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Owais Lightwala

Owais is the Managing Director of Why Not Theatre (based in Toronto, Canada), and is a passionate lover of analogies.

Owais Lightwala is a theatre producer, and currently the Managing Director of Why Not Theatre. Over the last 6 years working for Why Not, he has produced sold-out runs of award-winning new works, national and international tours, presentations from around the world, and co-helmed the creation of innovative new producing models like the RISER Project. He advises many arts organizations (including theatre and dance companies, music presenters, film festivals and more) as a strategic consultant, particularly on finding better ways of doing things, changing who’s on stage and in the audience, and anything to do with numbers. He also dabbles in theatre making as an artist, and is a prolific web and graphic designer. A lifelong learner, he was selected for the Impact Program for Arts Leaders (Stanford Graduate School of Business), has completed the CORe program (Harvard Business School), was a 2018 DiverseCity Fellow (CivicAction), in the 2018 Leaders Lab (Toronto Arts Council/Banff Centre), and a graduate of York University’s Theatre program.

Illustration of several different hands all holding needles and working on a sewing project together.
Intentional, Relational, Consensual: A New Framework for Performing Arts Contracts
Essay

Intentional, Relational, Consensual: A New Framework for Performing Arts Contracts

30 March 2023

This dynamic summary of a panel co-curated by Rachel Penny and Nikki Shaffeeullah as part of Parallel Tracks 2.0 brings together several artists, producers, and lawyers in a discussion about contracting, how it has been impacted by COVID-19, and interrogating power dynamics within the contracting process.

actors onstage
Can a Theatre Company Lead Change?
Essay

Can a Theatre Company Lead Change?

22 April 2019

Owais Lightwala talks about how Toronto’s Why Not Theatre grew from a scrappy startup to an institution in their own right—which came with a greater responsibility to tackle some of Toronto theatres’s biggest challenges: space, childcare, and diversity.