Daniel Sack is a theorist and critic of contemporary performance based in the Department of English and the Commonwealth Honors College at the University of Massachusetts Amherst. He is the author of After Live: Possibility, Potentiality, and the Future of Performance (University of Michigan Press, 2015) and Samuel Beckett’s Krapp’s Last Tape (Routledge, 2016). He is the editor of Imagined Theatres: Writing for a Theoretical Stage (Routledge, 2017) and the founding editor of the accompanying web journal, www.imaginedtheatres.com. He has published more than 30 essays and reviews in a range of books, journals, and magazines, such as American Theatre, PAJ: A Journal of Performance and Art, Theater magazine, Theatre Journal, and TDR: the Drama Review.
Daniel Sack
A Volume from the Library of Possible and Impossible Worlds
Essay
A Volume from the Library of Possible and Impossible Worlds
On Imagined Theatres
12 June 2017
Regarding the Pain of Others (Part Two)
Essay
Regarding the Pain of Others (Part Two)
Brett Bailey's Exhibit B
1 October 2013
Regarding the Pain of Others (Part 1 of 2)
Essay
Regarding the Pain of Others (Part 1 of 2)
Romeo Castellucci's Schwanengesang D744
27 August 2013