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Howard Barker

Howard Barker's first play was performed at the Royal Court Theatre Upstairs in 1970. Subsequently, his works were played by the Royal Court, Royal Shakespeare Company, The Open Space Theatre, Sheffield Crucible and the Almeida. He is currently Artistic Director of The Wrestling School, a company established to disseminate his works and develop his theory of production. His work is played extensively in Europe, in translation, in The United States, and in Australia . He writes regularly for radio, both in England and Europe . He is the author of plays for marionettes and has written three librettos for opera. Howard Barker is the author of two works of theory, and five volumes of poetry. He is also a painter. His work is held in national collections in England (V&A, London) and Europe. Barker has written a collection of essays on the nature of theatre, published as Arguments For A Theatre (Manchester University Press).

Howard Barker's plays are known for their fearless exploration of power, sexuality and human motivation. His texts overflow with rich language, challenging ideas, history, beauty, violence and imaginative comedy, all brought together within the extremes of human experience to create a powerful and compelling theatrical experience. 

Barker's texts are constructed on the premise that theatre is a necessity in society, a place for imagination and moral speculation, not constrained by the demands of realism or any ideology. Barker describes his work with the term Theatre of Catastrophe. In Barker's work, no attempt is made to satisfy any demand for clarity or the deceptive simplicity of a single 'message'; each performance is like a public challenge in which actors and audience are inspired to find meaning and resonance from a multiplicity of interpretations. 

Howard Barker on Puppetry, the Actor, and Process

Howard Barker on Puppetry, the Actor, and Process

5 November 2016

David Dudley interviews playwright Howard Barker about writing for live actors versus marionettes.