page=0\u0022 title=\u0022Current page\u0022 aria-current=\u0022page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Current page\n \u003C\/span\u003E1\u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to page 2\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Page\n \u003C\/span\u003E2\u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item pager__item--next\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to next page\u0022 rel=\u0022next\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003ENext page\u003C\/span\u003E\n \u003Cspan aria-hidden=\u0022true\u0022\u003E\u203a\u203a\u003C\/span\u003E\n \u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item pager__item--last\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to last page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003ELast page\u003C\/span\u003E\n \u003Cspan aria-hidden=\u0022true\u0022\u003ELast \u00bb\u003C\/span\u003E\n \u003C\/a\u003E\n \u003C\/li\u003E\n \u003C\/ul\u003E\n \u003C\/nav\u003E\n\n \u003C\/div\u003E\n\u003C\/div\u003E\n","settings":null}]