This column, published every 4-6 weeks, examines issues of translation as they relate to the field of theatre and its intersections with other public and civic sectors. This edition: audience engagement.

Jeff Chang on Detroit-based Complex Movements’ Beware of the Dandelions, a narrative, concert, visual installation, architectural piece, and convening space to distribute revolutionary ideas and activate creative ecosystems and economies of change. 

The needs of non-arts organizations, and theatre artists' assets can intersect through Civic Practice. This guide from Michael Rohd offers examples of application and what this work can accomplish.

Michael Rohd responds to Andy Horowitz's essay with how he delineates social and civil practice

Many of us can attribute our path to the theater to a dynamic teacher in school: the teacher that inspired us or showed us a new side of ourselves. This series is a snapshot of today's high school theater educators across the country sharing about what they do and how and why they do this work.

Michael Rohd continues the series on the intersection of political ideology and art in their work. We know that content is political... but how can form dictate a play's mission as well?

Paul M. Davis illuminates the importance of artists and technologists collaborating in the civic sphere.

Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.

An interview with Roberta Uno, director of Arts in a Changing America, by P. Carl.