Through non-narrative rock numbers, Dan Fishback is Alive, Unwell, and Living in His Apartment targets contemporary societal betrayals, from COVID denialism to the genocide in Palestine. Taylor Leigh Lamb writes about the show’s genesis and its multi-pronged commitment to safety and access for audience and artists alike.

Ghost Forest grapples with the climate crisis playing out through sea level rise that impacts forests of the Eastern Bay in Maryland. Taylor Leigh Lamb discusses the way the play’s ecological approach extended into new play development process that supported the art, the artists, and the surrounding community.

Taylor Leigh Lamb argues that building the equitable theatre industry requires robust COVID precautions with steps like masking, air filtration, and advocacy within our theatrical spaces.

Taylor Leigh Lamb and Sabine Decatur share emails, letters, social media posts, and more from the future that represent the period of profound change in the theatre industry beginning in 2021.