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Mei Ann Teo
they/them

Culture maker and director at the intersection of artistic/civic/contemplative practice. 

Mei Ann Teo, Director (they/them) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. As a director/devisor/dramaturg, they create across genres, including music theatre, intermedial participatory work, reimagining classics, and documentary theatre. Teo works internationally, including premiering works at Belgium's Festival de Liege, Edinburgh International Fringe, Beijing International Festival (Top 8 of Fest in Beijing News), and Singapore Theatre Festival. They helmed Dim Sum Warriors the Musical by Colin Goh and Yen Yen Woo, composed by Pulitzer Prize winner Du Yun for national China twenty-five city tour. They have directed and/or developed new work nationally including at the Oregon Shakespeare Festival, Theatreworks Hartford, Playwrights Realm, Goodman Theatre, Public Theater, Seattle Rep, Berkeley Rep, Crowded Fire, Page 73, Philadelphia Theatre Company, and the National Black Theatre. Teo received the League of Professional Theatre Women’s Josephine Abady Award, the inaugural Lily Fan Director Lilly Award, and has formerly served in artistic leadership as the Artistic Director of Musical Theatre Factory and the Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival. They are currently an artistic leader at Ping Chong and Company.

A promotional graphic for the Nonfiction Theatre Forum podcast.
Podcast

Pink Fang on Legacy, Care, Collaboration, and Possibility

4 November 2025

On the debut episode of the Nonfiction Theatre Forum, Ash speaks with Pink Fang’s leadership about evolving documentary and community-based theatre, ethical collaboration, sustaining legacy, and adapting programs to meet today’s social, political, and artistic challenges.

A group of people sitting together outside a city building.
Essay

Show Us How to Live

16 April 2025

Mei Ann Teo reflects on Ping Chong’s departure from Ping Chong and Company, how the artistic leadership team continues to move forward, and how the questions they asked themselves can apply to theatremakers widely.

Three people lean against a wall on a city street.
Essay

Pink Fang: Inheriting a Legacy, Building a Future, Connecting Islands

9 March 2026

The leadership team of Pink Fang reflects on the company’s renaming and new directions at the end of a three-year transition period that began with the retirement of Ping Chong and Bruce Allardice.  

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