[{"command":"add_css","data":[{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_q9UPA70QlNIx0yvWU2obaecIXbGUPn2wwCcY6j_Bjl4.css?delta=0\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"},{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_8UNeBkbXQjda-VWEYmJUKzxZGS8ZmxUNWpD8wm14nXQ.css?delta=1\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"}]},{"command":"insert","method":"html","selector":".howlround-tabs-result .hr-ajax-tabs__content","data":"\u003Cdiv class=\u0022views-element-container\u0022\u003E\u003Cdiv class=\u0022grid-2-cols view view-user-essays view-id-user_essays view-display-id-block_essays js-view-dom-id-b0b19124de16fba497962676c9c8183c6ea416fa6162e4547be8e6759c02d00d\u0022\u003E\n \n \n \n \u003Cdiv class=\u0022view-content\u0022\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002224221\u0022 about=\u0022\/larissa-fasthorse-indigenizing-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-06\/Screenshot%202023-06-06%20at%202.18.12%20PM.webp?itok=wpF7825f 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-06\/Screenshot%202023-06-06%20at%202.18.12%20PM.png?itok=wpF7825f 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-06\/Screenshot%202023-06-06%20at%202.18.12%20PM.png?itok=wpF7825f 1x\u0022 width=\u0022340\u0022 height=\u0022226\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-06\/Screenshot%202023-06-06%20at%202.18.12%20PM.png?itok=YBR2Ec-e\u0022 alt=\u0022Four actors sit in a classroom set.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/larissa-fasthorse-indigenizing-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ELarissa FastHorse on Indigenizing Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E6 June 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr talks with Larissa FastHorse about Indigeneity and misogyny in \u003Cem\u003EThe Thanksgiving Play\u003C\/em\u003E, using satire to create change, and rewriting \u003Cem\u003EPeter Pan\u003C\/em\u003E.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002219425\u0022 about=\u0022\/using-critical-fabulation-history-based-playwriting\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-02\/andersonderr1.webp?itok=5-mB_vL9 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-02\/andersonderr1.png?itok=5-mB_vL9 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-02\/andersonderr1.png?itok=5-mB_vL9 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-02\/andersonderr1.png?itok=cPmV6TCG\u0022 alt=\u0022zoom video chat of several people\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/using-critical-fabulation-history-based-playwriting\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EUsing Critical Fabulation for History-Based Playwriting\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E3 March 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr and Calley N. Anderson sit down to talk about how Calley adopted historian Saidiya Hartman\u2019s theory of critical fabulation when writing her new play \u003Cem\u003EThe Story and the Teller\u003C\/em\u003E about the effect of the Memphis yellow fever epidemic of 1878 on African Americans and immigrants.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002218099\u0022 about=\u0022\/dismantling-anti-black-language\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-08\/derr_jadhwani-1.webp?itok=SDep-93E 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-08\/derr_jadhwani-1.jpg?itok=SDep-93E 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-08\/derr_jadhwani-1.jpg?itok=SDep-93E 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2020-08\/derr_jadhwani-1.jpg?itok=jm6LCk7q\u0022 alt=\u0022actors onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/dismantling-anti-black-language\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDismantling Anti-Black Language\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E27 August 2020\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr interviews Lavina Jadhwani about the document she created called Dismantling Anti-Black Linguistic Racism in Theatre, which offers several examples of potentially anti-Black language, such as Ethiopian, master, and minstrel; their use in Shakespeare; why they might be problematic; and possible substitutions.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002216119\u0022 about=\u0022\/art-and-craft-intimacy-direction\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-01\/h_derr_intimacydirecting2.webp?itok=B5N8jHQs 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-01\/h_derr_intimacydirecting2.png?itok=B5N8jHQs 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-01\/h_derr_intimacydirecting2.png?itok=B5N8jHQs 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2020-01\/h_derr_intimacydirecting2.png?itok=6ED_pSww\u0022 alt=\u0022Intimacy Director Tonia Sina expressing an idea with her arms and hands in a rehearsal with two actors\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/art-and-craft-intimacy-direction\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Art and Craft of Intimacy Direction\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E30 January 2020\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr examines the history of the intimacy choreography movement in the United States and speaks to several of the artists behind it all.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002214964\u0022 about=\u0022\/metoo-and-method\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-06\/actingbooks.webp?itok=ZKLP2VVT 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-06\/actingbooks.png?itok=ZKLP2VVT 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-06\/actingbooks.png?itok=ZKLP2VVT 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2019-06\/actingbooks.png?itok=8GxPsVk2\u0022 alt=\u0022two acting books\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/metoo-and-method\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E#MeToo and the Method\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E13 June 2019\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr looks at the history of the Method, where it deviates from Stanislavsky\u2019s System, and the connection between the Method and the behavior called out by #MeToo.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225564\u0022 about=\u0022\/metoo\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/metoo-2859980_960_720.webp?itok=fWBBEgyA 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/metoo-2859980_960_720.jpg?itok=fWBBEgyA 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/metoo-2859980_960_720.jpg?itok=fWBBEgyA 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/metoo-2859980_960_720.jpg?itok=YfJarvKW\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/metoo\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E#MeToo\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EPower, Complicity, and Collective Responsibility\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E11 April 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr writes about recent cases of sexual harassment in the American theatre, and asks when and how institutions and abusers will truly be held accountable.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225557\u0022 about=\u0022\/manahattas-gender-flip\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018_Manahatta_2_jg_2118%20copy.webp?itok=se1djxTd 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018_Manahatta_2_jg_2118%20copy.jpg?itok=se1djxTd 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018_Manahatta_2_jg_2118%20copy.jpg?itok=se1djxTd 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018_Manahatta_2_jg_2118%20copy.jpg?itok=ovsCIzrS\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/manahattas-gender-flip\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EManahatta\u003C\/em\u003E\u0027s Gender Flip\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EEquity in Action\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E2 April 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr discusses the dramaturgical implications of playwright Mary Kathryn Nagle changing one of her characters to a woman in her newest play\u0026nbsp;\u003Cem\u003EManahatta,\u0026nbsp;\u003C\/em\u003Ewhich premiered at Oregon Shakespeare Festival in March 2018.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225498\u0022 about=\u0022\/addressing-environmental-topics-theatre-using-greenturgy\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H_Derr_photo%201%20copy.webp?itok=6o4Lx9Nb 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H_Derr_photo%201%20copy.jpg?itok=6o4Lx9Nb 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H_Derr_photo%201%20copy.jpg?itok=6o4Lx9Nb 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_H_Derr_photo%201%20copy.jpg?itok=MDVpyXAC\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/addressing-environmental-topics-theatre-using-greenturgy\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EAddressing Environmental Topics in Theatre by Using Greenturgy\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E2 January 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr interrogates green(drama)turgy at Oregon Shakespeare Festival and how stories can be used to reconnect people to their physical world.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225492\u0022 about=\u0022\/does-your-theatre-department-have-patriarchy-problem\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/peter-lewicki-411599_0.webp?itok=VNUIVLUZ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/peter-lewicki-411599_0.jpg?itok=VNUIVLUZ 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/peter-lewicki-411599_0.jpg?itok=VNUIVLUZ 1x\u0022 width=\u0022340\u0022 height=\u0022240\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/peter-lewicki-411599_0.jpg?itok=nt95JbK-\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/does-your-theatre-department-have-patriarchy-problem\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDoes Your Theatre Department Have a Patriarchy Problem?\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E17 December 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EDirector and theatre professor Holly Derr gives advice on how to identify whether your theatre department might be ripe for sexual harrassment, and offers tangible steps for professors to change the culture of their departments.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225300\u0022 about=\u0022\/ethnodrama-and-her-opponent\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H%20Derr_photo%201_0.webp?itok=358K73gd 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H%20Derr_photo%201_0.JPG?itok=358K73gd 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H%20Derr_photo%201_0.JPG?itok=358K73gd 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_H%20Derr_photo%201_0.JPG?itok=hkV1_n5j\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/ethnodrama-and-her-opponent\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EEthnodrama and\u0026nbsp;\u003Cem\u003EHer Opponent\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003E\u0026nbsp;The Drama in the Data\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E26 May 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr looks at ethnodrama and \u003Cem\u003EHer Opponent\u003C\/em\u003E, a restaging of excerpts of the 2016 presidential debates with gender-reversed casting.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225174\u0022 about=\u0022\/truthful-intelligence\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/B_H_Derr_photo%201_1.webp?itok=LvsXZ7dw 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/B_H_Derr_photo%201_1.jpg?itok=LvsXZ7dw 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/B_H_Derr_photo%201_1.jpg?itok=LvsXZ7dw 1x\u0022 width=\u0022340\u0022 height=\u0022254\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/B_H_Derr_photo%201_1.jpg?itok=jnoPUgrl\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/truthful-intelligence\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ETruthful \u003Cem\u003EIntelligence\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EA Play about Power and Politics\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E23 February 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr writes about Jacqueline E. Lawton\u2019s new play at Arena Stage, part of their Power Plays commissioning initiative.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224920\u0022 about=\u0022\/feminist-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-11\/feminist_theatre.webp?itok=FSBLehIV 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-11\/feminist_theatre.png?itok=FSBLehIV 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-11\/feminist_theatre.png?itok=FSBLehIV 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-11\/feminist_theatre.png?itok=nqZlytyZ\u0022 alt=\u0022Cover for Feminist Theatre and History.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/feminist-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EFeminist Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EWhat Does it Do and How Does it Do it?\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E14 September 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr contemplates how a director can foster a feminist production.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224914\u0022 about=\u0022\/roe-and-american-revolutions-cycle-osf\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_H_Derr_Roe_Photo2_0.webp?itok=Ym_t1N8x 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_H_Derr_Roe_Photo2_0.jpg?itok=Ym_t1N8x 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_H_Derr_Roe_Photo2_0.jpg?itok=Ym_t1N8x 1x\u0022 width=\u0022340\u0022 height=\u0022226\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_H_Derr_Roe_Photo2_0.jpg?itok=whbCin5O\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/roe-and-american-revolutions-cycle-osf\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003ERoe\u003C\/em\u003E and the American Revolutions Cycle at OSF\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EDramatic, Present, and Human\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E10 September 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EIn this cultural moment of divisiveness, how is one of the true stories of abortion theatricalized? Holly Derr considers Oregon Shakespeare Festival\u2019s co-production of \u003Cem\u003ERoe\u003C\/em\u003E by Lisa Loomer.\u0026nbsp;\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224735\u0022 about=\u0022\/bro-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/moviestowatchwithyourbroswhileyougethigh7_1423652711_0.webp?itok=mVfEXdgH 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/moviestowatchwithyourbroswhileyougethigh7_1423652711_0.jpg?itok=mVfEXdgH 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/moviestowatchwithyourbroswhileyougethigh7_1423652711_0.jpg?itok=mVfEXdgH 1x\u0022 width=\u0022340\u0022 height=\u0022209\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/moviestowatchwithyourbroswhileyougethigh7_1423652711_0.jpg?itok=kXdqvai0\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/bro-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EBro Theatre\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EA Dangerous Dynamic\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E30 April 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr deconstructs a new dynamic in her theatre department.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224558\u0022 about=\u0022\/lynn-nottage-talks-research-collaboration-and-fracturing-america\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H.Derr_Sweat_PHOTO4_0.webp?itok=IM6VYMxn 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H.Derr_Sweat_PHOTO4_0.jpg?itok=IM6VYMxn 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H.Derr_Sweat_PHOTO4_0.jpg?itok=IM6VYMxn 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_H.Derr_Sweat_PHOTO4_0.jpg?itok=0jnj8TZO\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/lynn-nottage-talks-research-collaboration-and-fracturing-america\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ELynn Nottage Talks Research, Collaboration, and the Fracturing of America\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E28 January 2016\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr speaks with Lynn Nottage about her new play\u0026nbsp;\u003Cem\u003ESweat,\u003C\/em\u003E\u0026nbsp;a co-commission of Oregon Shakespeare Festival and Arena Stage, currently playing in Washington, DC.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224425\u0022 about=\u0022\/womens-voices-theater-festival\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H.Derr_WVTF_PHOTO2.webp?itok=n6475uCH 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H.Derr_WVTF_PHOTO2.jpg?itok=n6475uCH 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_H.Derr_WVTF_PHOTO2.jpg?itok=n6475uCH 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_H.Derr_WVTF_PHOTO2.jpg?itok=xiZoJ-rv\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/womens-voices-theater-festival\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWomen\u2019s Voices Theater Festival\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EA Weekend in the Emerald City\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E10 November 2015\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr on\u0026nbsp;\u003Cem\u003EDestiny of Desire\u003C\/em\u003E\u0026nbsp;by Karen Zacar\u00edas,\u0026nbsp;\u003Cem\u003EAnimal\u003C\/em\u003E\u0026nbsp;by Claire Lizzimore,\u0026nbsp;\u003Cem\u003EQueens Girl in the World\u003C\/em\u003E\u0026nbsp;by Caleen Sinette Jennings,\u0026nbsp;\u003Cem\u003EWomen Laughing Alone with Salad\u003C\/em\u003E\u0026nbsp;by Sheila Callaghan, and\u0026nbsp;\u003Cem\u003EUprising\u003C\/em\u003E\u0026nbsp;by Gabrielle Fulton, all part of the Women\u2019s Voices Theater Festival in Washington, DC.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224344\u0022 about=\u0022\/something-afoot-washington-dc\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_H_Derr_Photo4_1000.webp?itok=1yB1hHzV 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_H_Derr_Photo4_1000.png?itok=1yB1hHzV 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_H_Derr_Photo4_1000.png?itok=1yB1hHzV 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_H_Derr_Photo4_1000.png?itok=_LAcO1nd\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/something-afoot-washington-dc\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ESomething is Afoot in Washington, DC\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 October 2015\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr reports on the Women\u2019s Voices Theater Festival, bringing together more than 50 of the Washington, DC\u2019s professional theaters\u0026nbsp;to feature world premieres of new plays and musicals by women.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00224019\u0022 about=\u0022\/branden-jacobs-jenkins-octoroon\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/jqS8HqfbpGRrrPVT2FrfCBqG4rexzdmHbnqqbpuZO4g%2CXl31klH87XnL7I90Pu32aR93PAcJZL_euN0y5d5-OOY.webp?itok=tACDZGe7 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/jqS8HqfbpGRrrPVT2FrfCBqG4rexzdmHbnqqbpuZO4g%2CXl31klH87XnL7I90Pu32aR93PAcJZL_euN0y5d5-OOY.jpeg?itok=tACDZGe7 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/jqS8HqfbpGRrrPVT2FrfCBqG4rexzdmHbnqqbpuZO4g%2CXl31klH87XnL7I90Pu32aR93PAcJZL_euN0y5d5-OOY.jpeg?itok=tACDZGe7 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/jqS8HqfbpGRrrPVT2FrfCBqG4rexzdmHbnqqbpuZO4g%2CXl31klH87XnL7I90Pu32aR93PAcJZL_euN0y5d5-OOY.jpeg?itok=cX0cygfz\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/branden-jacobs-jenkins-octoroon\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EBranden Jacobs-Jenkins\u2019 \u003Cem\u003EAn Octoroon\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E26 March 2015\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EThe author explores playwright Branden Jacobs-Jenkins adaptation of\u0026nbsp;\u003Cem\u003EThe Octoroon\u003C\/em\u003E, called\u0026nbsp;\u003Cem\u003EAn Octoroon,\u0026nbsp;\u003C\/em\u003Eand its depiction of race and gender onstage.\u0026nbsp;\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223603\u0022 about=\u0022\/south-coast-repertorys-pacific-playwrights-festival\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/5milepro2_0.webp?itok=2wZOFlaY 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/5milepro2_0.jpg?itok=2wZOFlaY 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/5milepro2_0.jpg?itok=2wZOFlaY 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/5milepro2_0.jpg?itok=gRbxHj7q\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/south-coast-repertorys-pacific-playwrights-festival\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ESouth Coast Repertory\u2019s Pacific Playwrights Festival\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E3 June 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr writes about SCRC\u0027s \u003Ca href=\u0022http:\/\/www.scr.org\/plays\/pacific-playwrights-festival\/2014-pacific-playwrights-festival\u0022\u003E2014 Pacific Playwrights Festival\u003C\/a\u003E, and the goals of the organization\u0027s new play development initative.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223551\u0022 about=\u0022\/los-angeles-mfa-programs\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/mfa-dramatic-writing-800x450.webp?itok=qbTi_1iY 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/mfa-dramatic-writing-800x450.jpg?itok=qbTi_1iY 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/mfa-dramatic-writing-800x450.jpg?itok=qbTi_1iY 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/mfa-dramatic-writing-800x450.jpg?itok=kASiwcVE\u0022 alt=\u0022Nahal Navidar with Assaf Cohen.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/los-angeles-mfa-programs\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ELos Angeles MFA Programs\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003ETraining for the Future\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E30 April 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr gives an overview of new and professionally-tied graduate theatre programs in Los Angeles.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223479\u0022 about=\u0022\/perils-directing-woman\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/ban_bossy.webp?itok=T3P_qTqN 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/ban_bossy.png?itok=T3P_qTqN 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/ban_bossy.png?itok=T3P_qTqN 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/ban_bossy.png?itok=t1iR4TYR\u0022 alt=\u0022A pin that says \u0026quot;ban bossy.\u0026quot;\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/perils-directing-woman\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Perils of Directing as a Woman\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E14 March 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ESheryl Sandberg, author of \u0022Lean In\u0022, has just launched a campaign to \u0022Ban Bossy,\u0022 so that girls who used to be called bossy start to be told instead that they are leaders. Efforts like this to change the culture, though, are long-game solutions to an immediate problem. In the meantime, how do women directors, especially those just starting out, balance the competing demands of actually leading with gendered expectations as to what constitutes good leadership?\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223454\u0022 about=\u0022\/playwrights-who-write-television\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/tanya_saracho.webp?itok=Y00zJDKQ 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/tanya_saracho.png?itok=Y00zJDKQ 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/tanya_saracho.png?itok=Y00zJDKQ 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/tanya_saracho.png?itok=nJHia8_R\u0022 alt=\u0022Portrait of Tanya Saracho.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/playwrights-who-write-television\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPlaywrights Who Write for Television\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 March 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr writes about how various playwrights have gotten hired from non-TV writing, and the diversity initatives drawing in new talent.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223443\u0022 about=\u0022\/myth-american-theater-pipeline\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/pipeline.webp?itok=NzxThIFw 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/pipeline.png?itok=NzxThIFw 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/pipeline.png?itok=NzxThIFw 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/pipeline.png?itok=hyp3XJoQ\u0022 alt=\u0022A long pipeline.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/myth-american-theater-pipeline\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EThe Myth of the American Theater Pipeline\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E24 February 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr argues against the traditional idea of a \u0022pipeline\u0022 of plays flowing from New York to other places in the country.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223411\u0022 about=\u0022\/latino-theater-los-angeles-es-muy-bueno\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/ladybird.webp?itok=_W8aHNFt 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/ladybird.png?itok=_W8aHNFt 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/ladybird.png?itok=_W8aHNFt 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/ladybird.png?itok=1UXHqwss\u0022 alt=\u0022Eight performers in Ladybird stand on stage in a line and hold suitcases.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/latino-theater-los-angeles-es-muy-bueno\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ELatino Theater in Los Angeles es Muy Bueno\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 February 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly Derr writes about the Latino Theater Company and their role operating the Los Angeles Theatre Center, presenting multi-cultural work through partnerships with other organizaitons, and engaging local communities.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00223375\u0022 about=\u0022\/dispatches-lala-land-6\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/pasadena_playhouse.webp?itok=Y3Fwvg-1 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/pasadena_playhouse.png?itok=Y3Fwvg-1 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2018-12\/pasadena_playhouse.png?itok=Y3Fwvg-1 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2018-12\/pasadena_playhouse.png?itok=YzD0SXik\u0022 alt=\u0022Pasadena Playhouse logo.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/dispatches-lala-land-6\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDispatches from LALA Land\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EDiversity and Its Discontents in Southern Californian Theater\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 January 2014\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EHolly L. Derr reports from The Society of Stage Directors and Choreographers\u0027s panel on diversity, and examines why diversity is such a huge talking point but still so lacking in action\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n\n \u003C\/div\u003E\n \n \u003Cnav class=\u0022pager\u0022 role=\u0022navigation\u0022 aria-labelledby=\u0022pagination-heading\u0022\u003E\n \u003Ch4 id=\u0022pagination-heading\u0022 class=\u0022visually-hidden\u0022\u003EPagination\u003C\/h4\u003E\n \u003Cul class=\u0022pager__items js-pager__items\u0022\u003E\n \u003Cli class=\u0022pager__item is-active\u0022\u003E\n \u003Ca href=\u0022?page=0\u0022 title=\u0022Current page\u0022 aria-current=\u0022page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Current page\n \u003C\/span\u003E1\u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to page 2\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Page\n \u003C\/span\u003E2\u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item pager__item--next\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to next page\u0022 rel=\u0022next\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003ENext page\u003C\/span\u003E\n \u003Cspan aria-hidden=\u0022true\u0022\u003E\u203a\u203a\u003C\/span\u003E\n \u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item pager__item--last\u0022\u003E\n \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to last page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003ELast page\u003C\/span\u003E\n \u003Cspan aria-hidden=\u0022true\u0022\u003ELast \u00bb\u003C\/span\u003E\n \u003C\/a\u003E\n \u003C\/li\u003E\n \u003C\/ul\u003E\n \u003C\/nav\u003E\n\n \u003C\/div\u003E\n\u003C\/div\u003E\n","settings":null}]