David Dower, the Co- Artistic Director of ArtsEmerson, responds to P. Carl's article about finding one's creative voice in theater with charting how he, Dower, became the "creative" person he is, and how that lead him to dramatugy. 

P. Carl, the Co- Artisic Director of ArtsEmerson, narrates his evoultion of finding his place in the creatative field of theater, and the way the nature and expression of creativity in theatre is tied into the nature and nutrue philosphical arguement. 

Richard Washer is a Washington fixture, having worked in the Washington, D.C. area for more than thirty years as a playwright, director, dramaturg, and educator. He is humble, unassuming, and quietly essential to many in the DC area who are developing new plays.

Amanda Boyle disects fast food dramaturgy: a brand that caters to productions' quick and easy needs.

Hailey Bachrach explores the subtle bias of audiences and directors toward female characters by surveying audiences following a performance with male and female actors trading roles.

Amrita Ramanan describes her literary office of the future—a place with no walls, no seperations, and no more viewing dramaturgy as an isolated practice.