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  • Building Worlds and Breaking Meaning in Enda Walsh’s Work Jen Gushue

    Jen Gushue reflects on the visceral work of Irish playwright Enda Walsh. 

  • Do Words Matter on Stage? Jonathan Mandell

    Jonathan Mandell looks at six theatre pieces in January that used words in unorthodox ways—as gibberish, or out-of-sync with the action; some didn’t use words at all.

  • Sheila Puts Women Center Stage Carey Purcell

    Can friendships survive a separation in time, values, and life choices? Carey Purcell looks at the quiet questioning of the role of women in Sheila by The Associates.

  • Questioning the Casting and the Hump Cassidy Dawn Graves

    Cassidy Dawn Graves writes about Thomas Ostermeier’s production of Richard III and questions why we still see able-bodied actors playing characters with disabilities.

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