One of the main reasons that theatre's so thrilling and vital is that, unlike movies or TV shows, it involves a live performance that happens right before our eyes. However, that same quality also makes it almost impossible to recapture that live experience, and it can make studying the history of the theatre difficult. 

This podcast will try to help listeners understand and learn more about theatre history across a myriad of time periods and cultures. It features interviews with academics, artists, and others who are working to rediscover forgotten stories from the theatrical past and to create new art and scholarship from them. 

Members of the chorus in a late 19th-century production of The Black Crook, via the New York Public Library’s Billy Rose Theatre Collection.

The Black Crook has been a theatrical legend ever since it premiered in New York in 1866. While its reputation as “the first musical” is probably overblown, it was nevertheless a huge hit and a testament to changing tastes in the post-Civil War era. Joshua William Gelb has revived the show for its 150th anniversary, adding in new material that places the show’s surprising origins in context for a twenty-first century audience. The Black Crook runs from September 17 to October 7 at the Abrons Arts Center in New York.

Sheet music cover, the “Black Crook Waltzes,” 1867. Via the New York Public Library’s Jerome Robbins Dance Division.

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Pauline Markham as Stalacta in a 19th-century production of The Black Crook. Via the New York Public Library’s Billy Rose Theatre Collection.

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