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Annalisa Dias
she/her

Annalisa Dias is a Goan-American citizen artist, community organizer, and award-winning theatremaker working at the intersection or racial justice and care for the earth.

Annalisa Dias is a Goan-American transdisciplinary artist, community organizer, and award-winning theatre maker working at the intersection of racial justice and care for the earth. She is a Co-Founder of Groundwater Arts and a Co-Director of HERE Arts Center.

Prior to joining HERE, Annalisa was Director of Artistic Partnerships & Innovation at Baltimore Center Stage for 5 years. Before that, she was a Producing Playwright and Acting Creative Producer with The Welders, a DC playwright's collective; and a Co-Founder of the DC Coalition for Theatre & Social Justice. She is a TCG Rising Leader of Color. Recent original work includes THE EARTH, THAT IS SUFFICIENT, a performance project about interconnected ecological history and hope for the future, produced by The Welders in DC and around the world in 2019, and 4380 NIGHTS, a world premiere new play about detainees at Guantanamo and the historical legacy of global colonialism, which opened in January 2018 at DC's Signature Theatre as part of the second Women's Voices Theatre Festival.

A person in a shawl standing in front of a black board with neon green writing on it.
Essay

Collectively, HERE: Our Experiment in Shared Leadership

15 May 2025

After nearly a year in their new shared leadership positions, the four co-directors of HERE Arts Center reflect on the ways they’ve learned to lead together.

A large conference room full of people.
Essay

Annalisa Dias and Madeline Sayet on Ecologies of Time and Change

7 April 2025

In this conversation from the 2024 American Society for Theatre Research (ASTR) conference, multihyphenate artists Annalisa Dias and Madeline Sayet came together for a conversation on the conference’s themes of ecology, decomposition, and creation.

A promotional graphic for MicroCosmos.
Essay

Sensing Our Way to the Future Together

6 March 2025

In their individual and collective artistic practices, Annalisa Dias and Applied Mechanics model more just and accessible futures for theatre. Their MicroCosmos encounter explores immersive theatremaking, collaborative leadership, and a desire to end the obsession with artistic “vision.”

a colorful illustration
Essay

Catalyzing Climate Justice by Divesting from Fossil Fuels

19 February 2021

Annalisa Dias and Ronee Penoi, on behalf of Groundwater Arts, argue that there cannot be a just arts sector within an unjust world, and that contrary to what people think, arts workers do have the means and the agency to make change. What is needed is a new narrative.

sheet music
Essay

To Witness

A Proposal to Build Radical Trust across Difference in the Arts

6 November 2019

Annalisa Dias and Ronee Penoi discuss decolonizing theatre, building trust and relationships across difference, and the act of witnessing.

a group of people
Essay

The Possibility of Generative Futures Through Embodied Practice

20 September 2018

Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.

Video

Decolonizing Systems/Our Theatre Ecology

Friday 1 June 2018
Online
Essay

Colonization is Global, but Brown Has No Borders/ La Colonización es Global, Pero El Color No Tiene Fronteras

29 May 2018

Four South Asian theatremakers discuss global decolonization, reclaiming narratives, language and representation in theatre, and more.

Essay

Decolonizing Theatre/La Descolonización del Teatro

an Introduction/Introducción

27 May 2018

Annalisa Dias and Madeline Sayet introduce the Decolonizing Theatre series by exploring the ways the American theatre has been and still is complicit in the legacy of colonialism.

Essay

Designer as Playwright, Images as Text

Expanding Meanings and Breaking Boundaries with Deb Sivigny

9 October 2017

DC based playwright Annalisa Dias interviews fellow The Welders collective member Deb Sivigny on the world premiere of her new play, Hello My Name Is....

Essay

The Independent Producer’s Notebook

Identifying Workable Spaces and Taking Stock of your Theatre Ecology

28 October 2015

In this first installment, Producer Annalisa Dias offers tips and advice about artistic vision, networking, and production venues.

A cartoon depicting colonization.
List

Decolonizing Theatre

This is a list of articles from the Decolonizing Theatre series, curated by Annalisa Dias and Madeline Sayet.

Series

Decolonizing Theatre Practice / Decolonarizar Practicas de Teatro

This series explores ways in which theatre artists can decolonize their practice and the field.

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