[{"command":"add_css","data":[{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_q9UPA70QlNIx0yvWU2obaecIXbGUPn2wwCcY6j_Bjl4.css?delta=0\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"},{"rel":"stylesheet","media":"all","href":"\/sites\/default\/files\/css\/css_8UNeBkbXQjda-VWEYmJUKzxZGS8ZmxUNWpD8wm14nXQ.css?delta=1\u0026language=en\u0026theme=howlround\u0026include=eJxLzkksLq7Uz8tPSdUpy0wtL9YHk3q5-SmlOakAtoYL0A"}]},{"command":"insert","method":"html","selector":".howlround-tabs-result .hr-ajax-tabs__content","data":"\u003Cdiv class=\u0022views-element-container\u0022\u003E\u003Cdiv class=\u0022grid-2-cols view view-user-essays view-id-user_essays view-display-id-block_essays js-view-dom-id-2e12db76b648fc0660a2f3c74293ae56492611d5ff6d44f1f0ed6ff2e4bf60a3\u0022\u003E\n \n \n \n \u003Cdiv class=\u0022view-content\u0022\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002228100\u0022 about=\u0022\/xhloe-and-natasha-fringe\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-09\/j_mandell_1.webp?itok=Pi9NBq7e 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-09\/j_mandell_1.jpg?itok=Pi9NBq7e 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-09\/j_mandell_1.jpg?itok=Pi9NBq7e 1x\u0022 width=\u0022340\u0022 height=\u0022221\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-09\/j_mandell_1.jpg?itok=dVgupGQ8\u0022 alt=\u0022Two people in clown costumes looking at each other.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/xhloe-and-natasha-fringe\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EXhloe and Natasha on the Fringe\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E23 September 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EXhloe and Natasha made Edinburgh Festival Fringe history with three consecutive award-winning shows, but even the most successful Fringe acts struggle to break even. Jonathan Mandell sits down with the clown duo to discuss the energy, strategy, and effort required to take the world\u2019s largest arts festival by storm.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002227846\u0022 about=\u0022\/toward-new-understanding-immersive-theatre-after-three-days-malta\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-07\/j_mandell_9.webp?itok=uT5i9ukb 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-07\/j_mandell_9.jpg?itok=uT5i9ukb 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2025-07\/j_mandell_9.jpg?itok=uT5i9ukb 1x\u0022 width=\u0022340\u0022 height=\u0022191\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2025-07\/j_mandell_9.jpg?itok=LDOpFwiJ\u0022 alt=\u0022An actor in a red robe and white mask in a stairway with another actor in a black backless dress.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/toward-new-understanding-immersive-theatre-after-three-days-malta\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EToward a New Understanding of Immersive Theatre After Three Days in Malta\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E21 July 2025\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ETeatru Malta\u2019s \u003Cem\u003E1881\u003C\/em\u003E infused immersive theatre with game design, all in a dark, castle-like setting. After witnessing \u003Cem\u003E1881\u003C\/em\u003E and other Maltese performances, critic Jonathan Mandell is left questioning the evolving forms and definitions of immersive theatre.\u003C\/p\u003E\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002223874\u0022 about=\u0022\/digital-theatre-here-stay-paula-vogels-bard-gate\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-03\/karayoung.webp?itok=oaHiKxgy 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-03\/karayoung.png?itok=oaHiKxgy 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2023-03\/karayoung.png?itok=oaHiKxgy 1x\u0022 width=\u0022340\u0022 height=\u0022187\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2023-03\/karayoung.png?itok=nxos3YFY\u0022 alt=\u0022A performer in front of a virtual background with trees and bright sunlight.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/digital-theatre-here-stay-paula-vogels-bard-gate\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDigital Theatre Is Here To Stay: Paula Vogel\u2019s Bard at the Gate\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E13 March 2023\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ETheatre critic Jonathan Mandell discusses virtual playwriting series Bard at the Gate and looks at the impact and future of digital theatre.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002220510\u0022 about=\u0022\/puppets-are-immigrants-too\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-08\/24_aug_journal_image_2.webp?itok=5PkZNMKR 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-08\/24_aug_journal_image_2.jpeg?itok=5PkZNMKR 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-08\/24_aug_journal_image_2.jpeg?itok=5PkZNMKR 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-08\/24_aug_journal_image_2.jpeg?itok=VFu-7ITk\u0022 alt=\u0022A large, titled puppet depiction of the American designer Robert Moses with two tiny brown-skinned puppets in front.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/puppets-are-immigrants-too\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPuppets Are Immigrants Too\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EHow New York City Turned Ancient Traditions into Cutting-Edge Art\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E24 August 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp class=\u0022MsoCommentText\u0022\u003EJonathan Mandell shares his experience at New York City\u2019s first-ever official Puppet Week.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002220405\u0022 about=\u0022\/island-hopping-new-york-city-theatre-how-live-person-theatre-being-reimagined-it-reemerges\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-07\/jonathan_mandell_journal_image_1.webp?itok=jJjImY6n 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-07\/jonathan_mandell_journal_image_1.jpeg?itok=jJjImY6n 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-07\/jonathan_mandell_journal_image_1.jpeg?itok=jJjImY6n 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-07\/jonathan_mandell_journal_image_1.jpeg?itok=XlbWxXz3\u0022 alt=\u0022Actors holding various bright-colored plants in the middle of a park with an audience circled around them.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/island-hopping-new-york-city-theatre-how-live-person-theatre-being-reimagined-it-reemerges\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EIsland Hopping in New York City for Theatre: How Live, In-Person Theatre Is Being Reimagined as it Reemerges\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E2 August 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell reflects on a number of live, in-person productions that have taken place in New York City over the course of summer 2021.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002220045\u0022 about=\u0022\/pandemic-dreams\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-06\/8_june_journal_image_1.webp?itok=e6KJvbyo 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-06\/8_june_journal_image_1.jpeg?itok=e6KJvbyo 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2021-06\/8_june_journal_image_1.jpeg?itok=e6KJvbyo 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2021-06\/8_june_journal_image_1.jpeg?itok=MaUkb8Fu\u0022 alt=\u0022A blue thing surrounded by indoor palm trees.\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/pandemic-dreams\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPandemic Dreams\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E8 June 2021\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp style=\u0022margin-bottom:11px\u0022\u003EJonathan Mandell reflects on his experience of \u003Cem\u003EA Dozen Dreams\u003C\/em\u003E, an art installation that began when twelve New York City-based women playwrights were asked: \u201cWhat are you dreaming about right now?\u201d\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002216665\u0022 about=\u0022\/pandemic-theatre-aesthetic\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-04\/siblings_08cjulieta_cervantes.webp?itok=v42RlAg2 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-04\/siblings_08cjulieta_cervantes.png?itok=v42RlAg2 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2020-04\/siblings_08cjulieta_cervantes.png?itok=v42RlAg2 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2020-04\/siblings_08cjulieta_cervantes.png?itok=BICXf-4R\u0022 alt=\u0022two actors onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/pandemic-theatre-aesthetic\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPandemic Theatre Aesthetic\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 April 2020\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell examines the new theatrical landscape brought on by COVID-19 and discusses the emerging aesthetic\u2014one that is low-tech, low-key, one-on-one, close-up.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u002214505\u0022 about=\u0022\/ashes-and-serious-eerie-art-puppetry\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-04\/nc_j_mandell_photo_2.webp?itok=Xpp2YWAp 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-04\/nc_j_mandell_photo_2.jpg?itok=Xpp2YWAp 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/2019-04\/nc_j_mandell_photo_2.jpg?itok=Xpp2YWAp 1x\u0022 width=\u0022340\u0022 height=\u0022204\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/2019-04\/nc_j_mandell_photo_2.jpg?itok=e04GggMf\u0022 alt=\u0022hyper-realistic human-like puppets\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/ashes-and-serious-eerie-art-puppetry\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EAshes\u003C\/em\u003E and the Serious, Eerie Art of Puppetry\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E3 April 2019\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell discusses the Plexus Polaire puppetry show \u003Cem\u003EAshes\u003C\/em\u003E, recently on at HERE in New York City.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225610\u0022 about=\u0022\/boys-band-and-limitations-gay-history-stage\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/DerekLucci2_217BOXES_by_PaulaCourt.webp?itok=E-uKvbKg 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/DerekLucci2_217BOXES_by_PaulaCourt.jpg?itok=E-uKvbKg 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/DerekLucci2_217BOXES_by_PaulaCourt.jpg?itok=E-uKvbKg 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/DerekLucci2_217BOXES_by_PaulaCourt.jpg?itok=u7wZUPyR\u0022 alt=\u0022an actor onstage\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/boys-band-and-limitations-gay-history-stage\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EThe Boys in the Band\u003C\/em\u003E and the Limitations of Gay History on Stage\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 June 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell writes about\u0026nbsp;\u003Cem\u003EThe Boys in the Band\u003C\/em\u003E,\u0026nbsp;\u003Cem\u003EThe Gentleman Caller\u003C\/em\u003E, and\u0026nbsp;\u003Cem\u003E217 Boxes of Dr. Henry Anonymous\u003C\/em\u003E, and discusses their portrayal of gay male characters.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225580\u0022 about=\u0022\/broadway-year-reckoning\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/Mean%20Girls%201_0.webp?itok=VzrJPEtU 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/Mean%20Girls%201_0.jpg?itok=VzrJPEtU 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/Mean%20Girls%201_0.jpg?itok=VzrJPEtU 1x\u0022 width=\u0022340\u0022 height=\u0022228\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/Mean%20Girls%201_0.jpg?itok=UfXXxlg5\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/broadway-year-reckoning\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EBroadway in a Year of Reckoning\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E3 May 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003ENew York critic Jonathan Mandell gives us a glimpse at the recently ended Broadway season, and reflects on how these shows have handled the past as a way to adapt to our current sociopolitical moment.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225560\u0022 about=\u0022\/symphonie-fantastique-and-triumph-and-trap-puppetry\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%201_2.webp?itok=Ipeu_Ngp 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%201_2.jpg?itok=Ipeu_Ngp 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%201_2.jpg?itok=Ipeu_Ngp 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J_Mandell_photo%201_2.jpg?itok=Sflmk3TN\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/symphonie-fantastique-and-triumph-and-trap-puppetry\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003ESymphonie Fantastique\u003C\/em\u003E and the Triumph and Trap of Puppetry\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E5 April 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell reflects on\u0026nbsp;the twentieth anniversary production of Basil Twist\u0027s\u0026nbsp;\u003Cem\u003ESymphonie Fastastique\u003C\/em\u003E\u0026nbsp;at HERE Arts Center in New York City.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225536\u0022 about=\u0022\/black-pain-stage\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%202%20copy.webp?itok=pY2YSrSI 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%202%20copy.jpg?itok=pY2YSrSI 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%202%20copy.jpg?itok=pY2YSrSI 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J_Mandell_photo%202%20copy.jpg?itok=HpMkYupF\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/black-pain-stage\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EBlack Pain On Stage\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E1 March 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell looks at several current plays that depict violence by or against African Americans, including LeKethia Dalcoe\u0027s \u003Cem\u003EA Small Oak Tree Runs Red\u003C\/em\u003E, Gabriel Jason Dean\u0027s \u003Cem\u003ETerminus\u003C\/em\u003E, and Althea Harris\u0027s \u003Cem\u003EIs God Is\u003C\/em\u003E.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225522\u0022 about=\u0022\/hastened-technology-hindered-public-attitudes\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_J_Mandell_photo%201%20%281%29_0.webp?itok=NQSWeXp2 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_J_Mandell_photo%201%20%281%29_0.jpg?itok=NQSWeXp2 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_J_Mandell_photo%201%20%281%29_0.jpg?itok=NQSWeXp2 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_J_Mandell_photo%201%20%281%29_0.jpg?itok=Kqf5ytAr\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/hastened-technology-hindered-public-attitudes\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EHastened by Technology, Hindered by Public Attitudes\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 February 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell reports on the accessibility panel at BroadwayCon, which explained the forthcoming changes aiming toward a future theatre seamlessly accessible for everyone, all the time.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225518\u0022 about=\u0022\/do-words-matter-stage\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_Photo3%20%281%29%20copy.webp?itok=aQEf-S18 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_Photo3%20%281%29%20copy.png?itok=aQEf-S18 1x\u0022 type=\u0022image\/png\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_Photo3%20%281%29%20copy.png?itok=aQEf-S18 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J%20Mandell_Photo3%20%281%29%20copy.png?itok=TwyA4KEA\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/do-words-matter-stage\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDo Words Matter on Stage?\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E1 February 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell looks at six theatre pieces in January that used words in unorthodox ways\u2014as gibberish, or out-of-sync with the action; some didn\u2019t use words at all.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225513\u0022 about=\u0022\/theatre-and-resistance\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_J_Mandell_photo%201%20copy.webp?itok=mtoR8glE 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_J_Mandell_photo%201%20copy.jpg?itok=mtoR8glE 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/E_J_Mandell_photo%201%20copy.jpg?itok=mtoR8glE 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/E_J_Mandell_photo%201%20copy.jpg?itok=VEML0EiH\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/theatre-and-resistance\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ETheatre and Resistance\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003ETen Things \u003Cem\u003EYou\u003C\/em\u003E Can Do\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E25 January 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell reports\u0026nbsp;on the\u0026nbsp;Martin Segal Theatre Center\u0027s\u0026nbsp;2018 Theatre and Resistance Symposium, and lists ten things theatre community can do right now to make a change.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225499\u0022 about=\u0022\/room-india\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_A%20Room%20in%20India_Photo%201_0.webp?itok=c25wltw0 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_A%20Room%20in%20India_Photo%201_0.jpg?itok=c25wltw0 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_A%20Room%20in%20India_Photo%201_0.jpg?itok=c25wltw0 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/J_Mandell_A%20Room%20in%20India_Photo%201_0.jpg?itok=4AvA1j4I\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/room-india\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EA Room in India\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EIf All Theatres were Demolished, Would Anybody Care?\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 January 2018\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EThis month Jonathan Mandell looks at \u003Cem\u003EA Room in India\u003C\/em\u003E by French company Th\u00e9\u00e2tre du Soleil, which considers the question \u2018If all theatres were demolished tomorrow, would anybody miss them, and for how long?\u2019\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225485\u0022 about=\u0022\/tennessee-williams-mary-shelley-lord-byron-and-cockroaches-glass-guignol\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%202_0.webp?itok=cY3RGBYK 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%202_0.jpg?itok=cY3RGBYK 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%202_0.jpg?itok=cY3RGBYK 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J_Mandell_photo%202_0.jpg?itok=7rqqlyDQ\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/tennessee-williams-mary-shelley-lord-byron-and-cockroaches-glass-guignol\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ETennessee Williams, Mary Shelley, Lord Byron, and Cockroaches \u003Cem\u003E Glass Guignol\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EThe Brother and Sister Play\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 December 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell gets a grip on \u003Cem\u003EGlass Guignol: The Brother and Sister Play, \u003C\/em\u003Ea mashup with Tennessee Williams, Mary Shelley, Lord Byron, and cockroaches\u2014the debut production at the Mabou Mines Theater.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225466\u0022 about=\u0022\/will-future-storytelling-include-live-theatre\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_FoST_%20Photo%201%20alt%20copy.webp?itok=sZf3u2c6 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_FoST_%20Photo%201%20alt%20copy.jpg?itok=sZf3u2c6 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_FoST_%20Photo%201%20alt%20copy.jpg?itok=sZf3u2c6 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/J_Mandell_FoST_%20Photo%201%20alt%20copy.jpg?itok=MpdCjD3m\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/will-future-storytelling-include-live-theatre\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWill Future Storytelling Include Live Theatre?\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E15 November 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell looks at the Future of Storytelling festival in Staten Island, New York, which featured exhibits, productions, and performances using virtual reality, augmented reality, and mixed reality techniques and technology.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225455\u0022 about=\u0022\/when-playwright-has-agenda\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_Photo%201%20copy.webp?itok=kjbBgOlC 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_Photo%201%20copy.jpg?itok=kjbBgOlC 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/J_Mandell_Photo%201%20copy.jpg?itok=kjbBgOlC 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/J_Mandell_Photo%201%20copy.jpg?itok=rUG9zkD0\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/when-playwright-has-agenda\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EWhen the Playwright Has an Agenda\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E2 November 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell takes on two recent plays based on real events, considering productions of \u003Cem\u003EFerguson\u003C\/em\u003E and \u003Cem\u003EThe Siege\u003C\/em\u003E.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225432\u0022 about=\u0022\/caregivers-stage\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo3.webp?itok=YdsZzLrk 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo3.jpg?itok=YdsZzLrk 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo3.jpg?itok=YdsZzLrk 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J%20Mandell_photo3.jpg?itok=5rjS-tWV\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/caregivers-stage\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003ECaregivers on Stage\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003E\u003Cem\u003EMary Jane, The Treasurer, The Cost of Living\u003C\/em\u003E\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E5 October 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell looks at three plays about caregiving on stage recently in New York.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225405\u0022 about=\u0022\/dramatizing-dystopia\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_%255Bphoto%202_1.webp?itok=be_XlyEU 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_%255Bphoto%202_1.jpg?itok=be_XlyEU 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_%255Bphoto%202_1.jpg?itok=be_XlyEU 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J_Mandell_%255Bphoto%202_1.jpg?itok=sp_t-17x\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/dramatizing-dystopia\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EDramatizing Dystopia\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E7 September 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell runs down the recent past and present dramatization of dystopian novels on stage, including \u003Cem\u003E1984\u003C\/em\u003E, and asks whether what\u2019s on stage is reflected in the political era that we are in now.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225375\u0022 about=\u0022\/antigone-ferguson\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%203.webp?itok=Ae7dESra 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%203.jpg?itok=Ae7dESra 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J_Mandell_photo%203.jpg?itok=Ae7dESra 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J_Mandell_photo%203.jpg?itok=He2wnvy4\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/antigone-ferguson\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003EAntigone in Ferguson\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EDramatizing the Divide Between Law Enforcement and Community\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E3 August 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell writes about Theater of War\u2019s production of \u003Cem\u003EAntigone in Ferguson\u003C\/em\u003E in Brownsville, Brooklyn.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225308\u0022 about=\u0022\/politics-propaganda-and-aesthetics\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo1_1.webp?itok=8tApfVzT 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo1_1.jpg?itok=8tApfVzT 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo1_1.jpg?itok=8tApfVzT 1x\u0022 width=\u0022340\u0022 height=\u0022227\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J%20Mandell_photo1_1.jpg?itok=Wjgr5QfG\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/politics-propaganda-and-aesthetics\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPolitics, Propaganda, and Aesthetics\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003ESorting through \u003Cem\u003EBuilding the Wall\u003C\/em\u003E\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 June 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell compares the countrywide reaction to the anti-Trump play \u003Cem\u003EBuilding the Wall\u003C\/em\u003E\u0026nbsp;with its reception in New York, where it\u0027s closing a month early.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225277\u0022 about=\u0022\/power-struggle-broadway\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_Photo4_0.webp?itok=qN5VsNy6 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_Photo4_0.jpg?itok=qN5VsNy6 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_Photo4_0.jpg?itok=qN5VsNy6 1x\u0022 width=\u0022340\u0022 height=\u0022255\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J%20Mandell_Photo4_0.jpg?itok=YZvoczbq\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/power-struggle-broadway\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003EPower Struggle on Broadway\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EEscapist vs. Socially Conscious Shows in the 2016\u201317 Season\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E4 May 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003EJonathan Mandell looks at the Broadway season that just ended, dividing it into escapist entertainment and socially engaged theatre, and wondering which is more needed in times like these.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n \u003Cdiv class=\u0022views-row\u0022\u003E\n\u003Cdiv data-history-node-id=\u00225231\u0022 about=\u0022\/come-away\u0022 class=\u0022view-mode-profile view-mode-profile--node-type-essay node node--type-essay node--promoted node--view-mode-profile\u0022\u003E\n\n \n \u003Cdiv class=\u0022node__content\u0022\u003E\n \n \u003Cdiv class=\u0022field field--name-field-media-image field--type-entity-reference field--label-hidden field__item\u0022\u003E\u003Carticle class=\u0022media media--type-image media--view-mode-teaser-card\u0022\u003E\n \n \n \u003Cdiv class=\u0022field field--name-field-image field--type-image field--label-hidden field__item\u0022\u003E \u003Cpicture\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo2_0.webp?itok=Lt83FMbH 1x\u0022 type=\u0022image\/webp\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Csource srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo2_0.jpg?itok=Lt83FMbH 1x\u0022 type=\u0022image\/jpeg\u0022 width=\u0022650\u0022 height=\u0022366\u0022\/\u003E\n \u003Cimg loading=\u0022eager\u0022 srcset=\u0022\/sites\/default\/files\/styles\/650w_x_366h\/public\/NC_J%20Mandell_photo2_0.jpg?itok=Lt83FMbH 1x\u0022 width=\u0022340\u0022 height=\u0022223\u0022 src=\u0022\/sites\/default\/files\/styles\/body_small\/public\/NC_J%20Mandell_photo2_0.jpg?itok=FUHDq7vg\u0022 typeof=\u0022foaf:Image\u0022 \/\u003E\n\n \u003C\/picture\u003E\n\n\u003C\/div\u003E\n \n \u003C\/article\u003E\n\u003C\/div\u003E\n \n\u003Cdiv class=\u0022group-content\u0022\u003E\n \u003Ca href=\u0022\/come-away\u0022 class=\u0022field-pseudo-field field-pseudo-field--tile-link\u0022 aria-hidden=\u0022hidden\u0022 hreflang=\u0022en\u0022\u003E \u003C\/a\u003E\u003Cdiv class=\u0022field-pseudo-field field-pseudo-field--content-type-label field-pseudo-field--content-type-label--essay\u0022\u003EEssay\u003C\/div\u003E\n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-title-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch3\u003E\u003Cem\u003ECome From Away\u003C\/em\u003E\u003C\/h3\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-subtitle-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Ch4\u003EResenting the Decency in This 9\/11 Musical\u003C\/h4\u003E\n\u003C\/div\u003E\n \n \u003Cdiv class=\u0022field field--name-field-date field--type-datetime field--label-hidden field__item\u0022\u003E6 April 2017\u003C\/div\u003E\n \n \u003Cdiv class=\u0022clearfix text-formatted field field--name-field-teaser-body-wysiwyg field--type-text-long field--label-hidden field__item\u0022\u003E\u003Cp\u003E\u0026nbsp;Jonathan Mandell considers his own and other reactions to the Broadway musical \u003Cem\u003ECome From Away\u003C\/em\u003E, which have as much to do with what\u0027s happening in the world as on stage.\u003C\/p\u003E\n\u003C\/div\u003E\n \n \u003C\/div\u003E\n \u003C\/div\u003E\n\n\u003C\/div\u003E\n\u003C\/div\u003E\n\n \u003C\/div\u003E\n \n \u003Cnav class=\u0022pager\u0022 role=\u0022navigation\u0022 aria-labelledby=\u0022pagination-heading\u0022\u003E\n \u003Ch4 id=\u0022pagination-heading\u0022 class=\u0022visually-hidden\u0022\u003EPagination\u003C\/h4\u003E\n \u003Cul class=\u0022pager__items js-pager__items\u0022\u003E\n \u003Cli class=\u0022pager__item is-active\u0022\u003E\n \u003Ca href=\u0022?page=0\u0022 title=\u0022Current page\u0022 aria-current=\u0022page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003E\n Current page\n 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page\u003C\/span\u003E\n \u003Cspan aria-hidden=\u0022true\u0022\u003E\u203a\u203a\u003C\/span\u003E\n \u003C\/a\u003E\n \u003C\/li\u003E\n \u003Cli class=\u0022pager__item pager__item--last\u0022\u003E\n \u003Ca href=\u0022?page=3\u0022 title=\u0022Go to last page\u0022\u003E\n \u003Cspan class=\u0022visually-hidden\u0022\u003ELast page\u003C\/span\u003E\n \u003Cspan aria-hidden=\u0022true\u0022\u003ELast \u00bb\u003C\/span\u003E\n \u003C\/a\u003E\n \u003C\/li\u003E\n \u003C\/ul\u003E\n \u003C\/nav\u003E\n\n \u003C\/div\u003E\n\u003C\/div\u003E\n","settings":null}]