Anchuli Felicia King
Anchuli Felicia King is a multidisciplinary theatre artist of Thai-Australian descent. She is currently based in New York, where she is completing her M.F.A. in Dramaturgy at Columbia University. Her areas of interest include technodramaturgy, music production and international new play development. As a playwright, Felicia is interested muscular, feminist work with strong roles for non-native English speakers, centering on issues of national and global urgency.
“These are not natural events”: Ariel’s Technodramaturgy in the Royal Shakespeare Company’s The TempestAnchuli Felicia King explores use of motion capture and the construction of an embodied and artificial Ariel in the RSC’s version of The Tempest .
Anchuli Felicia King discusses augmented reality technologies, one of the most radical technological advances affecting the theatre today and the unique dramaturgies and opportunities provided by AR in theatre.