Sade Lythcott writes about her mother's legacy as founder of the National Black Theater (NBT), and the importance of maintaining the history and lineage of black theater.

Founder and executive artistic director of Dallas’s Bishop Arts Theatre Center Teresa Coleman Wash looks at the realities of running a theatre company as a woman of color.

The Committee of  the Jubilee makes a call to action to support a vision of every theatre in the United States of America producing work by women, people of color, artists of varied physical and cognitive abilities, and/or LGBTQIA artists in the 2020–2021 season.

Vera Starbard (Tlingit/Dena’ina) introduces the series on Alaskan theatre through the lens of Alaska Native performance and storytelling.

Playwright Mary Kathryn Nagle kicks off Native Voices Week, “Instead of Redface,” with a personal story about how she came to playwriting from law school and the imperative to tell Native stories.

In this installment, Playwright and poet Sabina England shares her process for creating performances for deaf and hearing audiences.

Georgina Escobar reflects on the past four years of Latinx Theatre Commons (LTC) convenings, and developing an understanding of “Latinx aesthetics.”