fbpx ktshorb | HowlRound Theatre Commons
Profile picture for user ktshorb
kt shorb

kt shorb holds a BM in Music Composition from Oberlin Conservatory, an MA in Media Studies from the University of Texas at Austin and a PhD in Performance as Public Practice (Theatre/Performance Studies), also from UT-Austin. Additional training includes acting and devising with the SITI Company and intimacy direction with Theatrical Intimacy in Education. kt’s theatre directing focuses on ensemble-devised theatre based on canonical texts and new plays created in collaboration. kt also stage directs opera and has directed for Wolf Trap Opera and Chicago Summer Opera. kt’s scholarship is rooted in critical race studies, queer studies, performance studies, and creative practice-as-research. It examines how queer people of color theatre artists enact heroic and spectacular moments that defy common-sense notions of physics. Their recent article on reappropriation can be found here. They also write for American Theatre magazine. They have taught at Allegheny College, St. Edward’s University, UT Austin, and Southwestern University. kt is currently the Vice President for the Consortium of Asian American Theaters & Artists, the only national service organization for theatre artists of the Asian and Pacific Islander diaspora.

A series of headshots of essay contributors.
Essay

Twin Cities Funders and Theatres of Color Are Transforming Relationships, Part Two

23 October 2024

The partnership between Twin Cities Theatres of Color Coalition (TCTOCC) and the Racial Equity Funders Collaborative (REFC) has become a groundbreaking model in sustainable, socially engaged relationships between theatres and funders. In part two of this two-part essay, kt shorb offers up experiences from the partnership as best practices that other initiatives tackling issues around race and equity might learn from. 

A promotional graphic for TCOCC.
Essay

Twin Cities Funders and Theatres of Color Are Transforming Relationships, Part One

21 October 2024

The partnership between Twin Cities Theatres of Color Coalition (TCTOCC) and the Racial Equity Funders Collaborative (REFC) has become a groundbreaking model in sustainable, socially engaged relationships between theatres and funders. In part one of this two-part essay, kt shorb traces the formation of both groups and the TCTOCC-REFC super-coalition.

Subscribe to HowlRound

Sign up for our daily, weekly, or quarterly emails so you never miss the latest theatre conversations.

Sign me up

Support HowlRound

We fundraise to keep all our programs free and open and to pay our contributors. Thank you to all who make our work possible!

Donate today