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Amanda L. Andrei

Playwright, Literary Translator, Theatre Critic

Amanda L. Andrei is a playwright, literary translator, and theater critic/journalist residing in Los Angeles by way of Virginia/Washington DC. She writes epic, irreverent plays that center the concealed, wounded places of history and societies from the perspectives of diasporic Filipina women, and she co-translates from Romanian to English with her father, Codin Andrei. Her plays have been produced by Relative Theatrics and developed with Boston Court, NY Classical Theater, La MaMa, Echo Theatre, Circle X, The Vagrancy, Pasadena Playhouse, Artists at Play, and more. Her play MAMA, I WISH I WERE SILVER won the 2022 Jane Chambers Award for Feminist Playwriting and was a Finalist for the 2023 Blue Ink Award. Her other work has received finalist status with the Princess Grace Award, Eugene O’Neill Conference, Playwrights Realm, and Ashland Festival. Excerpts of her translations from the plays of Tatiana Niculescu and Oana Hodade have appeared in Asymptote Journal and Another Chicago Magazine. Her theatre critique has been published in American Theatre Magazine, Rappler, Howl Round, and Stage Raw, and reviews of translated literature and poetry have appeared in Hopscotch Translation, Barrelhouse Magazine, and more. She was named one of three 2023 Rising Leaders of Color by Theatre Communications Group and is an alum of the National Critics Institute, the Bread Loaf Translators’ Conference (Katharine Bakeless Nason scholar), Ragdale (Sylvia Clare Brown Fellow), Hedgebrook, Peter Bullough Foundation, Sewanee, Atlantic Center for the Arts, and VONA. MA: Georgetown University, MFA: University of Southern California. 

Get in touch @ www.amandalandrei.com

A group of people dancing on stage.
Essay

Feasting on Politics and Romance at the Iloilo Theater Festival

17 July 2025

“Add Theater to Taste” was the recent theme of the annual Iloilo Theater Festival in the Philippines. Heritage language learner Amanda L. Andrei shares how the shows used food to explore deeper social issues and how her experience in the audience connected her more deeply to her roots.

3 actors sit in a small inflatable tub onstage.
Essay

Towards a Hapa Consciousness: Understanding Blended Identities Through David Johann Kim's Pang Spa

30 October 2024

Amanda L. Andrei uses an understanding of hapa identity to explore the liminal and voluminous identities at play in David Johann Kim’s Pang Spa—both onstage and off.

A writer stands in front of a blank chalkboard in the front of a classroom.
Essay

How to Get Started Translating a Play

3 October 2024

Translator and playwright Amanda L. Andrei offers a beginner’s guide to translation for theatre, with tips on everything from securing translation rights to finding the right community to support your work.

a photograph laying on an open notebook
Essay

Unearthing Your Languages

27 October 2020

Amanda L. Andrei discusses learning Romanian—her father’s native tongue—for her play Lena Passes By and shares methodology for dealing with translations, identifies unique issues of heritage language learners who are also writers, and reflects on the pain of being separated from language.

a dark stage with a spotlight into a pit surrounded by two actors bodies
Essay

Risk in the Body and World at Warsaw’s Generation After 3 Showcase

19 June 2019

Amanda L. Andrei reflects on Warsaw’s Generation After 3 festival, which had the theme of “risky projects,” and discusses four pieces she saw on risk as it relates to the body and the world.

A woman with black hair sits at a desk onstage.
Essay

On a Theatrical Pilgrimage to See Carolina Bianchi and Cara de Cavalo's Chapter II: The Brotherhood

6 April 2026

Amanda L. Andrei crossed continents to see Carolina Bianchi and Cara de Cavalo’s Chapter II: The Brotherhood in search of transformation. She traces the play’s shape and the horror of recognition it prompted through its focus on abusive men in theatre and the traumas they leave in their wakes. 

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