Robert Hubbard reviews Larissa FastHorse’s Wicoun, a transformative story of a teen finding power through gender and cultural identity—with the support of some Lakota superheroes.
Robert Hubbard discusses the South Dakota Shakespeare Festival production of Othello, which Tara Moses adapted and directed through an Indigenous Futurist lens. The resulting production employed its Shakespearean source text to model solidarity between Tribal Sovereignty and Black Liberation movements.
