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Larissa FastHorse

Larissa FastHorse (Sicangu Lakota Nation, she/her) is an award-winning writer and 2020–25 MacArthur Fellow. Her satirical comedy, The Thanksgiving Play (Playwrights Horizons/Geffen Playhouse), was one of the top ten most-produced plays in America. She is the first Native American playwright in the history of American theatre on that list. Larissa is currently developing new plays with several theatres including Second Stage Theater, Center Theatre Group, the Public Theater, the Guthrie Theater, Seattle Repertory Theatre, and Yale Repertory Theatre. In 2019, Larissa reentered film and television by co-creating a series at Freeform. Since then she has set up projects with Disney Channel, NBC, and DreamWorks, and is writing on a series for Apple+. hoganhorsestudio.com.

***Photo by Conor Horgan

Four actors sit in a classroom set.
Larissa FastHorse on Indigenizing Theatre
Essay

Larissa FastHorse on Indigenizing Theatre

6 June 2023

Holly L. Derr talks with Larissa FastHorse about Indigeneity and misogyny in The Thanksgiving Play, using satire to create change, and rewriting Peter Pan.

Decolonizing Systems/Our Theatre Ecology
Video

Decolonizing Systems/Our Theatre Ecology

Friday 1 June 2018
Online
Working With(In) Communities/ Trabajando Con y Para la Comunidad
Essay

Working With(In) Communities/ Trabajando Con y Para la Comunidad

Modeling Decolonized Practices/Las Practicas Hacia La Descolonización

31 May 2018

Director Megan Sandberg-Zakian talks with representatives of organizations which are intentionally working towards decolonized practices.

Panel "Responsibility to Represent"
Video

Panel "Responsibility to Represent"

Monday 9 April 2018
Portland, OR, United States
The Thanksgiving Play
Essay

The Thanksgiving Play

an interview with playwright Larissa FastHorse

23 November 2016

Dramaturg Deanie Vallone talks with playwright Larissa FastHorse about The Thanksgiving Play, writing a play with all white characters, and the obligation artists and institutions have to their area’s Indigenous community.

Getting Specific
Essay

Getting Specific

One Playwright’s Complicated Casting Choices

27 September 2016

Kicking off #IdentityWeek, Playwright Larissa FastHorse discusses workshopping her play What Would Crazy Horse Do? at Santa Clara University, and advocates the playwright’s voice in casting choices. 

Two actors onstage facing each other.
Do White Playwrights Think About This?
Essay

Do White Playwrights Think About This?

27 February 2015

Larissa FastHorse explores the issues she deals with as a Native playwright, from finding an agent to what happens when she has to un-Native American a character.