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Cameroon

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Video
School of Resistance—Episode Eight: The Paranoia of the Western Mind
Why is it So Difficult to Recognize a Non-European Universalism? With Achille Mbembe (Cameroon) and Milo Rau (Switzerland)
Saturday 17 October 2020
Graz, Austria
Video
SEGAL TALKS: Edouard Elvis Bvouma and Hermine Yollo
An update on the situation for theatre artists in Cameroon.
Friday 15 May 2020
Cameroon
Essay
Playwright Edouard Elvis Bvouma on Cameroonian Theatre / Le dramaturge Edouard Elvis Bvouma discute du théâtre au Cameroun
by Heather Denyer, Edouard Elvis Bvouma
16 July 2018
School of Resistance poster.
Video

Why is it So Difficult to Recognize a Non-European Universalism? With Achille Mbembe (Cameroon) and Milo Rau (Switzerland)

Saturday 17 October 2020
Graz, Austria

NTGent presented School of Resistance, Episode Eight: The Paranoia of the Western Mind livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Saturday 17 October 2020 at 9 a.m. PDT (Los Angeles, UTC -7) / 12 p.m. EDT (New York, UTC -4) / 17:00 BST (London, UTC +1) / 18:00 CEST (Berlin, UTC +2).

Edouard Elvis Bvouma and Hermine Yollo.
Video

An update on the situation for theatre artists in Cameroon.

Friday 15 May 2020
Cameroon

The Martin E. Segal Theatre Center presented SEGAL TALKS: Edouard Elvis Bvouma and Hermine Yollo livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 15 May 2020 at 9 a.m. PDT (San Francisco, UTC-7) / 11 a.m. CDT (Chicago, UTC-5) / 12 p.m. EDT (New York, UTC-4) / 17:00 BST (London, UTC+1) / 18:00 CEST (Berlin, UTC+2).

Essay
16 July 2018

Heather Jeanne Denyer interviews Cameroonian playwright Edouard Elvis Bvouma about the country’s theatrical landscape, touching on topics like the low number of companies that regularly produce work, female artists in the field, and building public interest in the art form. / Dans cet entretien, Heather Jeanne Denyer discute avec le dramaturge camerounais Edouard Elvis Bvouma de la scène théâtrale dans son pays, en abordant des sujets tels que le manque de compagnies, la création par les femmes, ainsi que le développement et l’intérêt du public pour cet art.

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