This section collects all HowlRound content that takes the form of an interview between two or more theatremakers. Interested in contributing your own interview? Here are our interview guidelines and best practices!
Producing Malawi’s First Multidisciplinary Arts Festival
9 January 2023
When filmmaker Thomas Chibambo founded the Blantyre Arts Festival in 2009, it was Malawi’s first multi-disciplinary arts festival. He joins host Fumbani Innot Phiri, Jr. to discuss the Blantyre Arts Festival’s current plans to better support theatrical performance and his own work to establish an Arts Council in Malawi.
Exodus and the Autobiography of War at Tbilisi International Festival
5 January 2023
Yaşam Özlem Gülseven interviews Mikheil Charkviani about his work on Exodus, a production that traded grand historical narratives for granular perspectives on the impact of war in Georgia. Their interview, like the production, hinges on an important question: how do we learn to live with the past?
How YDC Theatre Leaders Are Navigating Malawi’s Changing Theatre Environment
4 January 2023
YDC Theatre has been producing theatre consistently in Malawi, even throughout the COVID-19 pandemic. They join Fumbani Innot Phiri, Jr. to trace the connections between the company’s consistent work centering Malawian perspectives, their efforts to build an audience, and the political and funding climate that they must navigate.
Pleasant Theodore Banda led Rise Arts to its first international performance in Zimbabwe. In this interview, he discusses his path into artistic direction as an actor and playwright with a background in accounting.
Developing Genuine Malawian Theatre on Stage and on the Radio
14 December 2022
Fumbani Innot Phiri Jr. interviews playwright and director Inno Katz about his career and his efforts to redefining Malawian theatre by focusing on local stories in both English and Chichewa.
Jack Msumba, creative director of Youth Developers Collaboration Theatre, has big ideas for the future of Malawian theatre. In this interview, he shares his plans to eventually build Malawi’s first theatre house by producing work consistently in schools, communities, and commercial settings.
Lydia Deborah Banda infuses theatre into community initiatives that work toward gender equality, educate girls about menstruation, and provide leadership and support opportunities in schools and prisons. In this interview, she shares her experiences conducting these initiatives in Malawi and touring internationally to Germany.
Building an Audience for Malawian Political Theatre
22 November 2022
Bright Phumayo Chayachaya’s Umunthu Theatre pulls together political theatre, poor theatre, theatre for development, and educational theatre to create productions that centralize Malawian narratives. In this interview, he discusses the company’s genesis and the need to bring audiences back to theatre.
What does the voice of this millennium sound like? In this interview, Khumbolane Chavula provides one answer to that question by splicing together theatre, poetry, and entrepreneurship as the founder of Millesimal Poetry.
Maxwell Ciphinga, better known as Max DC, has weathered massive changes in the audience, form, and funding of Malawian theatre throughout his four-decade career. In this interview, he shares his perspective on the industry and discusses his policy and producorial work as the president of Malawi’s new National Theatre Association.
As a scholar, educator, and practitioner of theatre, Roselyn Madalo Dzanja knows Malawi’s theatrical landscape well. In this interview, she discusses challenges Malawian women face when pursuing an acting career, the need for artistic independence from international donors, possibilities for Chichewa-language drama, and more.
From the Top Down: The Importance of HR in Theatre
25 October 2022
Iris McQuillan-Grace sits down with Kit Ingui, managing director of Long Wharf Theatre, to discuss Kit’s efforts to create a supportive and inclusive work environment by consciously building Long Wharf’s Human Resources (HR) practices.
Moving at the Speed of Trust: Two Theatres, One Playwright-in-Residence
24 October 2022
Star Finch sits down with artistic director of Crowded Fire Theater Mina Morita and co-founder of Campo Santo Sean San Jose to discuss their innovative idea to collaborate for the National Playwright Residency Program.
In this episode, co-hosts Bíborka and Zsófi are joined by visual and performance artist and environmental activist, Éva Bubla; dancer, choreographer, researcher, and founder of the performance research group SVUNG, Kinga Szemessy; and culture manager, event organizer, curator, founder of the PLACCC Festival, and the Hungarian liaison for the IN SITU Network, Fanni Nánay. Drawing from their individual experiences, they discuss the current climate crisis and how different artists engage with this complex issue.
Challenging “Certification”: Revising Hiring Practices in Fight and Intimacy Choreography
18 October 2022
Fight director and theatre artist Danielle Rosvally and founder of Heartland Intimacy Design and Training and associate professor Kate Busselle come together to interrogate the concept of “certification” in fight direction and intimacy coordination by illuminating current training practices, opportunities, and programs in the field.
In this episode, hosts Zsófi and Bíborka take apart autobiographical theatre with stage director Panni Néder, actress Judit Tarr, actor and director László Göndör, and director and dramaturg Kristóf Kelemen. Together they delve into their approach to autobiographical material, playing themselves versus acting, their lives after creating a highly personal show, and the nuances of someone else playing them onstage.
In this week’s episode, hosts Bíborka and Zsófi focus on different abilities and handicapped people in the performing arts. Translating their guests’ responses into English, the co-hosts sit down with independent theatremaker, poet, and dramaturg Ádám Fekete; and the core members of the ArtMan Association, Dorka Farkas, Kata Kopeczny, and Ferenc Kálmán, who work with integrated dance and movement practices to produce amazing contemporary dance shows.
In this special episode, Marina and Nabra sit down with Lebanese actor, theatremakers, and peacebuilder Raffi Feghali to talk about the Buffer Fringe Festival. Buffer Fringe is an annual festival with a mission for peacebuilding and social justice, organized by Home for Cooperation and situated in the buffer zone in Cyprus. Buffer Fringe runs 7-9 October 2022, presenting three days of international, interdisciplinary, experimental performances under the theme of Pockets (beyond). Join us as we explore improv in Lebanon, experimental theatre in a geographically contentious area, and artistic curation for peacebuilding.
In this episode, co-hosts Zsófi and Bíborka talk about the practice and art of improvisation with three outstanding figures from the Hungarian contemporary dance and jazz scene: Zoltán Grecsó, a dancer, choreographer, and founder of Budapest’s improvised dance evening series Willany Leó; Viola Lévai, a dancer and teacher of contact improvisation; and Ernő Zoltán Rubik, a musician, composer, dancer, and an active member of the Hungarian free jazz and contact improvisation scene.
Michelle Ramos sits down with Ashley Davis, founder and director of the social enterprise Unlock Creative, to discuss Ashley’s experience being a mom in the field and how she works to make her own organization more accommodating of parents and caregivers.
No Borders’ Feast: A Reckoning at the Royal Court/On the Square
26 September 2022
verity healey speaks with Polish theatremaker Nastazja Domaradzka about No Borders, an arts program she created in collaboration with the Royal Court Theatre in London that prioritizes migrant artists’ experiences and voices.
In the third episode of PUHA podcast, co-hosts Zsófi and Bíborka talk to the interdisciplinary collective Hollow, the experimental scenographer Eszter Kálmán, and dancer-choreographer Beatrix Simkó. Together, they discuss how their work features across different media and mixes visual and digital art with performativity. Get ready for a journey across household noise choreographies, moving bodies in Vienna’s Leopold Museum, underground queer communities in Tbilisi, and stories of friendship and pregnancy in performance art!
Multidisciplinary artist Ash Marinaccio sits down with the co-founder and artistic director of ASHTAR Theatre Iman Aoun to discuss this year’s ASHTAR International Youth Festival in Palestine.
In this week’s episode of PUHA podcast, co-hosts Bíborka and Zsófi navigate their way through a discussion of what queerness means with performer, actress, and director Veronika Szabó; contemporary dancer Kemelo Sehlapelo; and dancer, choreographer, and clubber Gergő Dávid Farkas. Together, they contemplate identities, responsibility, and the way queer people exist in society.
