Recent Essays

Robert Hubbard reviews Larissa FastHorse’s Wicoun, a transformative story of a teen finding power through gender and cultural identity—with the support of some Lakota superheroes.

Genevieve Schroder-Arce discusses her experience attending—and co-creating—Teatro Vivo’s Las Pastorela 2022, which invited audience members to construct the piece and perform it for one another as a way of modeling collaboration among community members.

Genevieve Simon reflects on the process of writing Bloom Bloom Pow, a play that makes space for collective grief by staging small-town chaos against a backdrop of the harmful algal bloom crisis in the Great Lakes region.

Playwright Raul Garza discusses the potent connections between environment and Latinx heritage that he explores by employing magical realism in his play Arbolito.

Katherine Gwynn writes about the intersection of queerness and the environment, attending closely to the way that wolf watching in Yellowstone National Park informs their play An American Animal.

Theresa May discusses the way that two contemporary plays with dystopian settings—Transmissions in Advance of the Second Great Dying by Jessica Huang and Somewhere by Melissa Treviño Orta—lean away from typical tropes of destruction and individualism by instead centering care, kinship, reciprocity, and interdependence.

Chantal Bilodeau introduces a new installment of the Theatre in the Age of Climate Change series, which focuses contemporary plays and playwrights that explore the intimate impacts of climate change on both individuals and communities.

Tony Garcia and Claudia de Vasco share their experiences becoming immersed in the Chicano movement, which has informed both of their careers in artistic leadership.

Theatremaker Eric Swartz sits down with Rosalba Rolón, co-founder and artistic director of Pregones/PRTT, to discuss ensemble-based theatre, mentorship across generations, and their work to sembrar una semilla—to plant a seed and work to make it grow.