The grace and fury in the performance of Jo Lampert as Joan in Joan of Arc: Into the Fire.

W.M. Akers looks at David Henry Hwang's Kung Fu, a bio-play about the life and career of Bruce Lee

W.M. Akers reviews Marie Antoinette at Soho Rep. What is to be gained by following the notorious queen past her glamour and into the hour of her death?

The Donmar Warehouse's all-female production of Julius Caesar encloses the story into a women’s prison to bring to light contemporary commentary on freedom and betrayal.

The world has gone dark, and no one will ever watch The Simpsons again. This is where Anne Washburn begins Mr. Burns: a post-electric play.

W.M. Akers examines immortality in Lucas Hnath's A Public Reading Of an Unproduced Screenplay About the Death of Walt Disney, questioning can our creations keep us here after we have past?

W.M. Akers looks at how this immersive musical from Alex Timbers, David Byrne, Annie-B Parson and Fatboy Slim tells Imelda Marcos' story through disco, audience involvement, and theatrical hypnotism.

Crystal Skillman’s play Geek is everything that is wonderful about geek theatre, an Off-Broadway subgenre that has become increasingly mainstream over the last ten years.