This section collects all HowlRound content that takes the form of an interview between two or more theatremakers. Interested in contributing your own interview? Here are our interview guidelines and best practices!
Will Power, Dallas Theater Center and the Playwright On Staff Model
10 December 2014
Commons Producer Jonathon Norton talks to playwright Will Power, the playwright in residence at Dallas Theater Center, about being on staff at a regional theatre and being a member of a community.
We want it to be for everybody. I think that we have to make it so that our readership sees us as a chapter in the narrative, not a separate narrative. That Café Onda acts as an archive, as a living conversation, and as a chapter in the story of the American theater. I hope that the present and future readership of Café Onda consists of those who are interested in that greater narrative.
New Play Wizard Richard Washer on First Draft and the D.C. Theater Scene
6 November 2014
Richard Washer is a Washington fixture, having worked in the Washington, D.C. area for more than thirty years as a playwright, director, dramaturg, and educator. He is humble, unassuming, and quietly essential to many in the DC area who are developing new plays.
Bertie Ferdman interviews Anne Hamburger about Basetrack Live, a multimedia theatre production inspired by Basetrack: One-Eight, a web project created in 2010 by photojournalists embedded with US Marines fighting in southern Afghanistan.
Leslie Odom Jr. And His Three Rules for “Getting Into The Room” as a Professional Performer
16 October 2014
1.) Never wait for permission to practice your art. You cannot wait to get a job to be an artist. 2.) Study your art. Never stop studying. 3.) Find a spiritual practice that works for you.
It dawned on me that the message of {my lingerie play} is a message for the masses. I decided to do the public underground performance installations because they would be my version of a commercial. I wanted to take it to the streets, to the root of the problem, and see what would happen.
Circus artists Ember Flynne and Michael "Mooch" Mucciolo discuss their work as professional fire performers in Boston, and shed some light on what it takes to succeed in the business.
Albuquerque, New Mexico: We have a varied company, and we’re always looking to put on kick ass plays. It’s pretty cool that we have a company where any of our actresses could play Hamlet. And not like, “Female Hamlet”, but you know, Hamlet. Or where people of different races play siblings, without comment or explanation, and our audiences don’t bat an eye.
P. Carl interviews playwright Sarah Ruhl on her collection of short essays titled "100 Essays I Don't Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater."
P. Carl interviews Michael Garcés, Artistic Director of Cornerstone Theater, about their touring production California: The Tempest, which revisits ten California communities that were part of ten year’s of Institute Summer Residencies.
A Veteran's Protest Play – Why The March of the Bonus Army Now?
29 August 2014
Researching the war and the following years, the ripple effects of World War I impacted not just international politics, but everything from race relations to art, music and literature. The Bonus Army is one of these ripples.
As a Chicano director and writer, I am inspired by my own culture—the influence of poetry and magical realism, the contradictions and collision of European and Indigenous cultures, the corridos and huapangos of home, the memories of sitting on the porch hearing my family’s stories, and my own ever-growing inquiry into the nature of storytelling—from the specific to the universal—all came to mind in the design of the play.
Martha Steketee writes about Daniel Talbott and Samantha Soule looking at the work and companies they've created in New York's off-Broadway scene since meeting at Juilliard in 1998.
Listen to weekly podcasts hosted by David Dower as he interviews theatre artists from around the country to highlight #newplay bright spots. This week: Tracey Scott Wilson.
So my friend Clyde Valentín is my guest today on the Friday Phone Call. I seem to be in a mood around friends in transition. As with Deb Cullinan and Todd London, Clyde recently began a new adventure after a long stretch as the Executive Director of The Hip Hop Theater Festival. He has taken on the job of leading a new initiative at Southern Methodist University in Dallas: The Arts and Urbanism Initiative. Clyde is very much in the conceptual days of this project—he has been in place for just a few months thus far. I love hearing him think out loud about the path at SMU, the path for HHTF and him, and the role of a university in community. Clyde is also a key organizer of the Latino Theater Commons but we will have to get back on the phone another time to get that whole story.
Maria Striar Talks with Clubbed Thumb's Summerworks Playwrights
28 May 2014
A conversation with Maria Striar, producing artistic director of Clubbed Thumb and Summerworks 2014 playwrights, Jenny Schwartz, Peggy Stafford, and Ariel Stess.
Listen to weekly podcasts hosted by David Dower as he interviews theatre artists from around the country to highlight #newplay bright spots. This week: Todd London.