[{"command":"add_css","data":[{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_q9UPA70QlNIx0yvWU2obaecIXbGUPn2wwCcY6j_Bjl4.css?delta=0\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"},{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_8UNeBkbXQjda-VWEYmJUKzxZGS8ZmxUNWpD8wm14nXQ.css?delta=1\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"}]},{"command":"insert","method":"html","selector":".howlround-tabs-result .hr-ajax-tabs__content","data":"\u003Cdiv class=\u0022views-element-container\u0022\u003E\u003Cdiv class=\u0022grid-2-cols view view-user-all-content view-id-user_all_content view-display-id-block_1 js-view-dom-id-03d0afdb11a509e1d98e3af00f141b4ae8b121659dd058adfebb0cdb0e163cda\u0022\u003E\n \n \n \n \u003Cdiv class=\u0022view-content\u0022\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227525\u0022 about=\u0022\/space-and-audience-kosovo-albania-theatre-showcase-2024\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/v_healey_1.webp?itok=K7QfoufK 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/v_healey_1.png?itok=K7QfoufK 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-04\/v_healey_1.png?itok=K7QfoufK 1x\u0022 width=\u0022340\u0022 height=\u0022233\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-04\/v_healey_1.png?itok=D_yQ2RVo\u0022 alt=\u0022Three people in dark clothes in a dimly lit room throwing yellow construction hats in the hair.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/space-and-audience-kosovo-albania-theatre-showcase-2024\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EOn Space and Audience at the Kosovo Albania Theatre Showcase 2024\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E9 April 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EFour productions at the Kosovo Albania Theatre Showcase 2024 used the relationship between audience and performance space to tell stories of betrayal, corruption, loss, and large-scale disregard for life. verity healey considers the impact of these spaces on audience reception.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002225651\u0022 about=\u0022\/how-lung-breathing-radical-joy-theatre-united-kingdom\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-03\/V%20Healey_1.webp?itok=hHllpZPb 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-03\/V%20Healey_1.png?itok=hHllpZPb 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2024-03\/V%20Healey_1.png?itok=hHllpZPb 1x\u0022 width=\u0022340\u0022 height=\u0022218\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2024-03\/V%20Healey_1.png?itok=cICZSom2\u0022 alt=\u0022Five actors in suits stand in front of TVs reading The Iraq Inquiry\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/how-lung-breathing-radical-joy-theatre-united-kingdom\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EHow LUNG Is Breathing Radical Joy into Theatre in the United Kingdom\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E5 March 2024\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003E\u003Cspan\u003Everity healey speaks to Matt Woodhead and Helen Monks, co-directors of LUNG, about LUNG\u2019s work making campaign theatre that uses verbatim theatre strategies and associated political work to explore issues impacting the United Kingdom.\u003C\/span\u003E\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224688\u0022 about=\u0022\/dear-englandengland-now\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/v_healey_2.webp?itok=-_Da4WhM 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/v_healey_2.jpg?itok=-_Da4WhM 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-10\/v_healey_2.jpg?itok=-_Da4WhM 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-10\/v_healey_2.jpg?itok=Vqh2kH9q\u0022 alt=\u0022A man in business attire cheers in front of a team of football players.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/dear-englandengland-now\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EDear England\/\u003C\/em\u003EEngland Now\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E19 October 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ESpurred on by the National Theatre production of James Graham\u2019s \u003Cem\u003EDear England\u003C\/em\u003E, verity healey discusses the notion that theatre in the United Kingdom might have a few things to learn from football.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002223420\u0022 about=\u0022\/female-stories-kosovo-how-two-plays-look-loneliness-balkan-women\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-01\/stiffler_credit_sovran_nrecaj.webp?itok=SOA11m5U 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-01\/stiffler_credit_sovran_nrecaj.png?itok=SOA11m5U 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-01\/stiffler_credit_sovran_nrecaj.png?itok=SOA11m5U 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-01\/stiffler_credit_sovran_nrecaj.png?itok=m9-MtB95\u0022 alt=\u0022Two actors in yellow-green outfits standing over another actor in white lying on a table.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/female-stories-kosovo-how-two-plays-look-loneliness-balkan-women\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EFemale Stories from Kosovo: How Two Plays Look at the Loneliness of Balkan Women\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E10 January 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp style=\u0022border: none;\u0022\u003ETheatremaker verity healey discusses two plays from Kosovo\u2019s 2022 Theatre Showcase that highlight Balkan women\u2019s stories and struggles.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002222541\u0022 about=\u0022\/no-borders-feast-reckoning-royal-courton-square\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-09\/no_borders_rehearsal_-_photo_by_hector_manchego.webp?itok=xGr9i2sV 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-09\/no_borders_rehearsal_-_photo_by_hector_manchego.png?itok=xGr9i2sV 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-09\/no_borders_rehearsal_-_photo_by_hector_manchego.png?itok=xGr9i2sV 1x\u0022 width=\u0022340\u0022 height=\u0022226\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2022-09\/no_borders_rehearsal_-_photo_by_hector_manchego.png?itok=X6URbRRT\u0022 alt=\u0022Several actors sitting at two different tables on stage.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/no-borders-feast-reckoning-royal-courton-square\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ENo Borders\u2019 Feast: A Reckoning at the Royal Court\/On the Square\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E26 September 2022\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp class=\u0022Default\u0022 style=\u0022border:none; margin-top:11px\u0022\u003Everity healey speaks with Polish theatremaker Nastazja Domaradzka about No Borders, an arts program she created in collaboration with the Royal Court Theatre in London that prioritizes migrant artists\u2019 experiences and voices.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002222409\u0022 about=\u0022\/gathering-momentum-turkiyes-independent-theatre-president-erdogans-near-autocracy\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/zabel.webp?itok=ODh5omjJ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/zabel.png?itok=ODh5omjJ 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-08\/zabel.png?itok=ODh5omjJ 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2022-08\/zabel.png?itok=li_YwPa_\u0022 alt=\u0022Five women in dresses drinking tea on stage.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/gathering-momentum-turkiyes-independent-theatre-president-erdogans-near-autocracy\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EGathering Momentum: T\u00fcrkiye\u2019s Independent Theatre in President Erdo\u011fan\u2019s Near-Autocracy\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E15 August 2022\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp style=\u0022border:none\u0022\u003Everity healey describes the power and significance of independent theatre in \u003Cmeta charset=\u0022UTF-8\u0022\u003ET\u00fcrkiye by sharing her experience at the theatre festival, TheatreIST.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002221396\u0022 about=\u0022\/walk-amal-five-thousand-mile-long-theatrical-provocation\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-02\/20211023_little_amal_national_theater_3897.webp?itok=JOMRPF4J 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-02\/20211023_little_amal_national_theater_3897.jpg?itok=JOMRPF4J 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2022-02\/20211023_little_amal_national_theater_3897.jpg?itok=JOMRPF4J 1x\u0022 width=\u0022340\u0022 height=\u0022258\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2022-02\/20211023_little_amal_national_theater_3897.jpg?itok=dNaFJuV-\u0022 alt=\u0022A large crowd walks alongside a life-sized internally controlled puppet.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/walk-amal-five-thousand-mile-long-theatrical-provocation\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWalk with Amal: The Five-Thousand-Mile-Long Theatrical Provocation\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 February 2022\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp style=\u0022border:none\u0022\u003Everity healey shares the journey and impact of Walk with Amal, an interactive, artistic project that centered on a large puppet refugee girl travelling through Europe.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002220621\u0022 about=\u0022\/politics-rebuilding-theatrical-and-civic-communities-global-autocracy-brexit-and-racism\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-09\/p088-rich-kids-145.webp?itok=J1mUI_yI 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-09\/p088-rich-kids-145.jpeg?itok=J1mUI_yI 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-09\/p088-rich-kids-145.jpeg?itok=J1mUI_yI 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-09\/p088-rich-kids-145.jpeg?itok=28T4ip1e\u0022 alt=\u0022A woman in red lighting holding her iPhone as if to take a picture.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/politics-rebuilding-theatrical-and-civic-communities-global-autocracy-brexit-and-racism\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Politics of Rebuilding Theatrical and Civic Communities: Global Autocracy, Brexit, and Racism\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E16 September 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EVerity Healey sits down with Javaad Alipoor to discuss themes that preoccupy Alipoor as a theatremaker and political person: racism, history, Brexit, international communities, politics, and how these things come into his work and collaborations with other artists.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002220341\u0022 about=\u0022\/you-cant-do-revolution-your-own-lara-parmiani-migrant-woman-experience-british-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-07\/20_july_journal_image.webp?itok=5f0XyPaf 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-07\/20_july_journal_image.jpeg?itok=5f0XyPaf 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-07\/20_july_journal_image.jpeg?itok=5f0XyPaf 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-07\/20_july_journal_image.jpeg?itok=1u_24-j4\u0022 alt=\u0022Lara Parmiani wearing a black top and holding out a banana in front her like a gun.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/you-cant-do-revolution-your-own-lara-parmiani-migrant-woman-experience-british-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u201cYou can\u2019t do revolution on your own\u201d: Lara Parmiani on the Migrant Woman Experience in British Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E19 July 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp class=\u0022BodyA\u0022 style=\u0022border:none\u0022\u003Everity healey sits down with Italy-born, UK-based theatremaker Lara Parmiani to talk about the migrant woman experience in Britain and its representation, or lack thereof, on British stages.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002219461\u0022 about=\u0022\/perpetual-crises-engulfing-british-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-03\/healeyistudor2.webp?itok=EQJySsH8 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-03\/healeyistudor2.png?itok=EQJySsH8 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-03\/healeyistudor2.png?itok=EQJySsH8 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-03\/healeyistudor2.png?itok=KiJ_dpy2\u0022 alt=\u0022two actors onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/perpetual-crises-engulfing-british-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Perpetual Crises Engulfing British Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EAn Interview with Migrant Theatre Director Alex Istudor\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E8 March 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp class=\u0022Body\u0022 style=\u0022border:none\u0022\u003Everity healey speaks with Alex Istudor, the Romanian-born director who lives and works in the UK, about the challenges of migrant theatremakers, different attitudes towards creating shows between the UK and continental Europe, and more.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002219156\u0022 about=\u0022\/theatrical-talent-in-kosovo-yet-government-doesnt-support-it-properly\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-01\/v_healey_kosovo4.webp?itok=ESNli3pJ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-01\/v_healey_kosovo4.png?itok=ESNli3pJ 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-01\/v_healey_kosovo4.png?itok=ESNli3pJ 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-01\/v_healey_kosovo4.png?itok=2aFRDomi\u0022 alt=\u0022four actors onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/theatrical-talent-in-kosovo-yet-government-doesnt-support-it-properly\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThere\u2019s an Array of Theatrical Talent on Display in Kosovo. So Why Won\u2019t Its Government Support It Properly?\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E25 January 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp class=\u0022BodyB\u0022 style=\u0022border:none\u0022\u003Everity healey, who spent time in Kosovo for its Theatre Showcase last October, discusses the precarious nature of Kosovo\u2019s independent theatre sector and shares her thoughts about the plays she saw while visiting.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002218788\u0022 about=\u0022\/welcome-weimar-kunstfest\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-11\/v_healey_weimar5.webp?itok=pTLsk2nO 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-11\/v_healey_weimar5.png?itok=pTLsk2nO 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-11\/v_healey_weimar5.png?itok=pTLsk2nO 1x\u0022 width=\u0022340\u0022 height=\u0022203\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2020-11\/v_healey_weimar5.png?itok=ZbDfAOWj\u0022 alt=\u0022an actor onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/welcome-weimar-kunstfest\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWelcome to Weimar Kunstfest\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EHow an Arts Festival is Promoting a Better Germany\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E23 November 2020\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp class=\u0022Default\u0022 style=\u0022border:none\u0022\u003Everity healey recaps the multidisciplinary arts festival Kunstfest, which took place in Weimar, Germany in late August and early September this year and tackled issues such as immigration, identity, COVID-19, and the environment.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002217597\u0022 about=\u0022\/home-and-lockdown-belarus-free-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-06\/v_healey_bft1.webp?itok=RjujzJBa 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-06\/v_healey_bft1.png?itok=RjujzJBa 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-06\/v_healey_bft1.png?itok=RjujzJBa 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2020-06\/v_healey_bft1.png?itok=s39TBUfB\u0022 alt=\u0022a person seated at a desk with multiple screens\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/home-and-lockdown-belarus-free-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EAt Home and in Lockdown with Belarus Free Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EThe Show Goes On\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E30 June 2020\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey examines how Belarus Free Theatre is making work during COVID-19 and dives in to their latest show, \u003Cem\u003EA School for Fools\u003C\/em\u003E.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002215313\u0022 about=\u0022\/participatory-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-07\/20190520_194320.webp?itok=cOjXnIcR 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-07\/20190520_194320.png?itok=cOjXnIcR 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-07\/20190520_194320.png?itok=cOjXnIcR 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2019-07\/20190520_194320.png?itok=62RE4V44\u0022 alt=\u0022exterior of a theatre space\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/participatory-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EParticipatory Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EEurope\u2019s Game Changer\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 August 2019\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey does a deep-dive into the Our Stage \u2013 4th European B\u00fcrgerb\u00fchne Festival, which took place in Dresden, Germany, in May 2019.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002215253\u0022 about=\u0022\/thinking-about-space-invited-and-dolls-house-germanys-our-stage-festival\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-07\/screenshot_2019-06-30_at_10.34.06.webp?itok=uMPyD-iC 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-07\/screenshot_2019-06-30_at_10.34.06.png?itok=uMPyD-iC 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-07\/screenshot_2019-06-30_at_10.34.06.png?itok=uMPyD-iC 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2019-07\/screenshot_2019-06-30_at_10.34.06.png?itok=RAPG3-ba\u0022 alt=\u0022a group of people running in a circle\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/thinking-about-space-invited-and-dolls-house-germanys-our-stage-festival\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThinking About Space in \u003Cem\u003EInvited\u003C\/em\u003E and \u003Cem\u003EA Doll\u2019s House\u003C\/em\u003E at Germany\u2019s Our Stage Festival\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E23 July 2019\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey examines the concept of theatrical space as it applies to two shows that were presented at Germany\u2019s Our Stage festival in May: \u003Cem\u003EInvited\u003C\/em\u003E and \u003Cem\u003EA Doll\u2019s House\u003C\/em\u003E.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002214889\u0022 about=\u0022\/search-truth-putins-russia\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-06\/torture1.webp?itok=FuSeUCfo 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-06\/torture1.png?itok=FuSeUCfo 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-06\/torture1.png?itok=FuSeUCfo 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2019-06\/torture1.png?itok=9c3IvfaP\u0022 alt=\u0022close up of an actor playing the cello\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/search-truth-putins-russia\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Search for Truth in Putin\u2019s Russia\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EHow Teatr.doc\u2019s \u201cCivil Theatre\u201d Is Exposing Injustice\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 June 2019\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey looks at Teatr.doc\u2019s latest show, \u003Cem\u003ETorture\u003C\/em\u003E, and the vital need for \u201ctruth-telling\u201d theatre.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002214734\u0022 about=\u0022\/exploring-colonization-and-identity-belgiums-new-theatre-festival\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-05\/vde_flandria_hor_10.webp?itok=CeFYVHry 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-05\/vde_flandria_hor_10.png?itok=CeFYVHry 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-05\/vde_flandria_hor_10.png?itok=CeFYVHry 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2019-05\/vde_flandria_hor_10.png?itok=FAChnThF\u0022 alt=\u0022two actors onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/exploring-colonization-and-identity-belgiums-new-theatre-festival\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EExploring Colonization and Identity at Belgium\u2019s New Theatre Festival\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 May 2019\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey discusses themes and productions from Ghent\u2019s new theatre festival called same same but different.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002214021\u0022 about=\u0022\/how-refugees-are-using-theatre-welcome-parisians-their-lives\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/v_healy_photo_1_copy.webp?itok=bldE86x2 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/v_healy_photo_1_copy.png?itok=bldE86x2 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/v_healy_photo_1_copy.png?itok=bldE86x2 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/v_healy_photo_1_copy.png?itok=jtYG8__Z\u0022 alt=\u0022three people performing onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/how-refugees-are-using-theatre-welcome-parisians-their-lives\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EHow Refugees Are Using Theatre to Welcome Parisians into Their Lives\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E13 December 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey looks at how refugees in Paris are using theatre to create connections, break down barriers, and find community.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225290\u0022 about=\u0022\/bringing-theatre-torbay\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v%20healey_photo4.webp?itok=t-xdJmC2 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v%20healey_photo4.JPG?itok=t-xdJmC2 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v%20healey_photo4.JPG?itok=t-xdJmC2 1x\u0022 width=\u0022340\u0022 height=\u0022226\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_v%20healey_photo4.JPG?itok=_wkBuzfV\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/bringing-theatre-torbay\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EBringing Theatre to Torbay\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EDoorstep Arts\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E16 May 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EUK contributor verity healey looks at how Doorstep Arts is bringing access to the theatre arts to Torbay.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225106\u0022 about=\u0022\/open-your-mind\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v_healey_photo3.webp?itok=-3Ma9xqb 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v_healey_photo3.jpg?itok=-3Ma9xqb 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v_healey_photo3.jpg?itok=-3Ma9xqb 1x\u0022 width=\u0022340\u0022 height=\u0022226\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_v_healey_photo3.jpg?itok=z5wAGI_o\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/open-your-mind\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EOpen Your Mind\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003ETheatre Space, Performance, and Audience\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E6 January 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey considers the Battersea Arts Centre\u2019s new Courtyard theatre space and\u0026nbsp;inviting an audience to participate in the performance through interaction with the performance space.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224970\u0022 about=\u0022\/roads-portrayals-mental-health-onstage\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v_healey_Road%20Photo2_0.webp?itok=Z_wp6onQ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v_healey_Road%20Photo2_0.JPG?itok=Z_wp6onQ 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v_healey_Road%20Photo2_0.JPG?itok=Z_wp6onQ 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_v_healey_Road%20Photo2_0.JPG?itok=Q05ZwAJz\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/roads-portrayals-mental-health-onstage\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ERoads into Portrayals of Mental Health Onstage\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 October 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EFrequent overseas contributor verity healey reports on the Belarus Free Theatre workshop exploring the intersection of how a true story about mental illness is portrayed on stage.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224800\u0022 about=\u0022\/violence-and-female-genital-mutilation-onstage-charlene-james-cuttin-it\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_v.healey_CuttinIt_Photo2.webp?itok=v4SzYi2n 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_v.healey_CuttinIt_Photo2.jpg?itok=v4SzYi2n 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_v.healey_CuttinIt_Photo2.jpg?itok=v4SzYi2n 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_v.healey_CuttinIt_Photo2.jpg?itok=QxKoME9L\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/violence-and-female-genital-mutilation-onstage-charlene-james-cuttin-it\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EViolence and Female Genital Mutilation Onstage in Charlene James\u2019 \u003Cem\u003ECuttin\u2019 It\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E12 June 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey discusses\u0026nbsp;Charlene James\u2019 new play\u0026nbsp;\u003Cem\u003ECuttin\u2019 It\u0026nbsp;\u003C\/em\u003Eat the Young Vic in London, England.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224705\u0022 about=\u0022\/meta\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/020516DCardboardCitizensMetaProduction-1-0049_0.webp?itok=Td3GdRBS 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/020516DCardboardCitizensMetaProduction-1-0049_0.jpg?itok=Td3GdRBS 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/020516DCardboardCitizensMetaProduction-1-0049_0.jpg?itok=Td3GdRBS 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/020516DCardboardCitizensMetaProduction-1-0049_0.jpg?itok=M_kKobga\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/meta\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EMeta\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EA Quiet Theatrical Revolution\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E14 April 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey on Cardboard Citizens\u2019 \u003Cem\u003EMeta\u003C\/em\u003E in London, England, and theatre for social change.\u0026nbsp;\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224585\u0022 about=\u0022\/place-hacking-belarus-free-theatre-and-coming-home\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v%20healey_PH%20photo3.webp?itok=mrX-d4T2 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v%20healey_PH%20photo3.png?itok=mrX-d4T2 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_v%20healey_PH%20photo3.png?itok=mrX-d4T2 1x\u0022 width=\u0022340\u0022 height=\u0022232\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_v%20healey_PH%20photo3.png?itok=4DSgo_BI\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/place-hacking-belarus-free-theatre-and-coming-home\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPlace Hacking, Belarus Free Theatre, and Coming Home\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E13 February 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey is back with a report on Belarus Free Theatre\u2019s Staging a Revolution festival that was held November, 2015 in London.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224569\u0022 about=\u0022\/moscow\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_v.healey_ToMoscow_Photo1_0.webp?itok=fvtCzXfD 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_v.healey_ToMoscow_Photo1_0.png?itok=fvtCzXfD 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_v.healey_ToMoscow_Photo1_0.png?itok=fvtCzXfD 1x\u0022 width=\u0022340\u0022 height=\u0022180\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_v.healey_ToMoscow_Photo1_0.png?itok=p0AEr2nk\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/moscow\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ETo Moscow?\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 February 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003Everity healey on what four new Russian plays performed at London\u2019s Frontline Club say about the present and future of theatre in Russia.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n\n \u003C\/div\u003E\n \n \u003Cnav class=\u0022pager\u0022 role=\u0022navigation\u0022 aria-labelledby=\u0022pagination-heading\u0022\u003E\n \u003Ch4 id=\u0022pagination-heading\u0022 class=\u0022visually-hidden\u0022\u003EPagination\u003C\/h4\u003E\n \u003Cul class=\u0022pager__items js-pager__items\u0022\u003E\n \u003Cli class=\u0022pager__item is-active\u0022\u003E\n \u003Ca href=\u0022?page=0\u0022 title=\u0022Current page\u0022 aria-current=\u0022page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Current page\n \u003C\/span\u003E1\u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to page 2\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Page\n \u003C\/span\u003E2\u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item pager__item--next\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to next page\u0022 rel=\u0022next\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003ENext 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