fbpx jhahn | HowlRound Theatre Commons
Jennie Hahn
she/her

Jennie Hahn (she/her) is an interdisciplinary, performance-based artist committed to social repair and environmental care in Wabanakik/Maine — a place with which she is in multi-generational, settler-colonial relationship.

Jennie Hahn (she/her) is an interdisciplinary, performance-based artist committed to social repair and environmental care in Wabanakik/Maine — a place with which she is in multi-generational, settler-colonial relationship. Jennie is co-creator of In Kinship Collective, a cross-cultural performance project that follows the tradition of Wabanaki guiding. As a producer of community-based theater and performance, Jennie has developed multi-year and multi-partner performance projects with Maine farmers (Farms & Fables, 2011), municipal/state agencies (Maine Department of Agriculture, Conservation and Forestry, 2014), and fisheries biologists (In Kinship, 2016). Jennie’s relationship-driven practice is profiled in the “Municipal-Artist Partnership Guide” published by Animating Democracy and A Blade of Grass. Her work has been funded and supported by New England Foundation for the Arts, the Kindling Fund, MAP Fund, Network of Ensemble Theatres, the Center for Performance and Civic Practice, and the Maine Arts Commission, among others. 

Jennie holds an MFA in Intermedia and is currently a PhD student in the Interdisciplinary Doctoral Study program at the University of Maine. Her research investigates performance methodologies that work to fulfill responsibilities to place. Jennie is a Graduate Assistant in the Graduate Student Exchange Program at UMaine and an Instructor in the Creative Arts Department at UMaine Machias, where she teaches Graphic Design and Photography.

Headshot by Robyn Nicole.

A promotional graphic for MicroCosmos.
Essay

On Reshaping Relations

5 March 2025

Interdisciplinary artists and producers Jennie Hahn and Sharon Mansur are connecting performance and community through their work in Indigenous-settler relations and Arab American artist communities, respectively. In this MicroCosmos encounter, they consider the practices and experiments at the heart of their work.

Essay

IN KINSHIP

A River and Recovery in Many Acts

19 September 2017

Maine artist Jennie Hahn explores environmental stewardship in Maine’s Penobscot River Watershed with the performance project IN KINSHIP and shares her three guiding principles for making art in a time of climate change.

Subscribe to HowlRound

Sign up for our daily, weekly, or quarterly emails so you never miss the latest theatre conversations.

Sign me up

Support HowlRound

We fundraise to keep all our programs free and open and to pay our contributors. Thank you to all who make our work possible!

Donate today