HowlRound is a free and open platform for theatremakers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners.
We seek to democratize the arts by effectively modeling the transformative power of commons based practice.
- Generosity and abundance—all are welcome and necessary
- Community and collaboration over isolation and competition
- Diverse aesthetics and the evolution of forms of theatre practice
- Equity, inclusivity, and accessibility for underrepresented theatre communities and practices
- Global citizenship—local communities intersecting with global practice
HowlRound’s creation was a direct response to: 1) research that suggested artists were increasingly distant from the center of theatremaking within not-for-profit institutional infrastructure, and 2) the new possibilities created by technology to influence theatre practice. Our founding came at a time when we saw too many voices left off our stages, not represented inside of our institutions, and not recognized for their substantial contribution to our past and present. We set about to create a group of tools that would amplify voices and issues chronically underrepresented and unheard in the theatre.
We found an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities.
HowlRound launched as an online journal in 2011, created by P. Carl, David Dower, Jamie Gahlon, and Vijay Mathew as part of the American Voices New Play Institute (AVNPI) at Arena Stage (founded by Dower in 2009). In 2012 the co-founders and all of the documentation and dissemination work of the AVNPI relocated to Emerson College in Boston under the banner of HowlRound. This included the HowlRound journal, the livestreaming television channel, then called NewPlay TV (now HowlRound TV), the New Play Map (now the World Theatre Map), and all of the convening activity. In July of 2012, HowlRound officially began operations at Emerson College, where we remain today. Co-founder P. Carl left HowlRound in 2017, and the three others remain at the helm. At Emerson, HowlRound is part of the Office of the Arts, a department that is also home to ArtsEmerson, a professional presenting and producing organization.
HowlRound is a condition—one that results in a howling noise when sound from a loudspeaker is fed back into a microphone. It’s an amplified feedback loop. This idea of a feedback loop represents the condition upon which HowlRound was born in 2011—as a place for artists to provide feedback, learning, expertise, frustration, and vision—in an effort to enliven the fields of theatre and performance to the aspiring and established artist alike.
All of our content comes from our community. We curate according to our values, and we curate by listening to you. And sometimes when it comes to written content we curate through a rigorous editing process done in conversation with you.
Other commons have emerged from the HowlRound commons. One of these is the Latinx Theatre Commons that began as a result of a meeting convened by HowlRound and is now an ongoing collaboration five years strong.
If you’re here for the first time, welcome! Visit our Participate Page to see how you can become involved, subscribe to receive our content in your inbox, or just send us an email and say hello. You are the commons. You are HowlRound.
- An online Journal
- HowlRound TV
- The World Theatre Map
- Latinx Theatre Commmons
- Documenting the impact of playwright residencies
- In-Person Convenings
Meet the Team
HowlRound functions as an ensemble. We have five full-time staff and a number of part-time workers that make the magic happen.
David Dower (Co-Founder)
David Dower is an infrastructure identifier and alignment specialist. A superstitious sports fan and former bartender of the year, he will make you a perfect cocktail if you cheer for his team the right way.
Jamie Gahlon (Interim Director & Co-Founder)
Jamie Gahlon is a doodler, a dabbler, a list maker, and a libra who shares her birthday with the Boss. She creates a mean budget and a meaner master schedule. She may have to borrow your dog or teacup pig.
Vijay Mathew (Cultural Strategist & Co-Founder)
Vijay Mathew is a culture producer, an idea cartographer, and father to a nine-year-old who wants to help people when he grows up. He has technology on his side and he knows how to use it. An aspiring vegan chef.
Ramona Ostrowski (Associate Producer)
Ramona Ostrowski is a dramaturg, a dreamer, and a lover of old movies and new plays. She was raised in Connecticut, and has an affinity for rocky coastlines and chunky sweaters.
JD Stokely (HowlRound Fellow)
JD Stokely is a trickster-in-training who creates and curates performances around Queerness, nostalgia, the Black body, and home. Stokely is from Philadelphia by-way-of Boston. They are a karaoke enthusiast, an astrology nerd, and a lover of gourmet ice cream.
Abigail Vega (Latinx Theatre Commons Producer)
Abigail Vega is a wanderer with a plan, a military brat, and a beach baby with an iced coffee addiction. A former B-list celebrity child chef, she has a formidable seashell collection and isn't afraid to use it. In her youth she flunked out of Chinese language Kindergarten, but don't worry, it has all been uphill since then. She produces the Latinx Theatre Commons.
May Antaki (Content Editor)
After fortuitously stumbling into the world of theatre through a rec league softball team made up entirely of stage artists, May co-founded the Canadian theatre magazine Intermission. She spends her free time exploring her city by bike, drinking coffee, reading books, and taking road trips with friends.
Thea Rodgers (HowlRound TV Producer)
Thea Rodgers is a theatre addict and wannabe astronaut who's streaming your station from nation to nation on the commons-based peer produced HowlRound TV network. She talks a big game but when it comes down to it, you can probably beat her in Scrabble.
Dante Flores (Emerson College Student Staff Assistant)
Raised in the dusty corners of Dallas’s black box theatres, Dante Flores is a scribbler who’s squandered every dollar he’s ever earned on tea and cakes from the local bakery. He was raised on a healthy diet of Shakespeare and horror movies, and to this day aspires to write for the stage some combination of the two. Inevitably, he participates in the economy he describes.
Carolina Gonzalez (Emerson College Student Staff Assistant)
Carolina Gonzalez is a fan of foreign films and french fries. Born in Venezuela and raised in Miami, she tries her best to endure Boston's cold weather. She is currently studying film production at Emerson College, and one of her many aspirations includes teaching the HowlRound team fluent Spanish.
Victoria Torres (Emerson College Student Staff Assistant)
Victoria is an avid dreamer and a lover of words. Those two things have led her
to pursue a double major in Political Communications as well as Writing, Literature, and Publishing. When not in class, dance rehearsal, or on the campaign trail, Victoria can be found drinking copious amounts of tea and reading poetry or fairytales by a window.
Thanks are in Order
HowlRound has been made what it is thanks to the fine contributions of many colleagues and friends, including those who served on our National Advisory Council from 2012-2017. We are in their debt and list them here:
- Ilana Brownstein: Director of New Work, Company One, Founding Dramaturg, Playwrights’ Commons, Associate Professor, Boston University, Boston, MA
- Deborah Cullinan: Executive Director, Yerba Buena Center for the Arts, San Francisco, CA
- Olga Garay-English: Arts Consultant, Los Angeles, CA
- Matthew Glassman: Executive Director, Double Edge Theatre Farm Center, Ashfield, MA
- Rachel Grossman: Ringleader, dog & pony dc, Washington, DC
- Michelle Hensley: Artistic Director, Ten Thousand Things Theater, Minneapolis, MN
- Melanie Joseph: Producing Artistic Director, The Foundry Theatre, New York, NY
- Fran Kumin: Arts Consultant, New York, NY
- Todd London: Executive Director, University of Washington School of Drama, Seattle, WA
- Kirk Lynn: Head of Playwrighting & Directing Program, UT-Austin, Co-Artistic Director, Rude Mechs, Playwright, Austin, TX
- Jonathan McCrory: Director of Theatre Arts Program, National Black Theatre, Producing Artistic Director, The Movement Theatre Company, New York, NY
- Bonnie Metzgar: Independent Artist, Chicago, IL
- Diane Ragsdale: Erasmus University, Rotterdam, Netherlands
- Michael Rohd: Founding Artistic Director, Sojourn Theatre, Founder, Center for Performance and Civic Practice, Chicago, IL
- José Luis Valenzuela: Artistic Director, Los Angeles Theatre Center & The Latino Theater Company, Los Angeles, CA